by Krshna Prashant 

This article was originally published on Epiphany in the Cacophony:

“That asshole, he whistled at me,” I said to my roommate as I stormed into my apartment in Singapore. I was livid. My blood boiling as I pictured the smug look on his face, over and over again. I did not notice him until he whistled. The loud, sharp sound, forcing me out of my absentminded walk back home.

Shocked, I turned around and looked at him in disbelief. He licked his lips slowly and laughed. I stood there, bewildered, unsure how to react, until I turned around and walked away as fast as I could. I took a few minutes to recover, realizing how small and helpless I felt. I could not remember the last time someone made me feel that way.

At that point, it dawned on me that this was not the first time it had happened. This was not the first time someone had whistled, remarked or stared at me. I wondered why it bothered me so much now. Why I felt the need to vent to my roommate. Why it triggered such anger within me when I would otherwise have brushed it off. The answer is simple. It was not India.

In India, there are two kinds of harassment, the unacceptable and the acceptable.
It all boils down to one question. “Did he touch you?” No? Then deal with it.

Being angry is not an option. You know the drill. You have done it a million times before. Keep your eyes on the ground and keep walking. Unless you have been groped, pinched or cornered, you have not been harassed. You are not entitled to feeling violated. It happens to everyone. You’re creating a scene about nothing. He was only looking. 

I realize that on the bustling streets of India, the same episode would never have occurred to me as harassment. I would have simply walked past him, eyes on the ground, subconsciously quickening my pace till I was at a safe distance. It would not make my blood boil, ruin my day or trigger a furious rant. In fact, chances are I would not even remember it an hour from now.

It takes a lot more to scare an Indian woman.

Lewd comments, lusty gazes and loud singing. We’re immune to it. We have accepted it with the same way we have accepted the discomfort that comes with the morning alarm, the random power cuts, the summer heat. Just another inevitable part of the day.
We have been conditioned to endure harassment for as long as we can remember.

“Wear something proper”, “Best not to invite trouble”, “Prevention is better than the cure” are mantras that have been passed on by generations of Indian women to their daughters. We have been taught to avoid lonely roads, large groups of men and unfamiliar areas. We look over our shoulders as we walk, stay on the “ladies” side of buses and pull our dupattas over our chests on busy streets without even realizing it.

It runs in our veins. It dawned on me that for the first 18 years of my life, I simply thought being teased was normal. That we have been taught to ignore, accept and endure it for so long, we no longer feel the inclination to act on it.

I realize how radically, just two years away from home, heightened my sensitivity to behavior that I would otherwise never have noticed. That the natural reaction to being harassed is not to be numb, indifferent and accepting. That being humiliated, objectified and disrespected is not just another part of the day.  That if nothing else, I deserve to be angry, shed tears or at least acknowledge that I have been wronged.

Or is the right to feel violated a privilege too?

Krshna Prashant is a full time undergraduate business student with a passion for debate, dance and writing. She loves the smell of rain, coffee, old books and new notebooks. She hopes to be a writer, and is working on publishing her first book in the near future. Stop by her blog anytime.

By Brown Girl Magazine

Brown Girl Magazine was created by and for South Asian womxn who believe in the power of storytelling as a … Read more ›

Photo by kittirat roekburi via Shutterstock.com

Social media has stretched a number of news headlines:

“Social media rots kids’ brains.”

“Social media is polarizing.”

Yet those most affected by social media ideals are the teenage users. Apps like Instagram and TikTok perpetuate an image of perfection that is captured in pictures and 30-second videos. As a result, many young women chase this expectation endlessly. “Her” personifies this perfection in an unattainable figure the narrator has always wished to be. These ideals deteriorate mental health, create body dysmorphia, promote a lack of self-esteem, and much more. Even so, social media is plagued by filters and editing—much of what we hope to achieve isn’t even real. Therefore, young women, much like the narrator of “Her,” strive for a reality that doesn’t even exist.

[Read Related: The Emotional Roller Coaster of Getting Your Legs Waxed for the First Time]

