June 22, 2016September 28, 2020 3min readBy Tina Lapsia
This open letter to Salman Khan is a response to his comments on the physical strain of shooting for his upcoming film, ‘Sultan’.
When asked how difficult it was playing the role of a wrestler for the film, Salman Khan responded:
“While shooting, during those six hours, there’d be so much of lifting and thrusting on the ground involved. That was tough for me because if I was lifting, I’d have to lift the same 120-kilo guy 10 times for five different angles. And likewise, get thrown that many times on the ground. This act is not repeated that many times in the real fights in the ring. When I used to walk out of the ring, after the shoot, I used to feel like a raped woman. I couldn’t walk straight. I would eat and then, head right back to training. That couldn’t stop.”
There’s no question that being an actor is no easy thing, especially when one plays the physically demanding roles you have done in your illustrious career. You have become an Indian icon, and the entire world is at your feet. That means the entire world is watching and listening to you.
Your comment of feeling hurt like a “raped woman” because of your role in “Sultan” was a slap in the face for the hundreds of thousands of women in India experiencing the emotional and physical trauma of sexual assault. It was a slap in the face for the scores of women striving to improve the plight of women in India after the Nirbhaya gang rape case. In fact, despite your feeble attempt to cover up the remark with laughter and joke, its lasting impact has been seared into people’s minds around the globe.
No person, man or woman, knows what it’s like to be raped unless they have actually experienced it. The idea that the physical repercussion of rape is analogous to a grueling wrestling shoot simply reinforces the cultural attitudes towards violence against women in India.
You haven’t been kicked out of your home for getting raped.
You haven’t walked alone at night with the fear that someone is going to hurt you.
You haven’t shuddered at the thought of being touched by a man again, despite him being someone you love.
You haven’t woken up in the middle of the night screaming years after the fact.
You and your family have not suffered because of the inhumanity of someone else.
You haven’t been victimized again and again because of the choices of another person.
You don’t know what it’s like to have your freedom and sense of security stolen from you.
You don’t know what it’s like to have to piece your life back together because society shuns you for being a victim instead of shunning the rapist.
You will not carry around the immense pain, trauma, and shame that follows rape or sexual assault with you for the rest of your life.
Because, for a woman, the visible scars and bruises left from an assault are the least of her worries – there is a lifetime of guilt, shame, and harrowing nightmares that follow.
To marginalize the pain of “raped woman” to something so trivial as not being able to walk straight is frankly appalling. Be thankful you were able to “eat and then, head back to training.” Be glad you did not have to experience the nightmares a rape victim suffers. But most importantly, remember that you will never have the strength to overcome physical, mental and emotional trauma the way a rape survivor does.
As someone who is always in the spotlight, people are always looking to you to be their role model. You make men want to emulate your toughness and women want to be the heroines you romance on (and off) screen. Maybe Bollywood’s sexualization and objectification of women have rubbed off on you, and you weren’t able to stop yourself from saying what you did. But let this be a reminder to you and every other celebrity that you have the power to lead by example and change the rape culture in India. We can only hope that you learn from this mistake and pave the path for others to do the same.
But let this be a reminder to you and every other celebrity that you have the power to lead by example and change the rape culture in India. We can only hope that you learn from this mistake and pave the path for others to do the same.
February 2, 2023February 11, 2023 7min readBy Arun S.
Kevin Wu, previously known as KevJumba, is an American YouTuber, from Houston, Texas, with more than 2.68 million subscribers on YouTube and more than 323 million views. His content consists of vlogs, social commentary, musical parodies and more. Wu also streams on Twitch and has released original music as well as freestyles. His most popular YouTube video is titled “Nice Guys” with Ryan Higa. Wu has also worked with many individuals including A-Trak, Chester See, David Choi, Globetrotters, Iyaz, Jamie Chung, Jeremy Lin, Ryan Higa, Wong Fu Productions, and more. He has also appeared in movies such as “Hang Loose,” “Revenge of the Green Dragons,” “Man Up,” and more. Wu is one of the first original YouTubers gaining popularity in 2008 and even had another channel, titled JumbaFund, now known as Team Jumba. Continue reading to learn more about Kevin Wu’s journey!
We really enjoyed the project ‘Underneath the Lights.’ On the track “WHY U IN LA” the lyrics, “Don’t know who I might be, it might surprise me. I could be a hypebeast, That’s nothing like me, It’s so enticing.” How do you feel this speaks to the idea of self-discovery? What have you learned about yourself, diving back into making content?
