Remember the song “2 Step Bhangra” by The Bilz & Kashif? Can you believe it was released almost nine years ago? Even if we listen to the song today, we still know the lyrics. I can start dancing to it right now but I’ll finish this list and the bust out my moves.
Okay, RDB’s version of “Sadi Gali” is a well-known, worldwide hit to get the crowd going at any desi wedding. The song was also featured in the recent Bollywood movie, “Tanu Weds Manu,” in the marriage scenes. This jam remains a classic and honestly never gets old.
“Billo Ni Tera Laal Gagra,” by Sahara ft. RDB remains another classic dance floor hit. Come on, let’s be real—you wish you were wearing a laal ghagra every time you hear the song. I’m sorry Madhuri, but your “ghagra” can never beat the original ghagra (still love you though). This song is almost ancient, but again, a wedding is never complete without it—and neither should your last summer road trip!
Soni Pabla’s “Boli Pani” is my all-time favorite song. If you’re ever feeling down, this song will always put you in a good mood. I am not Punjabi so I don’t even know what the song means; all I know is it has an amazing beat and will get you dancing, guaranteed. I also wish Pabla had made a dance music video for this song—I can only imagine how much fun it would be.
“Dance With You, by the Rishi Rich Project featuring our very own Jay Sean, Juggy D., and Rishi Rich will always remain an old school throwback. This is one of the first times we saw and heard Jay Sean as a musical artist (and that’s when my fangirling started.)
Everyone is familiar with and loves grooving to 2009’s “Amplifier” by the legendary Imran Khan. Although most of his lyrics never make sense and his music videos are always pretty cheesy, Khan’s beats are always on point. This song remains one we would blast in the car for sure, as much as we don’t want to admit it!
Before “Amplifier” was even released, Imran Khan had another great hit that we still jam to. Who can forget 2007’s
“Ni Nachleh” ft Lucky. Everyone would try to come up with dance routines to this song. I know I definitely tried.
Another song that would never get out of your head after hearing it once is Panjabi MC’s “Moorni (Balle Balle).” This could be a good or bad thing, all depending on you! In this music video,they tried incorporating some dance moves.
The last song I’m going to leave you guys with is, “Tonight” by Baba Kahn ft. Lomaticc, Kardinal Offishall, Fatman Scoop of the “Culture Shock” album! The entire album is amazing but I love the mix of reggae and bhangra fusion in the song, especially because it shows how bhangra is the key to starting any kind of party.
Tayeba Hussain is a native New Yorker, with dreams of becoming a talk show host with a giant cliché coffee mug one day, a la your next Tyra Banks, or Ellen DeGeneres. She’s in love with all things media and has also been published on MTV news. You can check out her MTV articles here, and follow her on Instagram @simplytaystyles101.
Being a teenager is scary. Hormones, high school, trying to fit in — add to it a flesh-hungry demon from the Indian subcontinent and it becomes downright terrifying. At least, that’s what award-wining director Bishal Dutta’s debut feature “It Lives Inside” will have audiences thinking when it hits theaters on Sept. 22.
From the producers of several blockbusters including “Get Out” and “Us,” “It Lives Inside” stars Megan Suri as Samidha. Samidha is an Indian American teenager growing up in a quintessential small town, where she’s one of only a handful of South Asian faces at her school. She has a sweet, hardworking dad (Vik Sahay) and a caring, but stern mother (Neeru Bajwa). Both of them like their daughter home early to make prasad for prayers and insist no one whistles in the house, fearing it’ll attract evil spirits.
Much to her traditional mother’s dismay, when Samidha enters high school, she begins to resist her Indian culture. She prefers to be called “Sam,” and speak English, leaving her homemade lunch tiffins on the counter on her way out the door. Most significantly, she distances herself from her former best friend and fellow Indian, Tamira (Mohana Krishnan)
Tamira has become the center of school gossip carrying around an ominous black mason jar, dwelling beneath the gym bleachers. One day, she corners Sam in the locker room, begging her for help from the “monster” trapped in the jar, but Sam is rigid. Her desire to fit overcomes her emotions. Tamira storms out — and then mysteriously goes missing.
