The new Fox Searchlight movie ‘Patti Cake$’ directed by Geremy Jasper capitalizes the soul of a struggling rap artist yearning to be free from the confinement of living in a downtrodden town in New Jersey. Danielle Mcdonald stars in the movie alongside Siddharth Dhananjay, as the two enrich the ultimate friendship duo of Killa P and Jheri.
Mcdonald instills an insanely fiery thrill to the film, earning her praise for the dramatic performance as the lead actress. The film primarily focuses on the passion and grit Patti Cake$ has to reach her ultimate goal of becoming a famous rap artist. As she works at a local bar and picks up the occasional shift as a waitress for a catering business, Killa P is engulfed in the looming responsibilities of fulfilling her grandmother’s hospital bills. Furthermore, as a plus-size white girl, discouragement from other rappers devoured her self-esteem which only fueled Patti’s need to prove them that she has talent.
The character development for each character is well-thought out, yet the storyline seemed a little mundane and predictable. Although it is an overused story of starting from nothing to get to the top – threaded with the expectations of rap culture, I applaud the human aspects behind each role and the music. The fact that an oversized white girl is rapping juxtaposes what rap culture has so strictly defined as music that is purely rooted in black culture, may raise a couple eyebrows. Yet, Mcdonald tackles the role and plays the part to a T while adding an authenticity to the storyline in relations to being infatuated with a dream to make it big.
I got the chance to speak with Siddharth Dhananjay who plays Jherico in Patti Cake$ and learned more about the movie and himself.
Q&A With Siddharth Dhananjay
Q: What was your favorite scene to film?
A: That’s hard *laughs* – The final performance was fun because there was actually 200 people, yeah that was a really good one. Also the two pharmacy scenes in the beginning and the end when Patti Cake$ and him are mad at each other then become friends again.
Q: What was it like playing Jherico aka Jheri?
A: It was really fun, although challenging because it was my first movie. It was challenging in itself to find the human aspect behind Jheri who loves his best friend but easier to play the flamboyant rapper image of Jheri.
Q: What was it like working with your cast?
A: So much fun! Everyone was so sweet and loving – we became like a family and still hang out and talk a lot.
Q: Who inspires you as an actor?
A: That one’s hard – in the Hollywood scene I would say definitely Philip Seymour Hoffman and Tom Hardy. In the brown scene: Nawazuddin Siddiqui and Radhika Apte.
Q: How do you feel you fulfilled the role as a rapper rejecting stereotypical standards of a “brown” person?
A: Umm – I don’t know, I went with my gut. Gerry is a great director and the writing is so good we just had to sit in the character and all of that. There was no question about having to ask who am I supposed to act like characterization wise. It was less about character and more about real humans and their real lives. I never really thought of it as a me playing a character who was a brown person.
Amina Khan currently lives in Dallas, TX but forever misses her home in Los Angeles. She hopes to become a successful journalist and is always working towards enriching her writing by blogging about her travels or her current favorite TV show/book. Her dream is to work for AJ+ and deliver raw and unfiltered stories that don’t make it to major news headlines. When she’s not attending college or wandering around in botanical gardens, she invests her time in creating oil paintings and occupies herself with learning how to perfect Arabic calligraphy art. She also has an obsession for sushi, baby goats, Marvel and old people. Feel free to check out her blog!
February 28, 2023March 5, 2023 5min readBy Arun S.
Born in the US and raised in New Zealand, actor Anya Banerjee made her television debut, this past Sunday, in season 10 of NBC’s “The Blacklist.” She is seen playing the character of Siya Malik, daughter of former task force member Meera Malik who met with an untimely death in season one.
An MI6 agent, Malik is hoping to learn more about her mother and the work she did with Raymond Reddington. Her character is a sharp, inventive, fearless spy with a knack for spotting what motivates others. Even though this is her first-ever television role, one can see how deeply involved Banerjee is in the character, pushing you to connect back the dots to the history her character comes with. In an interview with Brown Girl Magazine, Banerjee talks more about her journey into acting, what drew her to the role of Siya and what should the audience expect from the 10th and final season of the show:
People, in general, are very influenced by the content they consume. Was there a specific film, play, or television series that got you interested in acting?