I love that song we did. The artist who sang those lyrics his name is Zooty. I really provided the energy and direction for the musical piece, but I give credit to my producer Jonum and Zooty credit for the lyrics. Both guys are a slightly different generation, gen-Z, whereas I grew up as a millennial. I find that I left a lot on the table when I left YouTube at 23, so when I work with gen-Z I have so much that I want to give. Coming back to YouTube this time around, it’s all about self-reliance. Coming from movies and television, you have to depend on people to get a better product. But with YouTube, I’m going back to my roots and putting my wit and effort into every part of the process again (writing, directing, performing, producing, editing). I want the result to be authenticity and a homegrown feeling.
When you started your YouTube channel you were known for your vlogs and social commentary. How do you feel about the new age of content creation — where content is in surplus but individuals aren’t feeling the content?
It’s hard to say whether or not individuals are or aren’t feeling content — the taste is just so wide now. It’s like living in Los Angeles; food is very competitive, and when picking a restaurant you have every ethnic variety and even fusion foods. I imagine opening a restaurant in LA to be very competitive and the attention to detail in what you make has to be authentic or hit a certain demographic. I feel on the Internet, YouTube does a decent job of catering to your sensibilities, the so-called algorithm. However, the personal connection you get with content creators has somewhat been shifted, and now it’s become more interest-based (ie gaming, how-to, music, politics, etc.)
How do you feel the original algorithm has changed, and what do you miss most about that time?
I don’t remember talking about algorithms back in 2010 to 2012. People watched their favorite Youtubers because their homepage included their subscriptions first and foremost, and then if your subscriptions hadn’t posted anything new, you would typically check the most popular page. Then trending became a thing and now you have algorithms generating your timeline based on a bunch of data. I think it’s forced creators to think externally and hanging onto identities i.e. what are my interests? Am I a gamer? Am I a streamer?
We parodied your music video for “Nice Guys” for our orchestra music camp skit back in high school. If Chester, Ryan, and you, had to recreate “Nice Guys” today, would you focus on the concept of self-love for the current generation? We also really loved “Shed a Tear.”
I definitely think self-love would be a very nice theme. Recreating it would be nice, actually. I think it’s hard to get three people to all be in the same room again, especially after leading different lives. But “Nice Guys” was something special for each one of us, and Chester See deserves a lot of credit because of his musical talent. It’s made me realize today the impact of music. I really enjoy the expression of music because it forces you to be more artistic, versus just saying what’s on your mind. Like poetry, or hearing harmonies.
You’ve worked with many individuals and groups in the past including, A-Trak, Chester See, David Choi, Globetrotters, Iyaz, Jamie Chung, Jeremy Lin, Ryan Higa, Wong Fu Productions, and more. If you could create content with any group of individuals who would be your dream collaborators?
At this stage in my life, I really enjoy coming back and rekindling those creative connections and checking in with previous friends or acquaintances. Doing a video with Ryan Higa, Jeremy Lin, Chester See, David Choi, Wong Fu, Jamie Chung, those would all be very fun. But the first step would be to just see how they’re doing. So that’s the closest thing to a best case scenario for me. I’m not trying to force any collaborations at the moment (haha!). Unless it’s convenient.
As an NBA fan you expressed you would like to talk more about basketball on Ryan’s “Off the Pill Podcast.” How do you feel watching sports and has playing sports helped you become more in tune with yourself?
After going through a lot of physical adversity after my car accident, reconnecting with sports has been really helpful. I played basketball for a while and I’d like to get back into soccer. I wanted to talk about basketball on Ryan’s podcast because I was still dipping my toes into Internet content/social media and didn’t want to talk too much about myself at the time.
As a content creator how do you balance not letting validation get to your head and authentically connecting with your audience?
We all seek validation. It’s innate, but it’s about where you seek it. Nowadays I remember to validate myself first, by starting with my mind and body. After a while, you can get a sense of when you need validation versus being totally unconscious of it. Sometimes that sense of validation is important, so we know to check in with our parents, or see if a friend needs positive feedback. To connect with the audience, that’s like number five in my priority list (haha!). Having an audience can be scary; you definitely want to be in tune with yourself first.
How do you deal with comments consisting of “I miss the old KevJumba?”
As live streaming has become a new form of content now, how have you enjoyed live streaming on Twitch for the Head In The Clouds Festival both in 2021 and 2022? We really enjoyed seeing Ylona Garcia sing “Nice Guys!”
It’s fun, I enjoy live streaming and I really appreciate 88rising and Amazon Music for inviting me both years to be the host for their livestream.
What was the decision behind putting your family in your videos?
