One of the most difficult challenges many women have to counteract on a daily basis is battling misogyny. In fact, it is also one of the toughest and most incomprehensible forms of discrimination to recognize because of its covert nature. Many people tell women they should accept unequal gender roles, even if this could potentially transpire into more aggressive forms of sexism. However, misogyny is unacceptable.
Women often bear the brunt of misogyny working with these people, dating them, or meeting them in their day-to-day lives, as misogynists continue to break their confidence or tell them that their opinion does not count. The issue is that women may also be incapable of identifying these individuals as misogynists because of the nature of this deeply embedded hatred. The question then becomes, how do you recognize misogyny?
Misogyny is generally harder to decipher, while sexism may be much more apparent. Acts or behaviors that openly discriminate are easier to recognize; they are still difficult to challenge but they do not always transform into an undisputed belief that men are superior. Sexist acts could objectify women or discriminate against them, but individuals who perpetrate these acts may still have a higher regard for women. On the other hand, misogyny implies a disdain for women, holding a negative attitude towards women, and/or regarding them as inferior simply for being women. This prejudice against women may be subconsciously adopted, so the misogynist may fail to comprehend their own attitude towards women, which further complicates the way that misogyny is understood and identified.
Recognizing Misogyny
Once you begin to recognize how a gendered paradigm significantly affects the way that people behave, pinpointing misogyny becomes easier. When you are unable to comprehend why your opinion is treated as secondary or is neglected, it is a good idea to begin analyzing this person’s behavior towards other women—this is usually where a discrepancy can be found. Misogynists share a few characteristics that can help distinguish this negative behavior. They hold a greater sense of entitlement simply for being men. These individuals genuinely believe that they should be treated better and deserve more in life because they are males. Misogynists also have an inflated ego that must be validated through women who remain beneath them. There is this idea of male supremacy that is ingrained within their minds. When they feel like a woman may be more qualified than them, yield more power, or unwilling to accept their superiority; misogynists act out in different ways. Most often, they adopt methods to make these women appear inferior. Women who stroke these individuals’ egos or adopt a position below them will fare better, although they will fail to receive equal treatment as well.
There is a spectrum of women out there. Some women follow cultural standards that may be imposed on them and perform gendered expectations. Some women refute these ‘rules’ in certain instances, yet accept male superiority in other cases. Then, there are women who outright refuse to accept any form of difference based on gender. All women have a diverse range of experiences and I would never belittle that. However, somewhere between accepting and refuting gendered norms that establish men as superior and women as inferior lies an internalized form of misogyny that some women accept. If a woman believes that men are somehow better than them or deserve to be treated in a superior manner, then this ensures these women will be afraid to reach their full potentials. Their sense of self-esteem will remain low and they may also internalize a lower regard for women. In addition, this internalized misogyny sometimes means that these women need to inflate their ego by competing with other women and making them feel inferior. There are many women out there who have ‘made it’ in their careers, yet work with other men to keep women in the same field below. Some men will also use this as a strategy; pitting one woman against another to remain on top. Misogyny is messy and complicated.
While there are many gender progressive men who are working to build women up, there are men out there who attempt to keep women competing against one another. I will use the glamor industry as one example. Perhaps, this is one arena where misogyny is most prominently manifested. Male directors often abuse their power in unlimited ways. Many of them ensure that the models or actresses who are working with them feel insecure. They use other models or actresses to threaten their position, as well as eliminate their negotiating power. They often coerce them into working without compensation or for minimal pay, while reaping the profits. Many of these male directors or casting crews also do this in a way that agreements are implied, nothing is overtly stated or written. In this way, there is never any proof that the conversation occurred. This is worse in cases of women who are coerced into sexual activity. Perhaps, the most critical aspect of this is that these men believe they are somehow entitled to these women and a greater amount of power—misogyny in its purest form. Fortunately, there are still many men in this industry who respect women and treat them as equals.