As the first in my family to be raised in “the West,” just being in the world involved performing some kind of identity. Film and TV acted as a third parent in that regard. I’m the first actor in my family, but have wanted to do this since before I can remember. Watching “Bend It Like Beckham” when I was in primary school showed me there was a place for South Asian female leads in Hollywood. I’ve also always been drawn to media with some element of the fantastical. I loved Baz Lurhmann’s “Moulin Rouge” because it brought the theatricality of the stage to the screen in a spectacular way. I remember being tickled by the cultural fusion in the film. It reflected my own sense of being at the intersection of various cultures and the appeal of escaping into a made-up world.
Were you a part of any productions in school or in college that influenced you?
I did a lot of singing and dancing as a kid; Indian dance-dramas at Durga Puja and yearly ballet recitals. We did musicals and Shakespeare productions at secondary school and that’s also when I started working in Auckland’s professional theatre scene.
What were some of your favorite roles while pursuing the acting program at Columbia University and how did they prepare you for your television debut?
Casting director James Calleri headed the acting MFA program at Columbia when I was there and his on-camera classes really set us up for success in TV. We also had the tremendous good fortune of being Ron Van Lieu’s first cohort at Columbia. The master acting teacher directed our thesis production of “Where Do We Live?” by Christopher Shinn. I played Lily, a British party girl who has to be physically and emotionally vulnerable in the play. With the help of movement coach Sita Mani and intimacy co-ordinator Alicia Rodis, I gained the confidence to take more risks in my acting. Now I’m playing a very different Brit with a totally different background and disposition but I’m using many of the same tools I used as Lily to feel grounded as Siya.
How would you describe “The Blacklist” to people wanting to learn more about the show?
Action-packed, full of intrigue, and endlessly entertaining. There’s a reason this show has been killing it for a decade and that’s the high caliber of the cast and crew, as well as the inventive and topical writing that keeps fans coming back for more. Audience members who’ve watched from the beginning will appreciate the full circle moments that my character ushers in — I play the daughter of Meera Malik, late CIA agent from season one so my storyline is a bit of a throwback. But new viewers can use me as an access point into the world of “The Blacklist” as Siya uncovers it, bit by bit, as a newcomer herself.
How did you prepare for the role of Siya Malik and how similar are you in real life to the character you’re playing on screen?
Some of the first things I had to learn on the job were stunts and how to operate a firearm. You’ll be seeing a lot of Siya kicking butt. The gun stuff was entirely new for me but I took to it very quickly and my background as a dancer helped with the fight scenes. Something I identify with in Siya is her resilience. She’s turned the tragedy of her mother’s death into the fuel that led to her own career as an MI6 agent, overcoming obstacles and others’ underestimation of her. That’s the kind of fire inside that I really admire and hope to practice in my own life.
I love characters with complex inner worlds — ones who are deeply flawed and may even be outcast from society, but who rise above the odds to carve out space for themselves and the ones they love.
Do you feel South Asians are still pigeonholed into certain roles or has it gotten better?
I think things are a lot better than what I grew up seeing in the early 2000s. “Sound of Metal,” for example, is one of my favorite movies because Riz Ahmed’s riveting performance has little to do with him being South Asian and everything to do with his commitment to an expertly crafted role.
Is there a dream role you would want to play?
On stage, someone as volatile as Emma from Duncan Macmillian’s “People Places & Things.” On screen, someone as funny as Amina in “We Are Lady Parts” or as brave as the title character in “Kimi.”
You have worked with many talented individuals. Is there anyone still on your list you would want to work with in terms of directors, actors, actresses, and others?