Her

When she walked into my life
Her smile took up two pages of description
In a YA novel.
My arms could wrap around her waist twice
If she ever let anyone get that close
Her hair whipped winds with effortless beach waves
And a hint of natural coconut
Clothing brands were created around her
“One Size Fits All” one size to fit the girl who has it all
With comments swarning in hourglasses
But when sharp teeth nip at her collar,
She could bite back biting back
And simply smirked with juicy apple lips
Red hearts and sympathy masking condescension
“My body doesn’t take away from the beauty of yours”
“We are all equal, we are all beautiful”
Beauty
A sword she wields expertly
Snipping, changing,
Aphrodite in consistent perfection
Cutting remarks with sickly sweet syrup
And an innocent, lethal wink
When she walked into my life
She led my life.
My wardrobe winter trees
Barren, chopped in half
Unsuited for the holidays
Mirrors were refracted under in my gaze
Misaligned glass was the only explanation
For unsymmetrical features
And broken hands
Still I taped them fixed
Over and over
Poking, prodding
Hoping to mold stomach fat like wet clay
Defy gravity,
Move it upward
To chest
Instead of sagging beneath a belt on the last hole
In the spring
She would stir me awake at 2 AM
“You need to be me”
Lies spilled from her tongue but
Solidified, crystallized
Fabrication spelled dichotomy
And I drifted farther out to sea
When she walked out of my life,
I was drowning.
Reliance had me capsized
Others witnessed
Furrowed brows and glances away
Like spectators of a shark attack
They can watch but the damage is done
They clung to my mangled pieces
Gravestones spelled
“Stressed”
“Depressed”
But I was mourning too
Today I looked back at my mirror
But glass turned into prism
Broken pieces rainbow
Colors coating clothes
She didn’t pick
Aphrodite
Perception changing
She wasn’t perfect
Just lost at sea

[Read Related: Finding Freedom from Gender Roles Through Poetry]

The opinions expressed by the guest writer/blogger and those providing comments are theirs alone and do not necessarily reflect the opinions of Brown Girl Magazine, Inc., or any employee thereof. Brown Girl Magazine is not responsible for the accuracy of any of the information supplied by the guest writer/bloggers. This work is the opinion of the blogger. It is not the intention of Brown Girl Magazine to malign any religion, ethnic group, club, organization, company, or individual. If you’d like to submit a guest post, please follow the guidelines we’ve set forth here.

By Kashvi Ramani

Kashvi Ramani is a writer, actress, songwriter, and singer from Northern Virginia. She has been writing songs, poetry, scripts, and … Read more ›

Photo Courtesy of Varsha Panikar

“After so Long” is a poetry film created for Simha’s EP, which is streaming on Spotify, Apple Music and Amazon Music. The poem was collaboratively written by Simha, a U.S. native, and Jae, who is based in India, during the 2020 lockdown. “After so Long” was recited by Simha and their parents. In 2022, I directed and produced the film through my studio, Star Hopper. “After so Long” premiered on Nowness Asia in March 2022.

By Varsha Panikar

Varsha Panikar (they/he) is a filmmaker, writer and multi-disciplinary artist from India. They are the co-founder of Star Hopper, a … Read more ›

In celebration of Kirthana Ramisetthi’s second novel “Advika and the Hollywood Wives,” BGM literary editor Nimarta Narang is publishing this short story by the acclaimed author. This piece chronicles the evolution of a writer’s life through their ever-changing author’s bio. In the details, from the change in last name to the new address, we observe how Gigi grows into Genevieve and the life events that make her into the writer she becomes. 

“My Picnic,” published in the Oakwood Elementary Storytime Scrapbook

Gigi Maguire loves strawberries, “Smurfs,” and being a first grader. Her favorite word is ‘hooray.’ This is her first short story. 

“Sunshine Day,” published in Oakwood Elementary KidTale

Gigi Maguire is a fifth grader in Ms. Troll’s class. She loves writing stories more than anything in the whole world, except for peanut butter. 

“What Rhymes with Witch?,” published in BeezKneez.com

Gigi Maguire is a high school junior living in the Bay Area. Her favorite writers are Sylvia Plath and J.K. Rowling. If she can’t attend Hogwarts, she’ll settle for Sarah Lawrence or NYU.

“On Her 21st Birthday,” published in LitEnds

Gigi Laurene Maguire is a writer and recent graduate from Sarah Lawrence College. Her favorite writers are Sylvia Plath, Alice Munro, and Mahatma Gandhi. She is making her big move to New York City in the fall.

“Valentine’s Day in a Can,” published in Writerly

Gigi Laurene Maguire is a freelance writer who loves the written word, Ireland in springtime, and “La Vie En Rose.” She lives in Hoboken, New Jersey.

“Unspoken Ballads of Literal Heartbreak,” published in Weau Dunque Review

Gigi Laurene Maguire is an assistant editor at ScienceLife.com. Her work has appeared in Writerly and is forthcoming in Pancake House and Schooner’s Weekly. She lives in Hoboken, New Jersey. 

“The Mistress of Self-Loathing,” published in Story Day 

Gigi L. Maguire is the editor-in-chief of Small Business Weekly. Her work has appeared Writerly, Story Day, Pancake House, and Schooner’s Weekly. She’s currently working on a novel about witches. She lives in Hoboken, New Jersey, with her tabby cat Sabrina. 

“The Distance in Your Eyes,” published in The Canton Review

Gigi L. Maguire is a freelance writer and digital marketing specialist. Her work has appeared in Writerly, Story Day, and is forthcoming in Idaho Centennial. She’s working on a novel and a short story collection. She lives in Hoboken, New Jersey.