Nevertheless, misogyny comes in many shapes and forms, and it is in no way limited to the glamor industry. It is deeply ingrained within our societies and influences how men and women’s roles continue to be perceived. I find it absolutely mind-boggling that some men in 2016 still believe that having a different set of genitals means they are somehow entitled to more power and respect than women. Not only that but they believe that having a vagina will somehow make you a better cook and more apt to clean; of course, moving into the arena of sexism. The worst fact about all of this: it’s not just some men who believe in a type of definitive male superiority, but a wide-spectrum of people, including women, which can be self-damaging. It is imperative for us as feminists to recognize and battle misogyny every step of the way. This is one of the main ways that we can create a more gender equal world.
Rishma Johal graduated from Simon Fraser University with an M.A. in Gender, Sexuality and Women’s Studies, and B.A. in History. Rishma is an anti-racist feminist as well as an advocate for intersectionality and social justice. Her research is aimed at enacting social change as is her photography and video work. Rishma has also hosted television programs, radio shows, live events, and presented at numerous conferences. She loves dancing, has a knack for acting and is a complete Bollywood fanatic!
NAKED: The Honest Musings of 2 Brown Women was born in the autumn of 2018, when Mimi Mutesa and Selvi M. Bunce began sharing their poetry collections. It was scary, beautiful, and terrifying when they decided to trust each other with their most intimate thoughts. Not only did they feel relieved after doing so, but Selvi and Mimi also felt more seen as women of color. They embarked on their publication journey, so others may feel as seen as they did on that fateful autumn.
“Ingrown Hair” deals with the themes of societal and family pressures that are reflected throughout NAKED. Mimi and Selvi have always written for themselves. They see poetry as an outlet, and their poems exemplify their personal frustration and vulnerability. “Ingrown Hair” speaks to Selvi’s experience with the societal pressures of South Asian women, such as getting married, being a good wife, becoming a good mother, and leading a certain kind of life.
There is something strange beneath my skin
telling me to build a house,
make a home,
mother children.
I am not sure how to reconcile it.
My mother was strong
and a mother after all.
My philosophy has been to spend my time
on myself and the world.
I have always thought
I could simply address the thing under my skin
when it finally crawled out.
But when my family starts guessing
who will get married first, and my father
has been saving wedding money for years,
I begin to wonder
if I will have to pluck it out.
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“Take what you want//Take everything” reflects on a time with my partner and our cat, Layla. It’s a retelling of the chaotic night I adopted her. I didn’t know why Layla hid from me. When I chased her around, it scared her more. “Take what you want//Take everything” juxtaposes our first night, filled with misunderstanding, with the rest of the time we spent together. My fond memories call back to the loving moments Layla and I shared.
Such memories defined us; they reverberated in my partnership. I wonder if my partner, like Layla, only remembers her fear of me, over our shared moments of love. The title, a Kanye West lyric, is an acknowledgment that their happiness together–without me–destroyed my sense of self. When I see their photos, I wonder if I can see myself reflected in their eyes. I wonder if they still keep kind moments of our time together.
I remember when she would look at me from behind a laundry basket.
A small simple cat with green owl eyes. She was afraid of her new home and its owner. Shit, I remember the night I got her, she hid under my bed, in the middle just out of my reach for maybe 6 hours, watching me. She didn’t eat anything the entire day. When the night fell I was afraid she’d starve or come out and attack me. I was just scared. I didn’t have a childhood pet, I’m not white, I didn’t know what to do. I picked up the whole bed and yelled that she needed to move. I chased her into the closet with a vacuum cleaner. When she ran in, I called my lover and yelled to her that she wasn’t helping enough, she needed to be there to help me. That was our first day together, me and that cat. No one will ever have that memory but me and maybe her.
It was during Ramadan, my first year fasting.
Our problems had already begun by then. Enough so that I decided to fast and show retribution. I’d try to change into a more patient and understanding self. Like the Prophet (SAW) I guess. To become someone that my lover could feel safe around. Somehow, getting a cat felt like it fit into that picture. I’d be a cat dad, you know, gentle. We’d raise her. I’d fast and become New Again. Maybe I’d wrap an inked tasbih around myself and show I’m a man of God.
I don’t know how a cat remembers fear any more than I know how a lover does.
