Mindy Kaling has made monumental strides for South Asians worldwide. From her work on “The Office,” “The Mindy Project,” and her new adaptation of “Four Weddings and a Funeral,” she’s been pumping out hilarious, heartwarming content for nearly two decades. And as someone who refers to Kaling as her “mom-in-spirit” for being as incredible and inspirational as her actual mom, you can imagine my excitement when Netflix announced her new coming-of-age, comedy series, “Never Have I Ever,” starring Maitreyi Ramakrishnan.
Maitreyi (pronounced my-trey-ee) is set to play Devi, an overachieving high school Indian American sophomore with a short fuse that often gets her into difficult situations. It will be the young actress’ Hollywood debut.
I had the opportunity to sit down with the lovely Maitreyi to plan my “Office”-themed Sweet Sixteen party (spoiler alert: it’s going to be inspired by the Dundies) and discuss everything from getting into acting, identity, politics, and the Toronto Raptors.
What sparked your interest in acting and made you realize it was what you wanted to do?
So, in high school, starting from grade ten my drama teacher got me into acting after school: In our after school plays, our after school musicals and at first I just did it as something like for fun and then I realized it was something that I could dedicate myself to for the rest of my life and I would be really happy with it.
What was the audition process like?
First I had to send in a self-tape from the Instagram post, then I sent in another tape when they called me back to send in some more footage of myself, then I went to LA, two times to do some screen-testing and the whole process was so interesting to see how actors get roles and find themselves in the industry.
When you were cast, you were up against 15,000 other contenders, how did that feel?
Well, when I did like audition and go through that whole process, I don’t think I realized how many people were auditioning. And then when I did find out that there were 15,000 other people, I don’t think it really hit me because I didn’t just come out of straight high school and I think, right now, even still, it hasn’t hit me. The whole process of everything, getting the role even hasn’t yet.
Going in to the world of professional acting, was it anything like what you’d imagined it would be like?
Honestly, it was everything I’d imagined and more. It’s so crazy to be in the industry and see like the tricks behind the screen, and how movie magic is created and it’s just so amazing how it’s constantly evolving into something even greater.
How did it feel to meet Mindy Kaling for the first time?
It was amazing, ‘cause she is one of my role models. I love her work on ‘The Office,’ it’s my favourite TV show and she writes a lot of the episodes and some of like the most hilarious ones. So it was really surreal to see Kelly Kapoor in front of me and just like all of her talent.
So, it’s safe to say that Maitreyi and I are now best friends (right, Maitreyi?) because that is what “The Office” does and that is what Mindy Kaling does.
If you could play any character from the past or present, who would it be?
There’s so many characters I’d want to play, like Hermione Granger from Harry Potter, but I’d also want to be like, something like Wonder Woman, like a superhero, but also there’s a part of me that would want to be a crazy villain, like Harley Quinn, just totally off the rails.
It’s clear that South Asians need better and more proportionate representation in all genres. However, what genre would you like to see more South Asians on the forefront?
Well, like you said, all genres need to be covered because we are people and we deserve representation, we exist, but my favourite genre of like movies and like TV are thrillers, like a crazy thriller, totally like psychodramatic thriller with like a brown cast or just some prominent brown characters would be amazing.
Now that you’ve seen what the life of a professional actor looks like, do you foresee yourself continuing a career in acting or breaking into other parts of the media production industry?
Oh, 100 percent, like if I could continue acting, like continue doing this for the rest of my life, I would be one really happy girl.
I’ve always been interested in directing. I feel like later on in my career, I would definitely look into going into directing. It’s something that I’ve always loved and have been curious about, but as of right now, we’re sticking to acting.
I want to get into screenplay writing, so I’ll write a pilot episode for a television series and you can direct it.
I saw a post on your Instagram from the Student Walkout to protest cuts to our education on April 4th, as well as your stories about the importance of voting. Do you want to do more activism? Which issues are most important to you?