Little does Sam know, her childhood friend’s behavior and disappearance were brought on by the Piscacha — a flesh-eating Hindu demon drawn to negative energy — and Sam’s disbelief has just unleashed its terror back on her.
“It Lives Inside” is a breath of fresh air. It has the nostalgic backdrop of a 1980s teen movie (think “Sixteen Candles” or even “Halloween”) but adds the thrill of an exciting new monster for horror fans, and looks for the final girl.
Audiences have spent decades watching and screaming at faith-based horror stories like “The Exorcist,” “The Conjuring,” and “Carrie,” but “It Lives Inside” is the first of its kind for Hollywood, drawing from Hinduism for its frights.
Now, I can’t lie…when I first learned the story would be rooted in Hinduism, I was nervous. I worried that religion and culture may be used as a gimmick, but I was pleasantly surprised.
Dutta’s approach is reminiscent of Bisha K. Ali’s with “Ms. Marvel” on Disney+. Characters speak Hindi and we see South Asian religious practices, foods, and clothing displayed prominently, in a natural and authentic way that other groups can easily learn and understand. The culture merely rounds out the story, it’s not the main character or conflict.
The Piscacha, feeding on the despondence of its prey, may remind some of Vecna from season 4 of Netflix’s “Stranger Things,” but Dutta offers a fresh angle, alluding to the characters’ negative feelings toward their culture being the source of its power.
He offers South Asian American audiences relatable family dialogues and dynamics, but also steers clear of cliches like showing popular kids as mean or Sam’s American crush unlikeable.
“It Lives Inside” isn’t a horror movie you’ll lose sleep over, but that doesn’t mean it’s without palpable moments of fear.
Thanks to Dutta’s creative shots, smart pacing and sensory visuals, in addition to the emotion-packed acting of its cast, the film successfully makes your skin crawl and your jaw drop on several occasions.
The characters are smartly cast with several standouts. Suri is a welcome new face for the horror genre’s final girl and she delivers her role with the right amount of escalating fear and desperation. Meanwhile, Bajwa leans into hers with the passion you’d expect from a protective brown mom, though, at times, some of her Hindi dramatells come through.
“Get Out’s” Betty Gabriel is also noteworthy as Sam’s teacher Joyce and an early confidant. Her support of Sam was a refreshing break from the “this person must be crazy” trope we see so frequently in demonic films.
All that said, “It Lives Inside” does border on being formulaic. It follows a template and scares we have seen numerous times and ones that have done well historically.
But in its familiarity, it also manages to feel fresh. With its South Asian twist, the film proves that even formulaic horror films can find new life through diversity and inclusivity. It raises the idea that they have the potential to scare wider audiences and tell more spooky stories by exploring new cultures and casts.
While “It Lives Inside” is not perfect — the climax may leave you with a few lingering questions — it is a stylish and well-made film and a welcome piece of mainstream South Asian representation.
Recent past has seen South Asian stars delve into many different genres on television and the big screen, but horror has remained largely untouched. Thankfully, “It Lives Inside” has set the table for some brilliant South Asian-based horror films in Hollywood for years to come.
“It Lives Inside” made its world premiere at SXSW and has made its way through the film festival circuit. It will be released theatrically by Neon on September 22.
Oscar-winning director Steven Soderbergh is known for creating a mix of stylish (read: Channing Tatum-starring “Magic Mike”) and influential films (like “Traffic”).
It’s no surprise to see his name attached to stars like Claire Danes, Dennis Quaid, Timothy Olyphant, Jim Gaffigan and writer Ed Solomon (of “Men in Black” and “Bill & Ted’s Excellent Adventure” fame). But a story about the Guyanese community in Queens, New York was quite unexpected.
“Full Circle” is a whirlwind thriller that released in July on the streaming platform Max.