Parminder Nagra, obviously! As a Kiwi, it would be a dream come true to work with Jane Campion or Taika Waititi. I’m most excited to form meaningful relationships with artists daring enough to challenge the status quo.
You describe yourself as a “Kiwi-Bengali in the Big City.” How have you felt as an Indian American, raised in New Zealand, coming into the acting world?
There’s been a lot of juggling aspects of my triangular identity. A lot of the times in this industry people want you to be just one thing, or maybe two, but three’s pushing it! The reality is that we live in a globalized world. We have to make room for cultural nuance in the media. So maybe I’ll lean into my American side today, turn up the Kiwi tomorrow, and speak Bengali with my Indian parents on the phone. All are valid, authentic expressions of myself and reflections of the real world.
It’s okay to be a chameleon — in fact it’s a gift. Adapting aspects of your personality and identity to different circumstances is part of being a multicultural artist.
What is something not many people know about you?
I can be a little introverted and have struggled with social anxiety since I was a teenager. I had a bit of an emo phase then, but have since learned to take life less seriously and it’s made me a lot happier. My loved ones nurture and embrace the goofball in me. If you get to know me, I might let you see my inner clown!
Lastly, what do you hope individuals take away from this interview?
Take pride in your difference and embrace the outsider in you. It’s your superpower. There’s no one right way to be a Brown Girl so get out there and be whoever you want to be!
We’re rounding up all the latest South Asian entertainment news so you don’t have to. With the rise of representation in media, South Asians are making strides and we’re all for celebrating the highs. Brown Girl Magazine’sentertainment editors Aysha and Arun have compiled a list of the all that grabbed headlines in the first half of the year, so you can still be in the loop without having to stop and search elsewhere. From the latest movie buzz to must-watch live and animated shows, we are covering it all.
Here’s a round-up of some of this year’s highlights:
Star Wars Joins the Brown Side, It Must
Yoda approves this one. After wowing us with Ms. Marvel and breaking glass ceilings while doing so, Academy Award-winning and International Emmy Award-winning director and journalist, the one and only badass Sharmeen Obaid-Chinoy has once again proved that she’s a force to reckon with! Chinoy is set to be not only the first Pakistani and South Asian, but the first person of color, and the first woman to direct a “Star Wars” film.
“Spider-Man, Spider-Man…” if you don’t know what song we’re referring to, you better pause and run to YouTube and check it out.
The multiverse, with virtually an infinite number of heroes, couldn’t exist without South Asian representation. Insert, Pavitr Prabhakar hailing from Earth-50101. Like Peter Parker, Prabhakar grew up under the care of his aunt and uncle. Despite living in poverty, Prabhakar’s intelligence earned him a scholarship that — with additional support from his family — allowed him to attend an illustrious school in Mumbai. Similar to Parker’s story right? He even has an MJ in his life: Meera Jain, instead of Mary Jane.
He first debuted in the Spider-Man: India (2004) comic book series, but became a household name after being featured in “Spider-Man: Across the Spider-Verse.” Voiced by Karan Soni in English and Shubman Gill in Hindi, the character is set to return in the film’s 2024 sequel.
South Asians are finally making their way into the Marvel universe and this is only the beginning.
Season four of the much-awaited “Never Have I Ever” came to an end filled with tears and hope, this past summer. Devi proved she can have it all (spoiler alert ahead) — a boy and her dream Ivy League college Princeton. Being a desi kid growing up, many of us also dreamt of being accepted into a school our parents could rave about to their family friends, so to see Devi’s applications rejected was refreshing and much-needed. Much thanks to Mindy Kaling and her co-producer Lang Fisher for keeping it real and showing growth with each of the characters. Seeing both the widows on the show, Nalini and Pati, make room for love and dating gave us more of an incentive to indulge in the show.