I do believe that it’s everybody’s civic duty to make sure that they are aware of what’s going around in their government and to be politically aware about the changes that are happening and speak up and stand up for what they believe in.
I do really believe in public education and the right for education, that’s something that’s really important to me because without the arts and the arts program that I had at my high school, I definitely would not be where I am today.
Voting is really important because it’s your voice, it’s you being able to say what you want to see in the world. It’s you being able to ask from your government what you want. Voting is that one teardrop that can start a whole storm.
Ladies and gentlemen, continue fighting against the education cuts in Ontario for the sake of your children and go out and vote for the sake of a prosperous future.
How significant are being Tamil and being Canadian to your identity? Have you ever questioned these aspects of your identity?
Well, it is my identity, it’s who I am and I think identity is really important in this day and age when you need to make space and know who you are. And me identifying as Tamil-Canadian really resonates with me because I want people to know who I am and for other people to know and to feel seen and even if they’re not Tamil or Canadian, themselves, they can feel that they can identify and be proud of who they are, just as I am about myself.
I feel like I’ve questioned my identity in the sense of wanting to know more about my culture, for example, but I’ve never really felt insecure, just because I’ve been so privileged to grow up in such a diverse environment, like you’re from Scarborough, you know how people are just from all cultures and because of that I’ve never really been felt ashamed of being Tamil or who I am.
One a scale of one to Ryan Reynolds, how Canadian are you?
I’m Ryan Reynolds to the exponent of Deadpool, that’s me. I love being Canadian! I am so proud to be Canadian!
Being Canadian really is THE BEST!
Speaking of being Canadian, what is your go-to Tim Hortons order?
My go-to Tim Hortons order, the best thing, I posted this on my story a bit ago. It’s a white chocolate hot chocolate and you put a chai tea bag inside and it’s amazing. And it’s like a London Fog, with a sort of like cinnamon-y taste.
What’s your favourite thing to do in Toronto?
I really like Kensington Market.
Do you have a favourite sport to watch?
Basketball. Raptors bro, Raptors!
Bandwagon watcher or legit fan (asking as a legit fan, whose entire family obnoxiously hopped on the bandwagon)?
LEGIT FAN! When I was in grade five, I remember my grandma asking me what I wanted for my birthday and I asked her, can we go to Lids and buy a Raptors hat, but can we get my name engraved on the side.
I guess we can go about respecting the bandwagon watchers because we’re all here for the same team (even if you’ve been a fan for YEARS before the rest of your family).
It was an absolute pleasure being able to talk to Maitreyi Ramakrishnan. Let’s meet up at Kensington Market for a day of Acai bowls (with lots of berries and coconut shavings) and churros (two with chocolate and one with dulce de leche because balance) to further plan my “Office”-themed sweet sixteen, which may very soon be “The Office” and “Never Have I Ever”-themed.
Maitreyi, I’m raising a glass of Timmy’s white chocolate hot chocolate with a chai tea bag to you and your growing success.
For the Singh family, Chandan Fashion has always been bigger than simply a bridal showroom. Located in the heart of Gerrard Street, a bustling Little India in Toronto, the bright blue and pink building can be spotted from a distance. Over the years, Chandan has garnered attention from customers from all over North America, even as far as California and Virginia.
For Chandan and Roop, who work alongside “Mom and Dad,” Chandan Fashion is a family business and a way to showcase the beauty of South Asian culture while playing a helping hand in allowing every bride and groom to feel special on their big day. Chandan is their legacy and one they hope to be able to showcase the beauty and intricacies of throwing that “big Indian wedding” on their new CBC show, “BollyWed.”
“BollyWed” follows this tight-knit family through the joys and difficulties of running a multigenerational business. Throughout the variety of clients, discussions of new generation business practices versus old generation, many lehengas, and plenty of laughs, this is one whirlwind journey through the marriage industry.
Brown Girl had the opportunity to interview Chandan and Roop Singh, who were incredibly down-to-earth and a joy to speak to. Here is the interview down below!