The six-part mini-series centers around the foiled kidnapping of Jared Browne (played by Ethan Stoddard), the son of Samantha and Derek Browne (Danes and Olyphant) and grandson of celebrity “Chef Jeff” McCusker (Quaid).
The scheme is devised by Savitri Mahabir (played by CCH Pounder of “Avatar” and “NCIS: New Orleans”), a wealthy Guyanese businesswoman with a host of nefarious ventures, and her right-hand man, Garmen Harry (Phaldut “Paul” Sharma). Mahabir is seeking revenge for the recent murder of her brother-in-law by rival Edward Chung, but what does this have to do with the Brownes?
The answer to this question and the unraveling of other dark secrets is what “Full Circle” is all about.
Now, if this sounds complicated, that’s because it is. The show is fast-paced and makes good use of cliffhangers to keep you watching, but, frankly, the episodes are shaky — quite literally in terms of camera work and figuratively.
Early on, Soderbergh darts between stylish, abstract shots of objects in the shadows and minute details that may create an air of mystery, but ultimately just confuses viewers, raising questions that never get answered.
Most of the acting also leans toward melodrama, but many of the supporting cast members — particularly Sharma and Zazie Beetz (as Detective Mel Harmony) — are commendable, delivering natural performances with the right doses of intimidation and snark.
On paper, the plot of “Full Circle” has all the pieces for suspense, but writer Ed Solomon seems to lack confidence in the viewer to figure it all out, opting against compelling revelations in favor of long-winded monologues summarizing everything for the viewer. This is needed, unfortunately, as most other dialogues are unproductive; consisting solely of characters responding to questions with more questions.
Another major point of contention is the portrayal of Guyana and the Guyanese community.
While The Hollywood Reporter suggests the team had several creative consultants, those with knowledge of the country could say the series actually offers a convoluted image.
The attention of Guyanese viewers like myself may pique hearing familiar words like pickney (children) and bad eye (evil eye) and catching glimpses of Georgetown. Those in Queens may smirk at the mention of real-life venue, Gemini’s Lounge, but other elements arguably come off as reductive and a bit unflattering.
The Guyanese characters are the antagonists. Mahabir is shown lying, cheating, stealing and plotting murders with a smile on her face. She doesn’t use facts or strategy to guide her actions, but Obeah practices and fear of curses.
The casting of these roles is also up for debate considering several staging choices were made by the creators.
For example, an early scene shows a Hindu funeral with a pandit reciting prayers and a chowtal (North Indian classical music) group sitting by in white kurtas and shalwars. This is a familiar sight for many Indo Caribbeans but, as the camera pans, audiences are introduced to several Afro-identifying actors playing the mourning family including Pounder and Jharrel Jerome (as Mahabir’s nephew, Aked).
Guyana is a diverse nation where cultures and racial identities often intermingle and, of course, there very well can be Afro-Guyanese Hindus with Indian names, but one could argue the series missed a huge opportunity to offer rare Indo Guyanese representation in these roles.
While Pounder (born in Guyana) and Jerome are talents with impressive resumes, it begs the question if they were the right talents for the roles. To some viewers, the answer is no.
“Guyana is trending right now. There’s the oil, the booming tourism, chefs on TV and Instagram,” shared Sonia, a young Indo Guyanese woman from Queens, reflecting on the show with me. “In that way, I’m happy [the country is] on people’s radar, but [it seems like] nobody looked into the characteristics of the people before casting. Some things are just not culturally correct. The Obeah is dubious and the Guyanese accents will leave you scratching your head.”
This reaction is not surprising. Aside from Pounder and Sharma, none of the cast is Guyanese, let alone Caribbean. In fact, Pounder shared in an interview that pages of the script were rewritten several times to play with Guyanese elements.
To be fair, I wouldn’t be surprised if the creators had difficulty finding actors for the characters, especially Indo Caribbean actors. But for those familiar with the country, “Full Circle” could appear to have haphazardly mixed the actors as well as bits and pieces from a variety of Guyanese cultures in an attempt to create a catch-all portrayal, rather than a necessarily accurate one.