I put my Dad in my videos accidentally; we were on a ski trip. I think people responded really positively in the comments, and then I just sat down had a conversation with him on camera, and it became a hit. After that he just became his own character. I think I tend to come alive more when I am interacting with someone on camera.
We really liked seeing you upload videos to Team Jumba. Is the mission still to donate earnings to a charity that viewers suggest?
At the moment, no. The Supply, which was the charity I donated to before, has since shut down. I also don’t make much money on YouTube anymore, since I was inactive on my channel for a while, so that format from 2009 will be difficult to replicate.
We really enjoyed the ‘KevJumba and Zooty Extended Play,’ specifically the track “With You in the Clouds” featuring fuslie. How has Valorant inspired your music as well as other forms of content creation?
The album was really experimental. I find the personal connections I made in gaming to be the most enlivening. “With You in the Clouds” was inspired by TenZ and, since he’s such a legendary figure in the pro FPS community, we had to do a worthy tribute. I think paying tribute to the things you like is a really great way to think about content creation.
How do you feel your childhood experiences in Houston, and playing soccer, have shaped you to chase your dreams of acting? How have you enjoyed acting in comparison to YouTube?
I love acting. It’s a wondrous lens at which to see your relationship with others. I find that in studying acting, you are often really studying the human experience or the mind. It’s like learning psychology but you are on your feet, or you are reading great theater. Playing soccer and growing up in Houston don’t really contribute directly to why I enjoy acting, but I very much enjoy coming from Houston and thriving in soccer. It made me commit to something and seeing how consistently “showing up” can really ground your childhood and prove to be valuable, later in life.
How do you feel we can uplift each other across the Asian diaspora and unify to create ripple effects of representation?
I think listening is probably the best thing you can do. Just genuinely hearing about something, or someone, helps you really invest in them during that time that you are there. So I think that’s probably the first step.
What made you go back to school and finish your degree at the University of Houston in Psychology?
No one reason in particular. I was also studying acting at the time back in 2017-2018 when I completed the degree, so it was just testing my limits and seeing what I could balance. I finished it online.
What are your upcoming plans?
Just experimenting on YouTube for now. Making videos with my own effort.
Your first video was uploaded back in 2007 and was titled ‘Backyard,’ where you are dancing to a song called “Watch Me” by Little Brother, off of the “The Minstrel Show.” We also really enjoyed your video with Ryan Higa titled “Best Crew vs Poreotics.” Are you still dancing these days?
Yes. The body does what the body wants.
Lastly, what do you hope individuals take away from this interview with Brown Girl Magazine?
Nothing in particular. I try to let my mind flow when I answer questions. I may have jumped to conclusions before fully investing in some of the questions, so I apologize. If you are reading, I thank you for your time and patience. I also thank Brown Girl Magazine for putting together a vast array of questions that allow my mind to stretch and work out a bit. I hope you find a stronger connection to your own truths, and I hope I did not disturb those in any way. Regards.
We’re rounding up all the latest South Asian entertainment news so you don’t have to. With the rise of representation in media, South Asians are making strides and we’re all for celebrating the highs. Brown Girl Magazine’sentertainment editors Aysha and Arun have compiled a list of the all that grabbed headlines in the first half of the year, so you can still be in the loop without having to stop and search elsewhere. From the latest movie buzz to must-watch live and animated shows, we are covering it all.
Here’s a round-up of some of this year’s highlights:
Star Wars Joins the Brown Side, It Must
Yoda approves this one. After wowing us with Ms. Marvel and breaking glass ceilings while doing so, Academy Award-winning and International Emmy Award-winning director and journalist, the one and only badass Sharmeen Obaid-Chinoy has once again proved that she’s a force to reckon with! Chinoy is set to be not only the first Pakistani and South Asian, but the first person of color, and the first woman to direct a “Star Wars” film.
“Spider-Man, Spider-Man…” if you don’t know what song we’re referring to, you better pause and run to YouTube and check it out.
The multiverse, with virtually an infinite number of heroes, couldn’t exist without South Asian representation. Insert, Pavitr Prabhakar hailing from Earth-50101. Like Peter Parker, Prabhakar grew up under the care of his aunt and uncle. Despite living in poverty, Prabhakar’s intelligence earned him a scholarship that — with additional support from his family — allowed him to attend an illustrious school in Mumbai. Similar to Parker’s story right? He even has an MJ in his life: Meera Jain, instead of Mary Jane.
He first debuted in the Spider-Man: India (2004) comic book series, but became a household name after being featured in “Spider-Man: Across the Spider-Verse.” Voiced by Karan Soni in English and Shubman Gill in Hindi, the character is set to return in the film’s 2024 sequel.