What was the inspiration for opening Chandan?
Chandan: My mom and dad started the vision back in 1984 — they started the business. I have a store in India that was started by my grandfather which my father worked in as well, so it is kind of multi-generational of being within this industry of clothing and fashion. My father had a dream of starting what his father did in India, in Canada. While visiting friends in Toronto, my father knew that the Gerrard Indian Bazaar was the right place for them to start, it was the largest Indian market in the Northern America area. He rented a space for two years a couple of doors down from where Chandan originated and then in 1986 we had the opportunity to purchase the corner unit and grow it from one floor to two, to now a four-floor showroom.
Roop: And it should be noted that 1986 is also the year that Chandan was born, hence the name of the store. Chandan Fashion.
Many cities have their own versions of Little India. What was it like growing up/operating in Gerrard Street East? What do you think makes Gerrard Street unique?
Roop: It is funny you say that because even now when we have people traveling to Toronto, checking out Gerrard Street is on their itinerary. So we get a lot of clientele that are visiting from out of town whether it be visiting for the day or weekend. Some of them will sometimes get a hotel nearby for about a week and do their entire wedding family shopping with us.
Chandan has literally grown up in Gerrard Street, but I grew up in Toronto as well. I spent a good chunk of my own childhood in Little India on Gerrard Street. Growing up in the 90s, it was the only Indian bazaar in the greater Toronto area, so anyone who wanted to meet members of their community, have really good South Asian food, shop for upcoming events, or celebrate Diwali or Holi, this is where [they’d] go. This is where my mom would take me on the weekends and I remember popping into Chandan Fashion when my mom needed an outfit. In that way, our childhoods are connected over Little India and I feel like a lot of first-generation kids will sympathize with me, when we wanted to feel a little bit at home, that is where we would go.
How did you get the “BollyWed” opportunity on CBC? What is it like working with your family? What roles do you all play in the business? How do we get to see this in the show?
Roop: It has been quite a journey. It wasn’t necessarily such a drastic transition because already the family was very close-knit in the sense that they are working day in and day out. We do our social media together and our buying together, go to fashion shows. So naturally things we were already doing as a family were just translated to the TV. That is what I love the most about the show, it is just an authentic following of what we do on a daily basis as a family and as a business. It has been a great experience and something that we are super grateful for. It was actually seven years in the making and I’ll let Chandan tell you how “BollyWed” came to be.
Chandan: It started out in 2014. I was at a wedding show and I was approached by the executive producer, Prajeeth and we shot a shizzle. He had an idea of a wedding show with a family narrative and I had been watching ‘Say Yes to the Dress’ extensively. I knew that there was this really interesting market and this fascination with South Asian outfits and bridalwear given that it was so colorful and the beadwork was so ornate. There was a lot more interesting subject matter, especially if we tie that into a seven-day-long wedding and you tie that into multiple events and families. That is more prevalent in South Asian culture: what the mother-in-law thinks, what the mother thinks. But five to six years went by and we got 22 rejections over that period by almost every network imaginable. I was always excited that we were getting rejected because I knew that eventually, we would get a yes. Eventually at the end of 2021, around the end of the COVID era, the production company reached out asking if we were still interested in the show. I said it was never a question of ‘if,’ it was a question of ‘when.’ From the get-go, I knew that this show would be picked up, I knew it would be a success. In March 2022 we got greenlit. We had this amazing journey of seven months of continuous filming. It has been an amazing journey to be able to represent South Asians on television in a way that has not been done before. I like lighthearted programming and I am glad that we were able to influence the show because of our lives and make it a lighthearted family show that people can watch. But we still get to have important discussions.
