8 Reasons We Love Shah Rukh Khan, For His 51st Birthday

by Keertana Sastry 

Shah Rukh Khan. The name is synonymous with Bollywood, and Bollywood has benefited from that association. Shah Rukh, or SRK as he’s more lovingly known, celebrates his 51st birthday today, which is shocking for two reasons: It’s insane to believe SRK is 51 because he still looks great, but also it’s insane to imagine people of my generation have already been watching this impressive man onscreen for more than two decades.

In honor of his incredible life and career, we celebrate the many reasons we have all loved SRK and obsessed over his films and life for oh-so-many years. We all know it’s just not about the movies. There’s just so much about SRK that earns him his title of King Khan.

He Has Made Some of the Most Iconic Hindi Films Around

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From “Dilwale Dulhania Le Jayenge” to “Kuch Kuch Hota Hai,” “Devdas” to “Swades” and beyond, Shah Rukh Khan films are not only some of the most well-known and well-received, they’re also usually the movies that transcend language barriers and have introduced people of all ages, races, cultures, and countries to Bollywood, creating so many new fans in the process.

[Read More: “The Many Issues that Surface Every Time SRK is Detained by US Immigration“]

He Loves His Fans

Speaking of fans, SRK could not be more thrilled to have as many fans as he does. He’s been known to tweet replies to fans who ask him questions and send him well-wishes. That being said, perhaps another reason to love Khan so much is just how cleverly he can retort at the hecklers and trolls.

He Has Tons of Friends in the Industry

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Just look at the number of well wishes SRK received as soon as his birthday rolled around. In an industry where everyone is competitive, there’s still a lot of love for one of its biggest stars, not to mention the number of actors from the current generation who idolize Khan (looking at you Sushant Singh Rajput). When you think of how many films SRK has popped up in as a cameo or to lend his voice, it really isn’t surprising that he is so beloved.

He’s Not Afraid to Play the Villain

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It’s not just “Darr” and “Baazigar” people! Khan may be most iconic for playing the romantic hero in a number of iconic films, but two of his biggest breakout roles were as a villain, and he hasn’t shied away from those beginnings as he continues his career, with films like the “Don” remake and 2016’s “Fan.”

He’s a Family Man

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Not only is it obvious that SRK loves his family dearly, he even works with his wife on a regular basis! SRK turned the production company Dreamz Unlimited (which he founded with friend and frequent co-star Juhi Chawla) into the extremely successful Red Chillies Entertainment and runs it as the co-chairman with his wife Gauri Khan. Gauri Khan is rather impressive in her own right, producing over a dozen films under the Red Chillies banner.

He Plays Pokemon Go

Even though the fad has died down, he’s still trying to catch ’em all. That. Is. Awesome.

[Read More: “Shah Rukh Khan’s ‘I Am Beautiful Because I Fight Like A Girl! Is a Must-Read“]

His Chemistry with Kajol

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Come on. Have you guys SEEN DDLJ? “Kuch Kuch Hota Hai”? “Kabhi Kushi Kabhie Gham”? Need I REALLY say more?

He’s Just So Damn Charming

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At the end of the day, isn’t this why we love watching SRK onscreen time and time again? Happy Birthday, SRK! Hope it’s been as wonderful as you already are.

[Featured image courtesy: Youtube & Yash Raj Films; All photos courtesy: Giphy & Shah Rukh Khan’s Twitter]


keertanaSBorn in Texas, went to college in Missouri and now living in New York City, Keertana Sastry has a unique perspective on being Indian in different parts of America. Keertana has been working as both an entertainment, culture and lifestyle reporter, as well as a casting assistant for the film and TV industry. She loves to infuse her Indian heritage into her work and life.

By Brown Girl Magazine

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In Conversation With Teresa Patel, Rising Actor From NBC’s ‘New Amsterdam’

South Asian representation in entertainment and media is rapidly increasing nationwide. “We are making strides in the industry, and I am excited about the journey ahead,” said Indian American actor Teresa Patel, known for her roles as Paramedic Harvell in the NBC medical drama, “New Amsterdam,” and Neela Patel in the ABC soap opera, “One Life to Live.”

As a rising star, Patel is breaking barriers for South Asian women nationwide. We, at Brown Girl Magazine, had the opportunity to speak with Patel, a pharmacist by day and an actor by night, about her journey into acting and how she balances both careers. 

[Read Related: Anita Verma-Lallian Talks Camelback Productions and the Need for Greater South Asian Representation]

Patel’s acting career was inspired by watching Bollywood films while growing up. As a child, she would reenact popular Bollywood films with her sister and neighborhood kids.

 

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While her love for Bollywood is common among South Asians, her background and continued work in pharmacy are what make her stand out the most among other creatives.