South Asians are finally making their way into the Marvel universe and this is only the beginning.
Season four of the much-awaited “Never Have I Ever” came to an end filled with tears and hope, this past summer. Devi proved she can have it all (spoiler alert ahead) — a boy and her dream Ivy League college Princeton. Being a desi kid growing up, many of us also dreamt of being accepted into a school our parents could rave about to their family friends, so to see Devi’s applications rejected was refreshing and much-needed. Much thanks to Mindy Kaling and her co-producer Lang Fisher for keeping it real and showing growth with each of the characters. Seeing both the widows on the show, Nalini and Pati, make room for love and dating gave us more of an incentive to indulge in the show.
Women in Showbiz Everywhere (WISE) Hosted its First Ever ‘Hues of Heritage’ Event Celebrating South Asians in Film & Television in mid-August with actor Bill Moseley and Executive Director of CAPE Michelle Sugihara. The Hi-Tea Affair brought together South Asian creatives, writers, journalists, and other industry members, fostering inspiring and supportive conversations. The event also marked the launch of the esteemed RATNA fellowship, which Vineesha Arora-Sarin, founder & executive director of WISE, terms as a “movement dedicated to identifying and supporting emerging South Asian female writers worldwide who aspire to make their mark in the global entertainment industry.
And what better time to launch it than now when we’re going through a major cultural and a much-needed revolution in Hollywood to give writers and creators fair play as we speak.” The fellowship will select five writers from South Asia (including India, Bangladesh, Pakistan, Sri Lanka and others) and the diaspora to join a one-year program and collaborate on a project alongside talented mentors. Read more about the fellowship here.
It was not something we grew up imagining as South Asians in America; children of immigrants who are often sidelined. But it happened! History was made as a considerable line-up of South Asian artists including Ali Sethi and Jai Wolf took center stage at Coachella. The highlight though, was Diljit Dosanjh’s power-packed performance that sent fans into a frenzy, enough to keep the security on their toes! It was the first time an Indian Punjabi singer performed at the event and we’d say it was about time.
Iconic song “Naatu Naatu” from the blockbuster movie “RRR” not only made history as the first ever song selected from an Indian film to be nominated for an Oscar but by also winning it, beating the likes of Rihanna and Lady Gaga. While the Oscar performance was disappointing — featuring predominantly ‘white’ ensemble of dancers, instead of the thousands of Indians who could’ve done a far better job and made more sense — this win is big for the South Asian community as a whole!
Pakistan filled with Joy as “Joyland” Made it on Academy Awards Shortlist
Pakistani film “Joyland” is the country’s first-ever film to be shortlisted for the Academy Awards. While it had a long run, it did not receive a nomination for the Oscars as expected. It was among 15 films that made the cut for the best international feature film. The critically-acclaimed film breaks stigmas by showcasing a stereotypical patriarchal family that craves for the birth of a baby boy— but with twists. Without any spoilers, this film is a must-watch for dismantling and challenging a host of patriarchal and discriminatory norms that continue to plague South Asian culture.
From “Indian Matchmaking” to Indian Idol-ing: Sima Taparia
Love or hate her, everyone has an opinion about internet sensation Sima Taparia. And with the end of season three, there’s still more to talk about Taparia’s new wedding or shadi song: “Shadi ki Tayaree Hai.”
The song follows Taparia attending a wedding while singing, dancing, and encouraging you to have a wedding of your own. And she’s not alone; her husband Anup Taparia is also singing and dancing. People are calling the song as entertaining as her show! Do with that what you must, but check out the song available to watch on YouTube.
An adaption of Yann Martel’s best-selling novel, Lolita Chakrabarti’s “Life of Pi” musical is not only the first Broadway play with a majority South Asian cast but the first to win three Tony awards.
Dubbed as Broadway’s most diverse show right, “Life of Pi” won Best Lighting Design of a Play, Best Scenic Design of a Play and Best Sound Design of a Play. Not to mention the musical is the Broadway debut of three Olivier Award-winning performers. With more than 20 puppeteers, the show takes you through Pi’s journey of survival.
After almost 15 years in development, “Monsoon Wedding” has made storms in New York’s theater scene. An off-Broadway production that ran all through the summer, “Monsoon Wedding” is an adaption of the iconic film that released in 2001.
We laughed, we cried, we sang as Mira Nair had us “literally dipped in the vat of stunning classical Indian singing.”
A show fit for anyone, as each character depicts varying shades of a personality, “Monsoon Wedding” breaks stereotypes, confronts stigmas, and reminds us of the importance of family.
