This post was originally published on Medium.com and is republished with permission.
Periods suck. We spend enough on sanitary products in our lifetime to fund us a car in retirement. Sanitary products are also taxed because apparently they’re considered ‘luxuries’ and not ‘essentials.’ Right.
We are made to believe that we bleed blue by TV commercials and our periods are dirty and smelly, hence the multitude of products fragranced like laundry detergent. We suffer Toxic Shock Syndrome from the bleach in our tampons. We are guilty of the nonbiodegradable waste that clogs our rivers and seas.
In some parts of the world, we don’t even talk about periods. Some of us are forbidden into kitchens. Others use rag cloth, ash, and various unsavoury things to plug our vaginas. Our culture creates monsters out of menstruating women.
We are nothing but emotional wrecks, conspicuous consumers of chocolate and rom-coms, unstable, bloodletting shrews who are out to destroy the world every month. We are shamed into hiding our own biology, wrapping up our essentials in paper bags, like our alcohol.
The comic ‘Green Period’ is a mix of a rant and an investigation. The rant stems from my own experiences with menstruation and the investigation has been my research into finding the most economical, green way to going red.
Aindri Chakraborty is a London based illustrator and creator of the comics blog ‘There Was A Brown Crow’. Her hand-crafted stories combine both personal narratives and current events about the subcontinent and beyond. Read more about her on her medium account.
“A weight’s been lifted off my shoulder,” said Shania Bhopa, a graduate student at McMaster University, who took control of the narrative and timeline of her life by freezing her eggs at the age of 25. As a P.h.D candidate in the Global Health Program, her goal is to destigmatize egg freezing among as many young women as possible. Although she was nervous to post the first Tiktok about freezing her eggs, Bhopa knew that her goal was to raise awareness about female fertility using her background in health research at McMaster, and her own experiences. That video went viral with 1.6 million views.
“Knowing the likelihood, especially with my career goals, [that] I can have a happy, healthy baby potentially closer to 35, is very refreshing.”
In the South Asian community, reproductive health and family planning can be sensitive topics. Bhopa wanted to utilize her platform to challenge these traditional opinions about reproductive health. And it’s why Bhopa continues to shine a light on the importance of starting these conversations and destigmatizing egg freezing, primarily within the South Asian community.
So what is the purpose of egg freezing? According to Statistics Canada, in 2021, close to one-quarter of Canadians, aged 15 to 49, changed their fertility plans because of the pandemic.
Egg freezing — which helps to preserve fertility for a later stage in life — continues to serve as a way to give individuals leeway to live life intentionally, without conforming to societal pressures. This is an important consideration, as research shows that by age 35 the chances of conception decline to 66% and continue to decrease as individuals age. What egg freezing provides is a feeling of freedom and liberation for people with a uterus, so that their decisions are not influenced by when they should have children.
In this article, we’ll take a deep dive into understanding the stigmas that exist, the importance of having these conversations, and the insight gained as individuals like Bhopa take fertility into their own hands:
The journey through fertility
“My purpose of going through fertility treatments at 25 is to buy myself time, to get closer to my purpose in my professional life, so that hopefully one day I can be super intentional with my time as a mom when I’m ready.”
According to Dr. Togas Tulandi, professor and chair of obstetrics and gynecology at McGill University in Montreal, medication is given to stimulate the ovaries so they produce eggs. The eggs are then removed for freezing and storage. Needless to say, the treatment can be costly. The initial egg freezing procedures typically range from $5,000 to $10,000, while the ongoing storage expenses amount to approximately $300 to $500 per year. Despite the financial commitment, freezing eggs is a valuable investment.
Bhopa documented her 11-day egg freezing journey through a TikTok series on social media. She shared the ups and downs throughout the two-week duration, addressing public queries and comments including those on how this was accepted, given her South Asian background.
Societal expectations, cultural norms, and traditional beliefs often contribute to the apprehension and lack of open dialogue regarding fertility. Breaking through these barriers is essential to empower individuals to make informed decisions about their health care and reproductive journeys.
“My biggest reasons for doing this are both reproductive health and family planning. These are sensitive topics, especially in the South Asian community,” said Bhopa.
They are particularly “sensitive” because in South Asian households, conversations around women’s health, periods, fertility, and related topics, seldom occur openly. Bhopa’s story serves as an example of the power of embracing one’s fertility journey and the liberation it can bring.
Given that Bhopa is a woman in her mid-20s, she sees egg freezing as a way to help her future self. She is calling it a birthday gift for her 25th year. Most of all, she expresses,
“It’s like, you graduate…and then you’re supposed to get married and have kids. But I think it’s important to take control of our own narrative; we don’t need to feel this pressure to have kids when we’re not ready.”