Roop: I love that Chandan mentioned this. We get to showcase a lot of pivotal subjects in today’s society. For example, we made sure that inclusivity was showcased across all 10 episodes and that is something that I give credit to our directors and producers, they did a wonderful job showcasing how inclusive not just us as a business, but as a brand and as a family we are. These are values that have been instilled in us, that when somebody crosses your threshold and comes into your store, it doesn’t matter what their background is, their color, or their orientation, that is irrelevant. It is something that we don’t factor in, we just consider that this is the patron, the client. There is no judgment — not in our store, not in our family. And I love that we were able to share that on a big screen for everyone to see. That was one reason why it was so important to do this, but the other reason has a lot to do with Chandan and his childhood.
Chandan: So for me, I was born and raised in Toronto. I went to a very small school where I was the only South Asian for a long time in that school. I was the only Punjabi kid, the only kid with a turban, and eventually the only one with a beard, so I noticeably stood out compared to all my peers. My father with his best intentions sent me to a really small school, a private school, that he could not afford to pay for. Where at times the check would bounce every month, but he had a very strong belief that if he provided me a quality education [so] I would keep something really dear to him —keeping the belief in religion — I wouldn’t cut my hair, I wouldn’t cut my beard, I wouldn’t conform to society. He wanted to give me the best chance to succeed as is, [but] the unfortunate truth was I was bullied, I was picked on. I wouldn’t tell him, but people would grab my jurra, my turban, and my hair. And as a kid I would just let it go because you do not want to go home and tattle to your parents, but also because I knew how sensitive of a topic it was to my dad. And I think that my experience would have been different if people didn’t ask me every month, ‘How long is your hair? What do you keep under that?’ All these questions made me feel really uncomfortable, but the other kids also asked because they had never seen anyone like me. If I had grown up with a show like this, I would not have felt so alone, such a strong desire to belong. This is one of the reasons I really believed in the show, I really wanted to have representation. Even if there is just one other kid who watches this show and grows up in a suburb where there aren’t many South Asian kids; if he is able to turn the TV on and see my dad with such a thick accent — English isn’t his first language — but he still owns it so confidently. Or they see a guy like me with a turban and a beard and see that frankly he still has such a hot wife.
Roop: But beyond that, this gentleman with a turban and thick accent, they are such normal people. They love takeout, they like to play tennis, and they could be your neighbor. Other than their outward appearance, they are very much like you, very similar.
Your support in styling Priyanka for their drag performance was inspiring and refreshing to see. How do you change your styles/designs to foster inclusivity?
Roop: I think that goes back to what I was saying about how Mom and Dad have fostered this universal approach to our clientele. We do not look beyond their needs. I think it is also important to note that some people had thought that we had Priyanka come onto the show to make it more interesting, but their relationship with the store spans over the past five to seven years.
Chandan: Twenty years. Priyanka and their family have been shopping at the store for the past 20 years since they were kids. When Priyanka started exploring the world of drag, they came and said they needed a costume that they would be designing. It also wasn’t even any of my peers or me that made that connection with Priyanka, it was actually my dad, the older generation. He said, ‘Don’t worry beta.’ He actually corrected himself and said, ‘Beti, we will be there for you.’ And he got them a really nice sari and lehenga which they converted into a costume that won the first season.
Roop: And Priyanka put their own spin on it and created something amazing. Only because we were the designers of those pieces could we tell that that is a piece from our lehenga. They did such a fabulous job with it.
Chandan: I think we sometimes think of the older generation, like our parents, as being more conservative, but I think that it is a one-sided narrative. Not all of the older generation is as conservative as we think. And my dad just took it as a paying customer is a paying customer. It doesn’t matter what their orientation or beliefs are, and that just naturally unfolded into the story that we are sharing. He did not treat it as a big deal.
For our readers currently planning their weddings, do you have any pieces of advice on how to balance all the heavy details of wedding planning without losing sight of why they are doing it for?