“What’s Love Got to Do with It?” Brings Home Four Awards
Shekhar Kapur and Jemima Khan’s romantic comedy “What’s Love Got to Do With It?” won four awards at the United Kingdom’s National Film Awards, including best screenplay, best British film, best director and best supporting actor.
Khan, the screenwriter and producer of the movie, won the award for Best Screenplay. Asim Chaudhry’s performance won the movie Best Supporting Actor and Kapur won the Best Director award and the Best British Film award.
In another historic win for India, “The Elephant Whisperers” became the first Indian documentary to win an Oscar. Winning Best Documentary Short Film at the 95th Academy Awards, the film touches upon the relationship between animals and their caretakers. It follows the story of an indigenous couple named Bomman and Bellie who care for an orphaned baby elephant.
The film was directed by Kartiki Gonsalves and produced by Guneet Monga. Sharing the news of the win on Instagram, Monga noted how two women brought home this historic award.
”Tonight is historic as this is the first-ever Oscar for an Indian production. India’s Glory with 2 women.”
Record Number of South Asians Invited to Join The Academy
The Academy of Motion Pictures and Arts announced their list of 398 new members invited to join them. Among the prestigious names are also Indian film celebrities Ram Charan, Mani Ratnam, Karan Johar, Siddharth Roy Kapur, Chandrabose and MM Keeravani. As members of The Academy, they will be eligible to vote for the 96th Academy Awards which will be held in March 2024.
Be on the lookout for our next roundup as the year comes to a close!
For any of us who have siblings, the relationship with them can be one of the most fulfilling ones. And also one of the most bloody frustrating. No one can quite stroke the fire like someone who knows you extremely well, or sometimes not, but have a familial bond with that neither one of you chose. In “Polite Society,“directed by Nida Manzoor, sisters Ria Khan and Lena Khan’s loving, sweet, and sometimes tumultuous relationship takes center stage.
Played delightfully by Priya Kansara and Ritu Arya, respectively, the evolution of their relationship is one of the film’s greatest and simultaneously weakest points. It’s also pretty cool to see two South Asian actresses in an action-comedy movie — how refreshing it is to mention the art of choreography and praise it in regards to fight sequences vs. dance sequences for a film centered on two South Asian women — that itself shows progress.
Set in London, Ria is an aspiring stunt woman who already shows massive talent in martial arts. She looks up to her older sister Lena, who is enrolled in art school and, also holds remarkable potential in a somewhat less traditionally acceptable field. Their relationship starts off as supportive and sweet with no inclinations of jealousy or resentment that sometimes plagues sisterly bonds. But this also means that they are quite protective of one another, almost to the detriment of their well wishes for each other.
This all happens when Lena gets engaged after dropping out of art school. Ria feels betrayed. They were supposed to be on this journey together in fighting for their dreams. Ria decides that she knows what’s best for her sister and enlists the help of her friends to rescue the damsel in distress from her own wedding. Her deep animosity towards the prospect of Lena getting married is also fueled by Lena’s fiancé and his mother acting extremely suspiciously. The twist that ultimately brings the two sisters back together is both shocking and weirdly somewhat progressive in the motive behind the villain’s origin story. But the twist, unfortunately, is too ambitious for the movie as it tacks on another genre and theme earnestly, but still clunkily.
“Polite Society” tackles not only what it means to fight for one’s dreams but also what it means to have just one ardent supporter. As Lady Gaga famously said, “There can be 100 people in a room and 99 of them don’t believe in you but all it takes is one and it just changes your whole life.” Well, Ria’s Bradley Cooper was her very own sister who seemed to abandon her, and her faith in her, when she chose a different path. For Lena, the film opened up the question of marriage and the weight it bears in the life of a South Asian woman. Ria’s lack of understanding of the pressure it places on Lena is the start of the change in their relationship — the start of Ria’s coming of age and the start of Lena settling firmly into her adulthood.
Standouts from the cast include Ria’s best friends, played by Seraphina Beh and Ella Bruccoleri, who commit to the story and characters with such hilarity and conviction. They add the lightheartedness and playfulness the film needs, and it is refreshing that never once do they use Ria’s cultural background as a way to make fun of her or dismiss her.
It is also heartening to see Lena and Ria’s parents being some of the most supportive South Asian parents seen on screen. At the end of the day, it is not the external family pressure that impacts the decisions made by the sisters but rather their own satisfaction, or lack thereof, with their own lives that become the driving force of their actions.
“Polite Society” is written and directed by a South Asian woman for South Asian women, and is definitely worth a watch when it releases in theaters this April.