Women in Showbiz Everywhere (WISE) Hosted its First Ever ‘Hues of Heritage’ Event Celebrating South Asians in Film & Television in mid-August with actor Bill Moseley and Executive Director of CAPE Michelle Sugihara. The Hi-Tea Affair brought together South Asian creatives, writers, journalists, and other industry members, fostering inspiring and supportive conversations. The event also marked the launch of the esteemed RATNA fellowship, which Vineesha Arora-Sarin, founder & executive director of WISE, terms as a “movement dedicated to identifying and supporting emerging South Asian female writers worldwide who aspire to make their mark in the global entertainment industry.
And what better time to launch it than now when we’re going through a major cultural and a much-needed revolution in Hollywood to give writers and creators fair play as we speak.” The fellowship will select five writers from South Asia (including India, Bangladesh, Pakistan, Sri Lanka and others) and the diaspora to join a one-year program and collaborate on a project alongside talented mentors. Read more about the fellowship here.
It was not something we grew up imagining as South Asians in America; children of immigrants who are often sidelined. But it happened! History was made as a considerable line-up of South Asian artists including Ali Sethi and Jai Wolf took center stage at Coachella. The highlight though, was Diljit Dosanjh’s power-packed performance that sent fans into a frenzy, enough to keep the security on their toes! It was the first time an Indian Punjabi singer performed at the event and we’d say it was about time.
Iconic song “Naatu Naatu” from the blockbuster movie “RRR” not only made history as the first ever song selected from an Indian film to be nominated for an Oscar but by also winning it, beating the likes of Rihanna and Lady Gaga. While the Oscar performance was disappointing — featuring predominantly ‘white’ ensemble of dancers, instead of the thousands of Indians who could’ve done a far better job and made more sense — this win is big for the South Asian community as a whole!
Pakistan filled with Joy as “Joyland” Made it on Academy Awards Shortlist
Pakistani film “Joyland” is the country’s first-ever film to be shortlisted for the Academy Awards. While it had a long run, it did not receive a nomination for the Oscars as expected. It was among 15 films that made the cut for the best international feature film. The critically-acclaimed film breaks stigmas by showcasing a stereotypical patriarchal family that craves for the birth of a baby boy— but with twists. Without any spoilers, this film is a must-watch for dismantling and challenging a host of patriarchal and discriminatory norms that continue to plague South Asian culture.
From “Indian Matchmaking” to Indian Idol-ing: Sima Taparia
Love or hate her, everyone has an opinion about internet sensation Sima Taparia. And with the end of season three, there’s still more to talk about Taparia’s new wedding or shadi song: “Shadi ki Tayaree Hai.”
The song follows Taparia attending a wedding while singing, dancing, and encouraging you to have a wedding of your own. And she’s not alone; her husband Anup Taparia is also singing and dancing. People are calling the song as entertaining as her show! Do with that what you must, but check out the song available to watch on YouTube.
An adaption of Yann Martel’s best-selling novel, Lolita Chakrabarti’s “Life of Pi” musical is not only the first Broadway play with a majority South Asian cast but the first to win three Tony awards.
Dubbed as Broadway’s most diverse show right, “Life of Pi” won Best Lighting Design of a Play, Best Scenic Design of a Play and Best Sound Design of a Play. Not to mention the musical is the Broadway debut of three Olivier Award-winning performers. With more than 20 puppeteers, the show takes you through Pi’s journey of survival.
After almost 15 years in development, “Monsoon Wedding” has made storms in New York’s theater scene. An off-Broadway production that ran all through the summer, “Monsoon Wedding” is an adaption of the iconic film that released in 2001.
We laughed, we cried, we sang as Mira Nair had us “literally dipped in the vat of stunning classical Indian singing.”
A show fit for anyone, as each character depicts varying shades of a personality, “Monsoon Wedding” breaks stereotypes, confronts stigmas, and reminds us of the importance of family.
“What’s Love Got to Do with It?” Brings Home Four Awards
Shekhar Kapur and Jemima Khan’s romantic comedy “What’s Love Got to Do With It?” won four awards at the United Kingdom’s National Film Awards, including best screenplay, best British film, best director and best supporting actor.