Roop: One thing for the bride and groom is not to lose sight of themselves in all of this. I’ve been there and done that. You plan this extravagant seven-day affair, you have all these people flying out to your wedding, and you feel this really heavy responsibility to make sure that all these guests are taking time out of their lives to celebrate your union. And like myself — and I am guilty of this, which is why I want to tell my fellow brides — [you] tend to make it less about [yourself] and more about everyone else who is attending. And yes, of course, everyone is important and I owe them respect for joining us. But remember what you want in the heart of heart, if you want a small wedding, go for a small wedding. If you want a big wedding, go for a big wedding. If you want the seven-tiered cake, go for it, if you just want cupcakes, go for that. At the end of the day don’t forget what makes you happy. Don’t lose sight of it, just be authentic to yourself.
Chandan: Oftentimes in the wedding industry, people are really looked down upon. Like, ‘Oh my gosh, you are spending so much for this wedding!’ Or, ‘You are obsessing over these details!’ If it is important to you, it is okay. I would not let judgment get in the way of doing what you want whether it be a small intimate 20-person wedding or a having a 1000-person wedding. This is your moment. The biggest thing I hear is, ‘Oh, it is only for an hour.’ But, if you have a photographer, nothing is for an hour. It is for a lifetime. Those moments last a lifetime. If it is something that you hold near and dear to you, you will cherish it. I wish people would stay true to themselves.
Roop: Yeah, agreed. Be mindful of what sparks joy in you and let that be your compass. The most important piece of advice though: At every function please request that your caterer create a to-go container of the meal at the event for you and your partner to enjoy after because often, and it is so sad to hear this, the bride and groom will eat last at their own event or not at all. And you spend all these months planning [an] extravagant menu and then you don’t even get to eat your own wedding cake. Hah! That happened to us!
Do you have any future plans that you feel excited about sharing with Chandan?
Chandan: Yeah! I would say concrete plans are in the pipeline. In the first episode of ‘BollyWed’ [you] see that we come to the realization that there is just not enough space and we would love to expand into another space.
Roop: And this is where you get a lot of the new generation, old generation beliefs. Because mom and dad believe that the family should stay very close-knit and together to run the one location. And Chandan has the belief that [the] true success of a business is when it is scalable, and has multiple locations nationally, globally even. In Episode 10 you get a conclusion, but we will let the readers watch it for themselves!
You can now watch the inaugural season of CBC’s “BollyWed” on CBC TV every Thursday at 8 p.m. EST or stream it for free on CBC Gem! And that’s not all from the Chandan Fashion team! They’ll soon be featured in an Instagram LIVE chat with Brown Girl Magazine, so stay tuned!
For any of us who have siblings, the relationship with them can be one of the most fulfilling ones. And also one of the most bloody frustrating. No one can quite stroke the fire like someone who knows you extremely well, or sometimes not, but have a familial bond with that neither one of you chose. In “Polite Society,“directed by Nida Manzoor, sisters Ria Khan and Lena Khan’s loving, sweet, and sometimes tumultuous relationship takes center stage.
Played delightfully by Priya Kansara and Ritu Arya, respectively, the evolution of their relationship is one of the film’s greatest and simultaneously weakest points. It’s also pretty cool to see two South Asian actresses in an action-comedy movie — how refreshing it is to mention the art of choreography and praise it in regards to fight sequences vs. dance sequences for a film centered on two South Asian women — that itself shows progress.
Set in London, Ria is an aspiring stunt woman who already shows massive talent in martial arts. She looks up to her older sister Lena, who is enrolled in art school and, also holds remarkable potential in a somewhat less traditionally acceptable field. Their relationship starts off as supportive and sweet with no inclinations of jealousy or resentment that sometimes plagues sisterly bonds. But this also means that they are quite protective of one another, almost to the detriment of their well wishes for each other.
This all happens when Lena gets engaged after dropping out of art school. Ria feels betrayed. They were supposed to be on this journey together in fighting for their dreams. Ria decides that she knows what’s best for her sister and enlists the help of her friends to rescue the damsel in distress from her own wedding. Her deep animosity towards the prospect of Lena getting married is also fueled by Lena’s fiancé and his mother acting extremely suspiciously. The twist that ultimately brings the two sisters back together is both shocking and weirdly somewhat progressive in the motive behind the villain’s origin story. But the twist, unfortunately, is too ambitious for the movie as it tacks on another genre and theme earnestly, but still clunkily.