“I went into pharmacy school knowing that I wanted to do both,” Patel said.

She added that while she knew she was interested in both, she wasn’t sure how to pursue them initially. She never let that dream or passion die down.

“I’ve always known I wanted to pursue acting. I knew I would have to pave a path to pursue acting, and I figured I will work as a pharmacist until I could make it possible — because acting is an investment.”

Patel shared her experiences and emphasized the importance of financial stability, especially for women.

“I believe in strong independent women who can finance their own dreams and build the life they want to live. You don’t want to have to rely on anybody else to do it for you.”

She shared that while it was something her parents did want her to pursue, being a pharmacist was something she eventually loved doing and ultimately helped her pursue her dreams of acting, due to the financial stability it provided as she built her acting career.

“I enjoy what I do and that’s what I love about the life I created. I have grown to love my pharmacy life and I love pursuing acting. I feel fulfilled with both.”

When talking about balancing two demanding jobs,  Patel walked us through a day in her life. We spoke about the importance of organization and how she managed to juggle both, but of course, it didn’t all come easy. She shared how she worked during the day and simultaneously enrolled in an acting conservatory which she attended in the evenings. 

 

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She also noted that she had to make a lot of personal sacrifices since her time was limited with work, training, and auditioning. But despite how difficult the times were or how much she initially “struggled” to find that balance, Patel shared that those were some of her “most memorable” times.

“It felt like a hustle, and I had the chance to experience two very different parts of my life. Looking back, a lot of my growth as a person happened during this time — which is what makes it so memorable for me.”

Speaking about representation and how the media has changed over time, Patel noted that while South Asians are still often given stereotypical roles, recently, a change can be seen in the roles they have been playing and creating. 

“There’s just more inspiration and more out there now,” she said, speaking of the different emerging writers, actors, and shows depicted in the media. 

“South Asians are starting to be seen as leads, as people who can have love interests, who have their own issues, not just white-collar professionals on screen.”

She added that change cannot happen overnight but is slowly occurring in media spaces. Patel also noted that more roles that don’t just highlight one’s identity are needed, adding that roles should not just represent a culture but be able to be played by anyone, despite identity or color. 

Reflecting on roles that emphasize characteristics only associated with one culture, she said:

“Women have so many types of backgrounds, that’s what I want to see more. A role shouldn’t be just for South Asians,” Patel said. “Like any woman should be able to take a role, my identity shouldn’t define what roles I can get.”

Outside of acting and being a pharmacist, Patel wears several other hats including directing her own short film. Without giving any spoilers — we learned that Patel’s film will revolve around the bond between herself, her sister, and her nephew. 

“Instead of waiting for the right role or opportunity, I realized I can invest in myself and create my own.”

In terms of advice, she would give to others,

“I don’t believe we are all meant to do only one thing all of our lives. We are full of potential, but you do have to believe in it and try your hardest to live up to it,” she said.

[Read Related: Deepa Prashad: Meet the Breakout Indo Caribbean Host Conquering Media and Sexism]

She noted that people often “glamourize” the acting world and forget to talk about what brought them to where they are, emphasizing the importance of training, marketing, and networking — all of which can cost money.

. “While you have a full-time job, you can still invest in yourself financially to live out your dreams.” 

Patel can be seen in American medical drama “New Amsterdam” on NBC.  The show currently has five seasons available.

Featured Image Courtesy of Teresa Patel

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By Aysha Qamar

Aysha Qamar is a writer, poet and advocate based in the tri-state area. She currently serves as BGM’s News and … Read more ›

‘Life of Pi:’ A Story of Survival and Magical Imagination

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“Don’t bully me with your kindness,” says Pi Patel (Hiran Abeysekera) to Lulu Chen (Kirstin Louie), from the Canadian embassy who is visiting Pi in his hospital room in Mexico. Pi was the sole survivor of a cargo ship traveling from Pondicherry, India, en route to Canada. His family and the animals from his zoo from back home all passed away, and Pi turned up after being stranded for 227 days at sea. 

[Read Related: Vishal-Shekhar Invite You to ‘Come Fall In Love’ with The DDLJ Musical at The Old Globe]

In this scene from the “Life of Pi,” that recently won in three categories at the Tony Awards, Pi’s sanity is being questioned as his account of what transpired at sea is too…fantastical. His vivid imagination and inspired attention to detail seem like a story a child would share. The character Lulu, from the embassy, is trying to gently nudge him into telling her the more ‘truthful’ account of what happened —one that doesn’t include a carnivorous tiger, a cannibalistic island, and a horrific Frenchman. Pi finally tells her to stop patronizing him. To stop bullying him with her perceived kindness. To actually listen to what he is saying.