“Why at the young age of 25? What was your parent’s reaction? How was this accepted?” These were just some of the questions that circulated Bhopa’s social media page as she brought awareness to fertility planning.
In order to understand the beneficial impacts that freezing eggs can have on the course of one’s life, we need to first create spaces for people within the South Asian community, and beyond, to feel as though they can prompt these conversations without the resulting stigmas.
All South Asian women should be able to make informed decisions surrounding their fertility journey; whether that is through understanding the options that exist, the associated costs, the procedure, the support that’s available or anything else. To achieve this, we must break down the discomfort within our households surrounding fertility conversations by challenging ourselves to make historically uncomfortable conversations comfortable.
Shania Bhopa is doing her P.h.D in Health Evidence & Impact and Global Health at McMaster University. She is the co-founder and director of the non-profit organization, The Canadian Courage Project. She’s also the author of the children’s book titled “Gurk and Bianca” and hosts The Global Health Collective Podcast.
Mental health is quite the subject these days, its troubles affect everyone; it knows no gender, orientation, race — it strikes upon one’s inner journey. But specifically, what have not been put in the same sentence are men, mental health and vulnerability. Too often it is seen that men are not allowed to show their emotions. But the aftermath shows that this repression of emotions bleeds into relationships, substance abuse, domestic violence, and more. It is seen time and time again in films, books, art — it’s all too familiar.
And it is beyond the point of “let’s talk about it.”
Time for action.
Mental health hits close to home for me. As a filmmaker, I will always share my journey with others. – Jacquile Singh Kambo
Men, mental health and vulnerability often aren’t talked about enough. “Embrace” is a short film that seeks to change that. It is a short animated film about Arty, a well-dressed man who has no face, gets ready for his date until he meets a younger version of himself. Arty and this younger version of himself delve into a surreal world where he learns to embrace himself. It’s him versus himself.
The façade self; the feeling of wanting to be somebody — are all things people are dealing with especially in adult life. From the dating world to the social media world — it feels like different masks are worn only to make us feel faceless, feel numb or a nobody. Too many masks could make people feel like a lost identity amidst everything that is going on in this crazy world. Out of touch, and out of life — with others and with themselves. The masks are metaphorical, the story is internally about men and mental health. Arty learns to ’embrace’ himself and to overcome his internal struggles.
Not often is it discussed that men should have a safe environment to be vulnerable, amongst others or even other men. Perhaps this is because men are wired to put on a façade when things go wrong, when things get difficult, or when true emotions are not expressed. If these are not dealt with, it can lead to other relationships, including romantic relationships. Further it becomes a cycle: suppression could lead to aggression, substance abuse or self-sabotaging behaviors and could create a toxic environment. Many of these arise from childhood trauma. Quite often childhood is repressed or ignored, and one may take their troubles along with them into adulthood. Perhaps revisiting the roots of the past can help one become successful in a better tomorrow. “Embrace” is an example of how important it is for men to embrace their past.
“Embrace” was meant to be a live-action film — until animation was considered. Seven years of re-writing, re-working, and digging down deep with the characters for the story to better fit the message at its core. Animation is an underrated avenue for a universal story that became the key pillar for “Embrace”. What many do not know about animation is that you can create a serious subject matter in a light-hearted way that is universally acceptable. Men and mental health are heavy subjects for some, but animation allows the exploration to become innovative, creative and fun. Animation allows the experimentation of entering surreal worlds.
For example, in “Embrace” Arty enters a surreal world where he has to go up against a younger version of himself — to unmask the root cause of his internal struggles and give himself the “big hug” he needs. This heart-throbbing metaphor is captured in animation that a live-action film couldn’t have captured. The freedom of animation helps tackle tough subject matters about self-love, and how we must embrace the soul, the child, the person within.
The Story Behind The Story
There are many inspirations behind “Embrace”. Film noir, the silent film era, surrealism and the works of Christopher Nolan and David Lynch — the film is able to articulate something far more special. This is more than just a mental health piece for educational purposes. This is a classical narrative from beginning to end; a story of important themes and beloved characters that needed to be shared with the world.
It is not often the words mental health and men and vulnerability are discussed under the same umbrella — especially with growing hypermasculinity, and the likes of social media where facades are put up and the vulnerable parts of ourselves aren’t as expressed. It is here where the film encourages men to look within themselves, and allows them to be vulnerable to themselves. Perhaps this is an important step to better themselves on the journey to have successes (whatever success means to them), and to enlighten and lift those around them. The first step should always begin with “you.”