I know her body stored it. My cat’s must have stored it too. That first night, I wish I could tell her that I was afraid too. It doesn’t make sense that I was afraid really — I’m bigger, more threatening. We don’t speak the same language anyway, so how could I ever tell her? She learned to trust me though, in her own way. Her small bean paws would press on my chest in the mornings. She’d meow to berate me for locking her out some nights, or when I was away from home too long.
She lives with my lover now. They share photos with me, they’re happy together.
I saw my lover once, it was on 55th and 7th, Broadway shined blue performance lights over us. She wore a red sacral dress. She said her mental health has never been better. I think she was trying to tell me that she’s doing well, because she knows I care for her. I don’t think she was trying to say she’s happier without me. We don’t speak the same language. I actually think they are happier with just each other. And I loved them both, so it hurts. Sometimes, not all the time. And it doesn’t always hurt that bad. Other times it does get pretty bad, though. I probably owe it to myself to say that.
I look back at the photos, the ones of our life together, and the ones of their new life.
Two green owl eyes, and two brown moonlit eyes. I look for myself in them.
In celebration of Kirthana Ramisetthi’s second novel “Advika and the Hollywood Wives,” BGM literary editor Nimarta Narang is publishing this short story by the acclaimed author. This piece chronicles the evolution of a writer’s life through their ever-changing author’s bio. In the details, from the change in last name to the new address, we observe how Gigi grows into Genevieve and the life events that make her into the writer she becomes.
“My Picnic,” published in the Oakwood Elementary Storytime Scrapbook
Gigi Maguire loves strawberries, “Smurfs,” and being a first grader. Her favorite word is ‘hooray.’ This is her first short story.
“Sunshine Day,”published in Oakwood Elementary KidTale
Gigi Maguire is a fifth grader in Ms. Troll’s class. She loves writing stories more than anything in the whole world, except for peanut butter.
“What Rhymes with Witch?,” published in BeezKneez.com
Gigi Maguire is a high school junior living in the Bay Area. Her favorite writers are Sylvia Plath and J.K. Rowling. If she can’t attend Hogwarts, she’ll settle for Sarah Lawrence or NYU.
“On Her 21st Birthday,” published in LitEnds
Gigi Laurene Maguire is a writer and recent graduate from Sarah Lawrence College. Her favorite writers are Sylvia Plath, Alice Munro, and Mahatma Gandhi. She is making her big move to New York City in the fall.
“Valentine’s Day in a Can,” published in Writerly
Gigi Laurene Maguire is a freelance writer who loves the written word, Ireland in springtime, and “La Vie En Rose.” She lives in Hoboken, New Jersey.
“Unspoken Ballads of Literal Heartbreak,” published in Weau Dunque Review
Gigi Laurene Maguire is an assistant editor at ScienceLife.com. Her work has appeared in Writerly and is forthcoming in Pancake House and Schooner’s Weekly. She lives in Hoboken, New Jersey.
“The Mistress of Self-Loathing,” published in Story Day
Gigi L. Maguire is the editor-in-chief of Small Business Weekly. Her work has appeared Writerly, Story Day, Pancake House, and Schooner’s Weekly. She’s currently working on a novel about witches. She lives in Hoboken, New Jersey, with her tabby cat Sabrina.
“The Distance in Your Eyes,” published in The Canton Review
Gigi L. Maguire is a freelance writer and digital marketing specialist. Her work has appeared in Writerly, Story Day, and is forthcoming in Idaho Centennial. She’s working on a novel and a short story collection. She lives in Hoboken, New Jersey.
“Auspicious,” published in BookWorks
Genevieve L. Maguire’s work appears or will appear in The Canton Review, Mark’s End, Bishop Quarterly, and Idaho Centennial. A second runner-up for the Imelda Granteaux Award for Fiction, she is writing a novel and a memoir. Genevieve lives in Brooklyn.
“Meditate, Mediate,” published in Ripcord
Genevieve L. Maguire’s fiction appears or will appear in BookWorks, The Canton Review, Berkeley Standard, and elsewhere. A graduate of Sarah Lawrence College, she is an MFA candidate at New York University. She lives in Brooklyn with her boyfriend and their two cats.