“Auspicious,” published in BookWorks 

Genevieve L. Maguire’s work appears or will appear in The Canton Review, Mark’s End, Bishop Quarterly, and Idaho Centennial. A second runner-up for the Imelda Granteaux Award for Fiction, she is writing a novel and a memoir. Genevieve lives in Brooklyn. 

“Meditate, Mediate,” published in Ripcord

Genevieve L. Maguire’s fiction appears or will appear in BookWorks, The Canton Review, Berkeley Standard, and elsewhere. A graduate of Sarah Lawrence College, she is an MFA candidate at New York University. She lives in Brooklyn with her boyfriend and their two cats.

“Chaat & Chew,” published in The Carnegie Review

Genevieve L. Maguire’s fiction appears in Ploughshares, Ripcord, The Cambridge Review, and elsewhere. She received her master’s in creative writing from New York University. Her short story “Meditate, Mediate” has been optioned by Academy Award nominee Janet De La Mer’s production company, Femme! Productions. She lives in Brooklyn with her fiancé, their three cats, and a non-singing canary.

“Urdhva Hastasana Under a Banyan Tree” published in The Paris Review

Genevieve Maguire-Mehta’s fiction has been hailed as “breathtakingly lyrical” by Margaret Atwood. She is the recipient of the Whiting Prize for Short Fiction and an Ivy Fellow. Her fiction has appeared in The Carnegie Review, Ploughshares, and elsewhere. She lives with her husband Manoj in Park Slope, Brooklyn. 

“Reaching New (Jackson) Heights,” performed by Lana Del Rey on NPR’s “Shorts” series

Genevieve Maguire-Mehta’s fiction has been hailed as “effervescent” by Alice Munro and “breathtakingly lyrical” by Margaret Atwood. She is the recipient of the Whiting Prize for Short Fiction and an Ivy Fellow. Her work appears or has appeared in The Paris Review, Elle, The Carnegie Review, and elsewhere. She lives with her husband in Park Slope, Brooklyn with their feisty menagerie of animals.

“The Bhagavad Gina,” published in The New Yorker

Genevieve Maguire-Mehta is the recipient of the Whiting Prize of Short Fiction and is a McClennen Arts Colony scholar. Her work appears or has appeared in The Paris Review, Elle, and elsewhere. She is currently working on a novel. She lives with her husband and daughter in Park Slope, Brooklyn.

“When Two Becomes None,” published in American Quarterly 

Genevieve Maguire’s writing has received dozens of accolades, most recently the Luciana Vowel Prize for Female Fiction. Praised by Alice Munro as “effervescent,” her work has appeared in more than twenty publications, including The New Yorker, and The Paris Review. She lives with her daughter Priyanka in Park Slope, Brooklyn.

“The Day We Learned Desire is a Winding Path,” published by Capricorn Rising Press

Genevieve Maguire is an award-winning writer whose work has appeared in more than thirty publications, including The New Yorker and The Paris Review. She lives with her daughter in a 100-year-old farmhouse in Woodstock, New York. “The Day We Learned Desire is a Winding Path” is her first novel. Visit her website at genevievemagauthor.com.

“Hairy Arms and Coconut Oil,” published in MotherReader

Genevieve Maguire Dunblatt is a novelist, homeopath, and part-time yoga instructor. She has seen her critically-acclaimed short stories published in The New Yorker, The Paris Review, and elsewhere. She lives with her husband Benji and daughter Priyanka in Jacksonville, Florida.  

“Priya Pinker’s Mother Gets a Life,” published by Capricorn Rising Press

Genevieve M. Dunblatt is the author of two novels, including “The Day We Learned Desire is a Winding Path.” An aura reader, faith healer, and yoga instructor, she has seen her critically-acclaimed short stories published in The New Yorker, The Paris Review, and elsewhere. She lives with her husband in Jacksonville, Florida. Visit genevieveauthormag.com to learn more about her writing, and genevieveauthormag.com/hearthappy for her wellness services. 

“Comma, Coma,” published in Read-A-Day Journal

Genevieve Maguire is the author of “The Day We Learned Desire is a Winding Path” and “Priya Pinker’s Mother Gets a Life.” She has seen her critically-acclaimed short stories published in The New Yorker, The Paris Review, and elsewhere. Alice Munro has called her writing “effervescent.” She lives in Jacksonville, Florida.  

“Next Stop New York,” published in The Lunar Reader

Genevieve Maguire is the author of “The Day We Learned Desire is a Winding Path” and “Priya Pinker’s Mother Gets a Life.” She lives in New Jersey.  

By Kirthana Ramisetti

Kirthana Ramisetti is the author of Dava Shastri’s Last Day, a Good Morning America Book Club selection which is in … Read more ›