by Nidhi Singh

It’s not every day you get to see a Disney prince or princess in Bollywood. Now, we don’t have to wait much longer. After months of promotions, teasers and music launches, Disney’s “Khoobsurat” is ready to hit theaters Sept. 19. The world will meet the wonderfully quirky Mili Chakravarty, played by Sonam Kapoor, who finds herself in a whirlwind of a love story.

Although the storyline is distinct from the 1980 “Khubsoorat,” starring Rekha, Rakesh Roshan and the late Dina Pathak, audiences are buzzing about the storm Mili will bring to the big screen. The film’s director Shashank Ghosh promises comedy, Disney magic, and of course Bollywood romance.

Here are a few reasons why Disney’s “Khoobsurat” is the next Bollywood movie to watch:

1. Fawad Khan…duh

The Pakistani actor is making his big Bollywood debut as the charming Rajput Prince Vikram Rathore. If you haven’t been keeping pace with the film’s teasers, you’re missing out. Khan’s dapper look and sexy voice have audiences eager to see the charm he will bring to the screen.

2. Bollywood finally has a Disney Princess!

We have been introduced to princesses from older time periods and other cultural regions, but it’s not every day you find a modern-day, hopeless-romantic-turned-princess in Bollywood. Sonam Kapoor’s portrayal of the quirky Mili brings a free spirit that is reminiscent of former Disney princesses.

3. Ratna Pathak Shah as Nirmala Devi Rathore

Ratna Pathak Shah reprising her late mother’s role from the 1980 Khubsoorat is a character we are all excited to meet once again. The stringent Nirmala Devi will be hitting the screen with a modern and royal twist.

4. The wonderful Kirron Kher

Kirron Kher, as Manju Chakravarty, Mili’s eccentric mother, will be butting heads with the strict Nirmala Devi Rathore in the film. Kher always brings a certain energy and liveliness to her roles and dives into her character so well that you tend to forget she is actually Kirron Kher.

5. Abhi toh party shuru hui hai!

The soundtrack for Disney’s Khoobsurat was produced by Sneha Khanwalker andt brings a blend of quirkiness, romance and fun. Baadshah in particular composed the film’s fist-pumping track, “Abhi Toh Party Shuru Hui Hai,” that truly emulates Mili’s wild character.

6. Fawad Khan…again (sorry, not sorry lol)

Can we just look at him once more?! ::drool::

Disney’s “Khoobsurat” hits theaters on Friday, Sept. 19. Be sure to check your local listings!

Nidhi Singh is a recent graduate from UNC-Chapel Hill with a degree in journalism, and is taking this time to explore the world through photography, film and words. She enjoys dancing, travelling, eating Nutella, and watching reruns of old “Friends” episodes (as should anyone!). Follow Nidhi on Twitter and Instagram to see where she takes her next selfeet.

By Brown Girl Magazine

Brown Girl Magazine was created by and for South Asian womxn who believe in the power of storytelling as a … Read more ›

If you are a South Asian, born in the ’80s or the early ’90s, chances are your ideas of love and romance are heavily influenced by Hindi films — that first gaze, the secret love notes, that accidental meeting somewhere in Europe, over-the-top gestures and dancing around trees. While reality may have been far from what was promised on reel, you still can’t stop pining over a hopeless romantic, with chocolate boy looks, chasing you across the earth and many universes; in the life here and the ones after. Somewhere deep down, you still dream of that possibility despite your husband sitting and sipping his morning coffee right next to you. And much of the credit for weaving this dreamland, that we can’t resist happily sliding into, goes to the legendary Yash Chopra. Award-winning filmmaker Smriti Mundhra’s docu-series, “The Romantics,” that released on Netflix on February 14, chronicles Chopra’s prolific career; offering an illuminating look into the highs and lows of his journey, his unblemished vision for Hindi cinema and sheer love for filmmaking. 

I wanted to look at Indian cinema through the lens of it being a major contributor to the global cinema canon and Yash Chopra seemed like the perfect lens to explore that because of the longevity of his career and the fact that he had worked across so many different genres. His films, for so many of us, defined what Hindi cinema is.

— Smriti Mundhra

As “The Romantics” unveils, in a mere episode — a challenging feat in itself — Chopra did experiment with multiple genres as a budding filmmaker, initially under the shadows of his elder brother B.R. Chopra. From the religiously sensitive “Dharamputra” and the trendsetting “Waqt” to the action-packed and iconic “Deewaar.” It wasn’t until later on in his career that he set a precedent for a Hindi film having a wholly romantic narrative; though “Waqt” did offer the perfect glimpse into what would go on to become Chopra’s cinematic imprint. And then came “Chandni” which ushered in a new era for Hindi cinema; defying the formulaic approach to box office success and making love stories the golden goose.

In the words of more than 30 famous faces, a host of archival videos and interviews, and personal anecdotes, audiences get an extensive insight into the life and career of Yash Chopra and the evolution of his vision through the business acumen and genius of his polar opposite son and a famous recluse, Aditya Chopra. “The Romantics” is not a fancy portrait of a legendary filmmaker but an exploration of what goes into making a successful film family and a path-breaking production house. As viewers, we not only get a peek into the making of a fantasy creator but also learn of the many failures, hurdles and uncertainties that the business of filmmaking comes packaged in, the impact of socio-political shifts on the kind of content being produced and demanded, and just how much control we have as an audience over the fate of the film and the filmmaker.

For both the uninitiated and fanatics, there are some interesting revelations like Shah Rukh Khan’s lifelong desire to become an action hero as opposed to a romantic one and the creative conflict between Aditya Chopra and his father Yash Chopra on the sets of “Dilwale Dulhania Le Jaayenge” — a project that, surprisingly, did not seem too promising to the latter. Mundhra penetrates deep into the family’s history and industry relationships evoking some really candid conversations; almost as if these celebs were eagerly waiting for their moment to speak. With one appraising interview after the other, it’s a panegyric that does border on being a tad tedious but there is enough depth and fodder in there to keep one hooked. Kudos to Mundhra for managing to achieve cohesion despite there being more than enough material to chew on. In the process of bringing this project to life, Mundhra also ends up achieving a number of milestones: one that the series features the last of actor Rishi Kapoor’s interviews and two, it brings Aditya Chopra, who, it appears, can talk a blue streak contrary to popular belief, to the front of the camera after almost two decades. The moment when he puts the nepotism debate to rest by referring to his brother’s catastrophic attempt at acting is quite the show-stealer.

 

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At some point during the four-episode series, you might question if it’s fair to credit the Yash Raj family for being the only real changemakers of the Hindi film industry and for picking up the baton to get Hindi cinema the global recognition that it has. But then there is no denying the Chopra clan’s body of work, their ability to understand what pleases the crowd and their commitment towards growth and progress amidst changing times and technology — Yash Raj Studios is in fact the only privately held and one of the biggest, state-of-the-art film studios in India. Chopra’s career and legacy are in no way under-lit that Mundhra can claim to throw new light on with “The Romantics.” But what she really has on offer here are sheer nostalgia, some fascinating discoveries and an ode to a cinephile and his art with a bit of fan service.

In an interview with Brown Girl Magazine, Mundhra discusses why it was so important for Chopra to be the subject of her docu-series, her own learnings during the series’ research and creative process and her accomplishment of getting Aditya Chopra to talk, and that too, at length.

By Nida Hasan

Editor by profession, writer by passion, and a mother 24/7, Nida is a member of Brown Girl Lifestyle's editing team … Read more ›