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On Sunday June 13, the “Life of Pi” won three @thetonyawards in Best Scenic Design in a Play, Best Sound Design of a Play, and Best Lighting Design in a Play.

It is this one line from the show that has become one of the most surprising and thoughtful lines I have encountered in all the art I have consumed in 2023 thus far. In fact, surprising and thoughtful are words that I would use to describe the overall musical itself. Directed by Max Webster, and adapted by the playwright Lolita Chakrabarti from Yann Martel’s Booker Prize-winning novel, “Life of Pi” is so enchanting, charming, and fantastical that with every beat of the show, I would hear gasps emanating from the crowd. The 24 cast members, many of whom were puppeteers, brought the different animals to life as we switched between the two timelines of Pi recounting his life at sea, in the hospital room, and Pi living out his life at sea. 

Dreamlike to the audience and a nightmare to Pi, the scenes depicting his challenging, lonely, and magical time at sea beautifully depicted the magical realism of the novel. The choreography of the different cast members puppeteering the animals added a sense of whimsy and movement that lent itself to Pi’s childlike imagination. The lighting, the sound, the set, and the actors all came together to create a musical that is like almost being in a drug-induced trip — the set moves seamlessly from the hospital room to the boat, and back to the hospital room, and then the boat; sometimes both at the same time. You can feel the waves when Pi is on the water and see the little fish moving about. It’s as though you are with Pi throughout his journey — you feel scared when he is attacked, you feel inspired when he is in bliss, and you feel pain when he longs for his family. 

Life of Pi
Directed by Max Webster and adapted by the playwright Lolita Chakrabarti from Yann Martel’s Booker Prize-winning novel, “Life of Pi” has received rave reviews throughout its run in New York City.

The biggest marvel, though, is Richard Parker. The puppeteering behind this character is excellent — he is at once menacing, vulnerable, scared, and strong. The transformation of Parker is such that he starts out as such a grand animal and when we see him finally arrive on the island, he looks so frail and thin. You root for him as much as you root for Pi. And Pi himself is the heart of the musical. Abeysekera imbues Pi with so much confidence, playfulness, wit, and fear, that it makes you believe his stories and his relationship with the relentless tiger. 

When Pi tells Lulu to not bully him with her kindness, he is telling her to not shatter his perception of the world he has lived; either it be real or constructed. Pi eventually shares with Lulu and Mr. Okamoto (Daisuke Tsuji), a representative from the Japanese Ministry of Transport, a version of events that is devoid of animals but one that is darker as it depicts human beings in their primal, selfish states. He then asks them, “Which story is better?” Lulu and Mr. Okamoto are speechless, as is the audience. In the end, it’s not about the story they believe but the one he believes. For the one he believes is the one he lived. And no one can bully him into thinking otherwise.

Photos Courtesy: Box Office Guru/PR

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Anita Verma-Lallian Launches Arizona’s First South Asian-owned Film Production and Entertainment Company

Anita Verma-Lallian

Indian-American commercial real estate and land consultant Anita Verma-Lallian launched Camelback Productions at an event held in Paradise Valley, Arizona, Jan. 7. Billed as the state’s first women-and South Asian-owned film production and entertainment company, it will focus on South Asian representation and storytelling, according to a press statement issued by Verma-Lallian. The announcement follows “Arizona Governor Doug Ducey’s $125 million film tax credit for film and TV production that was introduced in July 2022, “ the statement added.

The Jan. 7 private launch party and meet and greet introduced investors and supporters to what’s ahead for Camelback Productions.

Noting the “major push to see minority groups represented in the media over the past few years,” Verma-Lallian said she wants to see more South Asians represented. “I want my children to see themselves when they watch TV. I want my daughter’s dream to become an actress to become a reality. Skin color shouldn’t be a barrier to that.”

The event opened with remarks from Phoenix Mayor Kate Gallego, who has served as the city’s 62nd mayor since 2019. She welcomes the company to “the greater Phoenix community.” She expressed confidence that “the team will attract some of the country’s top talent to the Valley.”

Guests at the event included actor and comedian Lilly Singh, actor Nik Dodani, Aparna of Netflix’s “Indian Matchmaking,” Bali Chainani and Anisha Ramakrishna of Bravo’s “Family Karma” fame, and Paramount+ executive P. Sean Gupta, to name a few.

 

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The company is Verma-Lallian’s first venture into the film industry. She is known for providing full concierge services for land seekers and developers of all types of sites and assists investors in discovering viable properties in the Phoenix area through her company, Arizona Land Consulting, the statement added.

Named in honor of the iconic Camelback Mountain in the Valley, Verma-Lallian says she wants her production company to have the same indestructible foundation. Camelback Productions plans to begin its first project later this summer.