“Polite Society” tackles not only what it means to fight for one’s dreams but also what it means to have just one ardent supporter. As Lady Gaga famously said, “There can be 100 people in a room and 99 of them don’t believe in you but all it takes is one and it just changes your whole life.” Well, Ria’s Bradley Cooper was her very own sister who seemed to abandon her, and her faith in her, when she chose a different path. For Lena, the film opened up the question of marriage and the weight it bears in the life of a South Asian woman. Ria’s lack of understanding of the pressure it places on Lena is the start of the change in their relationship — the start of Ria’s coming of age and the start of Lena settling firmly into her adulthood.
Standouts from the cast include Ria’s best friends, played by Seraphina Beh and Ella Bruccoleri, who commit to the story and characters with such hilarity and conviction. They add the lightheartedness and playfulness the film needs, and it is refreshing that never once do they use Ria’s cultural background as a way to make fun of her or dismiss her.
It is also heartening to see Lena and Ria’s parents being some of the most supportive South Asian parents seen on screen. At the end of the day, it is not the external family pressure that impacts the decisions made by the sisters but rather their own satisfaction, or lack thereof, with their own lives that become the driving force of their actions.
“Polite Society” is written and directed by a South Asian woman for South Asian women, and is definitely worth a watch when it releases in theaters this April.
From a queer brown boy in Edmonton, Alberta (Canada) to now a fabulous trans femme artist in her 40s, Vivek Shraya is no stranger to life and its unpredictable journey. Her love for music as a young boy transcended any naysayer, and as she got older, she was hopeful that she’ll make it in the world of music one day; her ambitions were strong and the inhibitions were defeated by her love for the arts.
Art and poetry gave me a place to express the loneliness, the isolation, the frustration, the pain that I was experiencing.
But, as Shraya ventured deeper into the industry, she found that it wasn’t an easy code to crack. She moved from Edmonton to Toronto for better opportunities to showcase her talents, but the city gave her a wakeup call:
I found it really hard to create a music career and so at around 30, I broke up with music — even though technically in my 30s I kept making music — that was the first moment in my career that it occurred to me that I wasn’t entitled to success.. Just because I was a nominally good singer, had some decent contacts, was full of ambition, and was a hard worker, that didn’t necessarily guarantee I would be successful.
Shraya knew she was a creative person and couldn’t give up her creativity in the name of the failure she faced with her music. She ventured into writing her first (self-published) book, “God Loves Hair,” and that’s when she realized that she could still explore the arts through different mediums — books and short films. She continued to write, but at the back of her mind, she hadn’t given up on music.
Once people started showing interest in my other work, I was constantly trying to figure out how to use that interest to leverage my music. So if I was doing a reading, I was singing songs; if I was putting out a book, it was like ‘how do I put out a single that’s attached to that book?’ If I was making a film, it was like ‘how do I score for the film and have a song?’
Even with all the work in place, and using it to her advantage to further her music, Shraya says that by the age of 38/39, she knew that a successful career in music was,
Never gonna happen.
And that’s when she made a play about failure — “How To Fail As A Popstar” — which has now turned into a show on CBC Gem. Shraya took her story (and lessons) on failure and turned it into an incredible and relatable story for the masses to watch in the comfort of their own homes. She came out triumphant at the end, after all.
We sit down with Shraya for an exclusive chat about “How to Fail as a Popstar” — its inception (revisited), if she ever thought the story would go from book to play to CBC Gem as a show, and how diversity and inclusion are at the core of the series. There’s also a special surprise at the end you don’t want to miss!
Have a look:
You can now watch “How to Fail as a Popstar” on CBC Gem!