Today, there are talks of not one, but two Jim Jones biopics starring Leonardo DiCaprio and Joseph Gordon Levitt, respectively, but Guyana is more than the dark history of Jonestown or shady acts like those orchestrated by Mahabir.
Guyana is a country with a rich history, diverse culture and proud people. As one of the first high-profile Hollywood productions to highlight Guyana, it’s disappointing to see “Full Circle” fall into Jonestownian tropes of using it simply as a poverty-stricken place to be exploited, where people will do anything for money and personal gain.
While it’s exciting to see Guyana and the Queens community in a mainstream series and to hear Hollywood bigwigs utter names like Essequibo, “Full Circle” also exemplifies just how much room for growth there is in Indo Guyanese representation.
Hopefully “Full Circle” is just the first of many productions to explore Guyanese culture and, in the near future, we can escape the negative stereotypes that remain so prevalent. For the time being, the series is one that leaves a lot to be desired on many fronts.
It is the strength of both British and South Asian cinema that every few years, and with increasing regularity, a film comes along that is able to successfully and thoughtfully bridge the highs and lows of both cultures. With the recognisable cross-cultural DNA of films like “Bend it Like Beckham”, “Bride and Prejudice”and others before it, Shekhar Kapur brings to the silver screen an honest and comedic representation of East meets West with “What’s Love Got To Do With It” — an exploration of love and marriage across international norms.
Written and produced by Jemima Khan, the film draws from elements of her own experience of marrying then-Pakistani cricket star and now ex-Prime Minister, Imran Khan, and relocating to the country for 10 years.
“Particularly in the West, Pakistanis would quite often be seen as terrorists, fanatics and backwards,” says Khan, as she reminisces about her time spent in Pakistan over Zoom. “My experience of living in Pakistan was very colourful, vibrant, and fun. I always felt like the rom-com side of Pakistan was more surprising than anything else.”
A film not just about the heart, but with a lot of heart of its own, “What’s Love Got To Do With It” touches on South Asian families, culture, individuality, and marriages in the 21st century. Set in the UK and Pakistan, this is a feel-good and fun story about childhood best friends and neighbours, Zoe and Kazim, AKA Kaz. And as the narrative unfolds, new light is shone on their friendship and questions are asked about the cultural norms and practices we have grown to accept.
It isn’t your usual ‘boy-meets-girl’ tale. On the contrary, they’ve known each other forever; the fabric of their lives intertwined. Kaz is a British-Pakistani doctor of “marriageable” age, opting for an “assisted” marriage set in motion by his own desire rather than parental duress.
“I think we’ve replaced the term “arranged” with “assisted” because South Asian parents now trust their kids more to make the right decision for themselves,” said Shahzad Latif, sitting next to Lily James, who nods in agreement. “It’s still a process. Some parents may have more confidence in their kids than others, but we’re getting there.”
Zoe – played by Lily James – is a professional documentary maker living on an inexplicably fancy houseboat (bit of a stretch for somebody having difficulty funding projects, but, at this point, a crucial ingredient for London rom-coms). As a white British woman, her method of finding love isn’t one that involves parents or family.
“It was a no-brainer for me to be part of the script,” says a smiling James in response to whether any culture shocks were encountered during filming and table reads. “Pakistani culture is so rich and colourful, and it was important for me to showcase this side of the country. So no, no culture shocks per se, just more singing and dancing in comparison to British culture!”
Zoe’s camera is the vehicle through which the film examines Kaz’s “contractual love”, as she trawls dating apps while following her best friend down the assisted aisle.
Emma Thompson’s Cath plays the comedic matriarch to Zoe, eager to witness the conclusion of her daughter’s swiping days by being with someone suitable. She’s found a family in Shabana Azmi’s Aisha Khan – a more layered mum — one that is embracing both tradition and modernity. It would be fair to say that Azmi successfully sells cinema-goers on the difficulty of that struggle.