Khan, the screenwriter and producer of the movie, won the award for Best Screenplay. Asim Chaudhry’s performance won the movie Best Supporting Actor and Kapur won the Best Director award and the Best British Film award.
In another historic win for India, “The Elephant Whisperers” became the first Indian documentary to win an Oscar. Winning Best Documentary Short Film at the 95th Academy Awards, the film touches upon the relationship between animals and their caretakers. It follows the story of an indigenous couple named Bomman and Bellie who care for an orphaned baby elephant.
The film was directed by Kartiki Gonsalves and produced by Guneet Monga. Sharing the news of the win on Instagram, Monga noted how two women brought home this historic award.
”Tonight is historic as this is the first-ever Oscar for an Indian production. India’s Glory with 2 women.”
Record Number of South Asians Invited to Join The Academy
The Academy of Motion Pictures and Arts announced their list of 398 new members invited to join them. Among the prestigious names are also Indian film celebrities Ram Charan, Mani Ratnam, Karan Johar, Siddharth Roy Kapur, Chandrabose and MM Keeravani. As members of The Academy, they will be eligible to vote for the 96th Academy Awards which will be held in March 2024.
Be on the lookout for our next roundup as the year comes to a close!
“How could the British bring the Indians without the cows?”That’s one of the jokes you’re very likely to hear at comedian Priya Guyadeen’s show. In fact, the 53-year-old just wrapped up a set of shows with her troupe: Cougar Comedy Collective. The Guyanese-born comic spearheads the group of mostly women of “a certain age,” as she puts it.
She says the group was formed in 2021 but she started dishing out jokes back in 2020 during the pandemic, over Zoom. She was always labeled the “funny one” in her family and decided to take her jokes to a virtual open mic, hosted by her friend, where she says failure was less daunting.
Cut to 2023, and the comic was able to take her show on the road. Guyadeen and her fellow performers recently hit the East coast for a set of shows called “Cougars on the Loose!” The shows even featured two male comics.
Guyadeen’s comedy routines touch on her Indo Guyanese background, highlighting stereotypes and a clash of cultures. In one of her jokes, she tells her audience that her Guyanese mom is bad with names when she introduces her white boyfriend, Randy, and he gets called Ramesh.
Out in the Bay Area — where she spends her days now — she tries to connect the sparsely Caribbean population to her jokes.
That includes talking about the 1978 Jonestown Massacre which had ties to San Francisco and ended in Guyana. She uses this as a reference point — trying to connect her audience to her background with historical context. She says this does come with its challenges, though.
The single mom also practices clean jokes. Once she finishes up her daily routine with her eight-year-old son and day job as a project manager for a biotechnology company, she tries to find time to write her material.
It’s a balancing act. I’m like the day job-Priya for a few hours or for a chunk of time. And then I’ve got to put on my comedian hat and do that for a period of time because with comedy, I’m not just performing. I’m also producing, managing the shows, booking talent, seeking venues.
Though it’s not easy, she says she’s learning through it all — the business side of comedy and discipline.
Guyadeen, who’s lived in Brazil and Canada, says her young son really contributes to her comedy. A lot of her material focuses on jokes for parents, and single parents like herself, because she feels:
[We live] in a society that doesn’t really create a support system for single parents.
Her nonprofit, Cougar Comedy Collective, was born out of all the great reception she received. She noticed a “niche market” of women in their 50s who loved to get dressed up and come out to the shows to hear jokes that related to their own lives that aren’t typically touched on. These were jokes about menopause, aging and being an empty nester. Guyadeen says her nonprofit,
…bring[s] talent together in our age group to celebrate this time of life; celebrate this particular juncture in a person’s life.
As Guyadeen continues her comedic journey, she says she hopes she’ll be a role model for other Caribbean women to follow their dreams despite their age. She also hopes to see more Caribbean people carving out their space in the entertainment industry.
Featured Image of Priya Guyadeen taken by Elisa Cicinelli Photography