“Chaat & Chew,” published in The Carnegie Review
Genevieve L. Maguire’s fiction appears in Ploughshares, Ripcord, The Cambridge Review, and elsewhere. She received her master’s in creative writing from New York University. Her short story “Meditate, Mediate” has been optioned by Academy Award nominee Janet De La Mer’s production company, Femme! Productions. She lives in Brooklyn with her fiancé, their three cats, and a non-singing canary.
“Urdhva Hastasana Under a Banyan Tree” published in The Paris Review
Genevieve Maguire-Mehta’s fiction has been hailed as “breathtakingly lyrical” by Margaret Atwood. She is the recipient of the Whiting Prize for Short Fiction and an Ivy Fellow. Her fiction has appeared in The Carnegie Review, Ploughshares, and elsewhere. She lives with her husband Manoj in Park Slope, Brooklyn.
“Reaching New (Jackson) Heights,” performed by Lana Del Rey on NPR’s “Shorts” series
Genevieve Maguire-Mehta’s fiction has been hailed as “effervescent” by Alice Munro and “breathtakingly lyrical” by Margaret Atwood. She is the recipient of the Whiting Prize for Short Fiction and an Ivy Fellow. Her work appears or has appeared in The Paris Review,Elle, The Carnegie Review, and elsewhere. She lives with her husband in Park Slope, Brooklyn with their feisty menagerie of animals.
“The Bhagavad Gina,” published in The New Yorker
Genevieve Maguire-Mehta is the recipient of the Whiting Prize of Short Fiction and is a McClennen Arts Colony scholar. Her work appears or has appeared in The Paris Review,Elle, and elsewhere. She is currently working on a novel. She lives with her husband and daughter in Park Slope, Brooklyn.
“When Two Becomes None,” published in American Quarterly
Genevieve Maguire’s writing has received dozens of accolades, most recently the Luciana Vowel Prize for Female Fiction. Praised by Alice Munro as “effervescent,” her work has appeared in more than twenty publications, including The New Yorker, and The Paris Review. She lives with her daughter Priyanka in Park Slope, Brooklyn.
“The Day We Learned Desire is a Winding Path,” published by Capricorn Rising Press
Genevieve Maguire is an award-winning writer whose work has appeared in more than thirty publications, including The New Yorker and The Paris Review. She lives with her daughter in a 100-year-old farmhouse in Woodstock, New York. “The Day We Learned Desire is a Winding Path” is her first novel. Visit her website at genevievemagauthor.com.
“Hairy Arms and Coconut Oil,” published in MotherReader
Genevieve MaguireDunblatt is a novelist, homeopath, and part-time yoga instructor. She has seen her critically-acclaimed short stories published in The New Yorker, The Paris Review, and elsewhere. She lives with her husband Benji and daughter Priyanka in Jacksonville, Florida.
“Priya Pinker’s Mother Gets a Life,” published by Capricorn Rising Press
Genevieve M.Dunblatt is the author of two novels, including “The Day We Learned Desire is a Winding Path.” An aura reader, faith healer, and yoga instructor, she has seen her critically-acclaimed short stories published in The New Yorker, The Paris Review, and elsewhere. She lives with her husband in Jacksonville, Florida. Visit genevieveauthormag.com to learn more about her writing, and genevieveauthormag.com/hearthappy for her wellness services.
“Comma, Coma,” published in Read-A-Day Journal
Genevieve Maguire is the author of “The Day We Learned Desire is a Winding Path” and “Priya Pinker’s Mother Gets a Life.” She has seen her critically-acclaimed short stories published in The New Yorker, The Paris Review, and elsewhere. Alice Munro has called her writing “effervescent.” She lives in Jacksonville, Florida.
“Next Stop New York,” published in The Lunar Reader
Genevieve Maguire is the author of “The Day We Learned Desire is a Winding Path” and “Priya Pinker’s Mother Gets a Life.” She lives in New Jersey.
Rishma Johal graduated from Simon Fraser University with an M.A. in Gender, Sexuality and Women’s Studies, and B.A. in History. Rishma is an anti-racist feminist as well as an advocate for intersectionality and social justice. Her research is aimed at enacting social change as is her photography and video work. Rishma has also hosted television programs, radio shows, live events, and presented at numerous conferences. She loves dancing, has a knack for acting and is a complete Bollywood fanatic!