“Today’s society is slowly coming to terms with providing children the space they rightfully require and deserve to make decisions,” says Azmi, reflecting on how scripts and films have evolved over time. “Gone are the days when parents would blackmail their children into marrying the first person they come across. Just because they are their kids doesn’t mean they are actually children. They are adults with views and minds of their own.”
Kaz is then introduced to Maimoona (Sajal Aly); a shy introvert from Pakistan, unsure about the idea of moving permanently to London. She’s dealing with internal battles of her own; battles between personal desires and societal expectations.
“Maimoona may not have verbally said much, but her face said everything,” explains Aly, looking beautiful and radiant as ever. “She is torn between what she wants and what society silently shoves down at her and eventually, she goes with what the latter expects.”
The film navigates between London and a fabricated Lahore filmed in the suburbs of the British capital; a feat that comes as testament to the film’s production design. Kaz and Zoe’s jaunts across Lahore, backdropped by its magnificent architecture, set the stage for Pakistani music legends to shine, including the mesmerising voice of Rahet Fateh Ali Khan.
And if this wasn’t enough, Nitin Sawhney and Naughty Boy add further melody to the film’s music, as they talk about their experience of creating appropriate tunes such as the foot-thumping “Mahi Sona”.
“It was a great process and experience to create an appropriate language and expression of music which added elements and flavours to the film,” says the duo enthusiastically. “It’s also an ode to our South Asian heritage.”
Even though the tone of “What’s Love Got To Do With It” is distinctly feel-good, the film thoughtfully explores the unconventional ways that relationships may be built, and what multiculturalism can teach one another. Is it, in fact, more sensible to be practical about relationships? Is it possible to learn to love the person we’re with? Is love really the only ingredient needed for a successful marriage? Why was Kaz’s sister shunned for marrying outside of their culture? And do Western relationships draw more on the ideas of assisted partnerships than we realise?
A clever reference is drawn from the moment Prince Charles shattered many royal dreamers’ hearts with his dismissive “whatever in love means” comment upon his engagement to Princess Diana, thus proving that these notions may be closer to home in the West than one might believe.
James and Latif are a charismatic pair, with Zoe married to her independence and Kaz gently questioning her prejudices. The film is also a vivid demonstration of British talent, with Asim Chaudhry playing a hilarious yet questionable rishta uncle, comic duo Ben Ashenden and Alex Owen appearing as a pair of TV commissioners with a briefcase of ridiculous ideas, and Nikkita Chadha as the confrontational Baby — the film’s feisty rebel, in love with dancing.
“It’s incredible to be part of such a diverse and stellar cast,” smiles Chadha animatedly, while sipping on tea at Soho House in London. “My character is defiant and nonconformist — perfectly conflicting with the name “Baby “. I’m really excited for everyone to watch the film.”
Divorce is still stigmatised in South Asia — a theme often carefully avoided in desi films and television. Khan gently addresses it as a twist in the film – with a reminder that be it love or assisted marriage — amicable and mutual separations are a possibility.
As a complete package, “What’s Love Got To Do With It” deftly wraps up all the emotions associated with love and family in its joyful, musical, and vibrant 109-minute runtime. With its cast, music and direction, this classic rom-com is set to make you laugh, cry and, even more importantly, make you think about the multi-dimensional nature of love within and across cultures. The film is now showing in cinemas worldwide, and we highly recommend it.
Desk bound by day and travel bound all other times – Queenie thrives on her weekly dose of biryani and chilli paneer. She recently released her first book called The Poor Londoner, which talks about comical expat experiences people face worldwide. With degrees in Journalism and Creative Writing, her work and research on gender inequality in the travel industry is taught in universities across the globe. Her travels and everyday fails can be found on Instagram (@thepoorlondoner) and YouTube (The Poor Londoner).
Originally from Karachi, Pakistan and now blended into the hustle-bustle of London, Marium is a trainee technology consultant, by day and sometime also night, and also finishing her bachelors in Digital Innovation. In the midst of striving to be someone, she enjoys dreaming about the impossible (impossible according to desi standards and sometime Harry Potter impossible as well), and writing about them. She enjoys baking, decorating things and a cup of chai!