It’s tough to find places where men have access in ways of improving their mental health without feeling like a patient or a victim in the institutionalized realm. It’s tough to find places where men can talk to other men about their struggles among peer groups, educational groups, and more.
The “Let’s Talk” phase and awareness is long overdue; it is indeed time for action. Perhaps creating seminars or group-related events and activities to help create vulnerable environments. Art or art therapy can be a great way of producing something stemming from the inner journey. Or maybe it is time to look at “sick days” as “mental health days” as well. Perhaps more can be done to simply just talk about it. It’s time to give ‘doing’ a chance to start in our close-knit communities.
Maybe if one learns to ’embrace’ themselves, only then, perhaps one can fully understand others and their pain — and have the vision of empathy for others. “Embrace” took seven years to write and a year of animation for a four-and-a-half-minute short film. The film is about self-love, embracing one’s self before one can see empathy for others. It is produced by Raman K Fenty and Jayesh Kodwani and his team, directed and written by Jacquile Singh Kambo, co- written by Sidartha Murjani and stars Jenna Berman. “Embrace” has received numerous international accolades including Best Audience choice at the Emerging Lens Cultural Film Festival of Halifax, Nova Scotia, as well as acceptances in hometown Vancouver, Canada; Goa, India and Chicago, United States.
If you are struggling with your mental health, please call your regional crisis hotline. These are a few non-crisis mental health resources for men’s mental health.
January 16, 2023January 16, 2023 6min readBy Sejal Sehmi
I was a mere 14-year old on the fateful night of 22 April 1993. The night that witnessed black teenager Stephen Lawrence brutally murdered in a racially motivated attack as he waited for a bus. The night that cemented my fear, that the colour of my skin does matter. The same night that confirmed my indifference as a British Asian in the United Kingdom — were we really united? Fast forward to May 25 2020, the murder of African-American George Floyd by a white policeman was the turning point for British Asian author and my lovely friend, Shweta Aggarwal to finally break her silence and narrate her story of colourism, in her new book, “The Black Rose.”
Aggarwal’s gripping memoir emits so many emotions; that of an awakening, a voice that has been suppressed for years, filled with anger, mistrust and guilt. But most importantly, “The Black Rose” successfully disrupts the narrative that consistently allows society to box someone as indifferent based on a visibility factor. For Shweta, this factor was the colour of her skin. The injustices she consistently endured via some family members and fellow South Asian peers throughout her life, was as a result of her skin tone failing to qualify as ‘acceptable’, or as she often quotes in her book, not ranking high enough on the ‘fairometer.’ Whether she was in India, Japan or London, the scale was never too far behind.
Within the first chapter, she recalls as a child in India, the distinct lack of subtlety displayed by certain family members through direct taunts of her duskier appearance in comparison to her parents. She realised that she wasn’t in complete isolation from this prejudice, as her maternal aunt and uncle were also harshly nicknamed on the basis of their skin colour — Kaali (black) and Savla (wheatish). Aggarwal was left mortified by what many South Asians sadly still continue to casually exercise. Echoing similar incidents within my social proximity, it’s infuriating witnessing the recipients of such remarks surrender to laughing at themselves too.
Except it isn’t funny. Born into a culture where conversations on religion, caste and hierarchy in India are still so prominent, the comparison of Aggarwal’s skin colour being as dark as that of the domestic help (often from poorer families), prematurely planted seeds in her mind that she simply didn’t belong with her family, especially when she was sent to boarding school. Her lack of self-worth coupled with these taunts, gave her a whole new vocabulary for the letter B, that grew in parallel with the ongoing prejudice and anxiety. B for blackie, beggar’s child, bedwetter! Not funny, but derogatory. Post her book launch that Brown Girl Magazine attended, she tells me,
I personally feel we are way behind when it comes to understanding the importance of mental health. Name-calling was normalised and if you objected, you were ridiculed further with remarks such as ‘So sensitive! Can’t you take a joke?’ Body and colour shaming can lead to a feeling of inadequacy in the victim, which can further lead to depression and much worse mental illnesses.
During the 1984 Hindu Sikh riots in India, where over 3000 Sikhs lost their lives, Aggarwal recollects the frightening moment when she and her classmates fled into hiding to escape the violence during a school trip. As a means to save all the students from harm, the Sikh boys were forced to remove their turbans and long hair — their visible identities stripped to keep them alive. Yet, ironically, even in this horrifying situation, Aggarwal felt least at risk, attributing this self-assurance to her darker appearance.
The crux of her self-loathe was the love-hate relationship she formed with skin whitening creams. The birth of Fair and Lovely, India’s most renown brand (now known as Glow and Lovely following a backlash) was notorious for selling the damaging message that fairer skin equated to a happier and fulfilling life. For it was fairer skin women that would qualify for marriage — clearly their only sole purpose!
Tactfully using famous fair-skinned Bollywood actresses in television ads and posters, their so-called perfection would scream out to vulnerable young girls. (Men were targeted much later on, but the importance seemed less). Akin to the wretched beach body posters plastered on every corner in January — because apparently bikinis only look good on a certain body type — the damaging message remains the same. Social acceptance comes at a cost, and that cost is to look a certain way.
It’s an extension of the dated methods imposed on women from the womb, where mothers are lectured on drinking milk with saffron to ensure the baby is fair, traditional matrimonial sites asking women to specify skin colour, and women being told to stay out of the sun. These socially ingrained views are eventually developed into modern day methods in the form of cleverly marketed consumables. Aggarwal admits,
Most people only use the cream on their face just as I did. At that time, I didn’t even think about the rest of the body. I felt that if the face becomes fairer, that will be enough for acceptance. My mum noticed the difference for sure and I was lighter by the time I met my husband, Amit. I must admit the addiction is a combination of three factors: the justification in your own head, the strong marketing message that ONLY fair is beautiful, and the ‘compliments’ from those around you.
I admired Shweta’s honesty on admitting what essentially was a dangerous obsession that she remained faithful to throughout her teenage and adult life. A ritual that, whilst prompted gradual results in her appearance, was never going to eliminate the insecurities she felt within herself. Moments of joy with her husband and children on holidays abroad, would be broken up by the need to ‘fix’ any damage the sun may have inflicted i.e. reverse her tan. The booming tanning industry in U.K., her now home, and admiration of her ‘sun-kissed’ look by Brits initially surprised Aggarwal — as if her colour had now gained acceptance.
But who are we seeking acceptance from? A society that is still deep rooted in patriarchy forcing women even now to adhere to dated rites of passage that holds no relevance? Or a society that seeks to point out one’s indifference because of how they look — their skin, their religious attire, their weight? Or a society that passes judgement on a woman’s self-worth, and continues to abuse that same woman behind closed doors under the eyes of Goddess Kali? Aggarwarl goes on to explain,
The more damaging perceptions of colourism, are that ‘fair is rich’, ‘fair is successful’ and ‘fair is better educated’. Essentially, ‘fair is supreme’ in every sense. And if that’s the case, where does that leave dark-skinned people? In Ukraine, for example black and brown people were discriminated against and not given a fair chance to save their lives. Is it fair to be denied a basic human right — survival — based on your colour?
I personally was curious to know from my family what the definition of prejudice in the Hindi vocabulary is and how it is/was applied to in India. “Pakshappat” (taking sides) or “poorva dhaarna”, were the closest pure Hindi definitions known to my cousin, yet rarely used. However, my dad stated that “hum bedh bhau nahin hai” was the common term used to state amongst family and friends when someone was not biased and believed in equality. Somehow, colourism never really came under that category. A sentiment echoed by some of my Chinese and black friends . Even in parts of China and Africa, the belief that darker skin is perceived as inferior, is accredited to stereotyping certain groups of people as manual labourers working under the sun, and therefore of a lower class or caste. Does Shweta believe we can change this attitude?
A couple of my aunts are still reluctant to help me with my mission. One even said ‘it’s pointless fighting it’, while one said, ‘everyone has the right to define beauty for themselves and being fairer is what beauty is for some.’ The problem with this is that people then start to look down on people who aren’t. Colourism, casteism and classism divide people, creating more unrest in society. If we continue to aspire to be fairer, we’re still encouraging white skin privilege, and encouraging colonial values. The more we allow ourselves to succumb to these social constructs, the more enslaved we feel internally. Melanin is crucial for protecting our skin against the harmful radiation of the sun. Feel blessed that you have it and wear it with pride!
I wonder how we can dare to walk shoulder to shoulder with our black friends in the Black Lives Matter movement, if we refuse to face up to our own biases against colour? We seek equality in the U.K., but deny our deep-rooted prejudice, whilst a white privileged man lectures the world on the difference between racism and unconscious bias (yes Prince Harry, I’m looking at you!). “The Black Rose” has paved a way for many more voices to speak out against the damaging impact of colourism, and in my view, rightly belongs under the definition of prejudice in the collective South Asian vocabulary.
“The Black Rose” is available to purchase on Amazon.
Aindri Chakraborty is a London based illustrator and creator of the comics blog ‘There Was A Brown Crow’. Her hand-crafted stories combine both personal narratives and current events about the subcontinent and beyond. Read more about her on her medium account.
