If you haven’t watched the new Disney+ series, “The Mighty Ducks: Game Changers,” you are missing out on not only one of the most delightful new series, but also a star-making turn from the young Sway Bhatia. At just 13 years old, Sway is not only of the scene-stealers on the show, but she has also already appeared on great projects like “Succession” & “Master of None.” And that’s not even the tip of the iceberg. Sway is also a strong activist and symbol of young women empowerment, speaking frequently about her love of Kamala Harris and other strong women leaders across multiple industries.
I had the chance to speak with Sway as she made her first appearance on “The Mighty Ducks: Game Changers” last month. After first congratulating her on co-starring in the series, I asked her how she got into the industry at such a young age:
As a big fan of the HBO series, “Succession,” I asked Sway what it felt like to be on such a critically acclaimed show with so many incredible (and even iconic) actors. She mentioned that the show, despite following the escapades of one rich family, was quite inclusive in its cast.
From there, we had to ask about her feelings on how South Asian representation is progressing in film and TV, especially as she spends more time working in the industry.
Sway also told me a little more about the strong women influences in her life, from the aforementioned Kamala Harris and many more. The empowerment and feminism is strong with this one!
Finally, I had to ask her about the show, “The Mighty Ducks: Game Changers,” and the iconic films upon which the show is based. She knew about the movie series and why it was so important to so many millennials growing up, and assured fans that the show stayed true to those films’ legacy. And her character, Sofi, is a total badass with real complexity and maturity as a young adult.
Basically, there’s really no reason not to watch Sway Bhatia and the rest of the amazing cast of “The Mighty Ducks: Game Changers,” every Friday on Disney+. For anyone who remembers the original “Mighty Ducks” series, you will not be disappointed. And for those just now discovering the iconic films, the show is the perfect introduction to the one of the best family-friendly live-action series from Disney history. No matter how you’re coming into “The Mighty Ducks: Game Changers,” you won’t forget Sofi, or the name Sway Bhatia, anytime soon.
Search “why don’t Indians smile in photos?” on Google and you’ll find an astounding 6,760,000 results trying to get to the bottom of this age-old question.
Despite having rich, celebratory cultures, it’s no secret that South Asians and the diaspora alike are known for being reserved with their emotions. Expressing ourselves — crying, smiling, laughing, even speaking — out of place is often looked down upon. And Indian-born comedian Zarna Garg has had enough of it.
“Culturally, we’ve been told ‘keep your gaze low. Don’t look people in the eye, all in the name of respect,’” Garg pointed out, with her signature fervor, as we chatted.
“And laughing? Forget that. Don’t smile, nothing. Don’t show any indication of joy. And it’s absolutely outrageous!”
A former lawyer, and mother of three living in New York, Garg has been taking the American comedy scene by storm with her unique voice and brand of humor. She believes that brown people, and especially brown women, “have a right to laugh,” and she’s on a mission to make sure they do.
Though it’s only been four years since Garg took the stage, she’s already entertained millions of people across the country, and beyond, through social media, sold out shows, and her critically-acclaimed Amazon special,“One in a Billion.”
But what the comedian really wants is to get people talking, and not just about herself. On her new podcast, aptly named “The Zarna Garg Show,” Garg sits down with her family twice a month to get comfortable with the uncomfortable — discussing, and even laughing, at topics that brown families tend to avoid such as sexuality and parenting styles.
We at Brown Girl Magazine sat down with Garg to dive deeper into this project, her journey, as well as the impact she hopes to make with it all.
Space for a “happy brown woman”
After being a lawyer and then a stay-at-home mom for 16 years, Garg found herself in search of new opportunities. She said she made several failed attempts as an entrepreneur and felt stuck.
“I thought that my time was best spent doing something that no one else was doing; something where I could have a real, unique touch,” she shared.
However, despite always being a strong writer — she wrote an award-winning screenplay — a creative career never seemed like a viable option.
“First of all, when you’re a mom, whatever your kid tells you is wrong,” she joked, recalling how her daughter was the first to encourage her to try stand-up comedy.
She scoffed at the suggestion, not understanding how telling jokes could be a real career that made money. It wasn’t until she actually set foot in a comedy club that she began to see the possibilities.
“That first day changed my life,” Garg continued. “I was like, what? This is an art form? I realized there was a space for a ‘happy brown woman’ telling stories. Not heavy-sad stories, but just goofy stories, stupid stories, sexy stories, regular women’s stories about our lives — not the stuff Hollywood loves to make about our people.”
Garg also realized there wasn’t really anyone else like her in the space. No one was talking about, not just Indian culture, but being a mom, wife and immigrant in a lighthearted way that people could relate with.
“When I started looking around, I was like, ‘No one’s doing this. Why isn’t anybody doing this?’ That set me on a journey of thinking even deeper and harder about our culture; the things we are okay talking about and those we shy away from.”
The taboos Garg uncovered became the foundation of her material. She jokes about marriage, motherhood, in-laws and Indian stereotypes — but not to everyone’s delight.
The comedian frequently shares some of the critical direct messages she receives on Instagram.
And she welcomes these individuals with a smile, saying “Namaste haters.”
“I invite my haters to my comment section to get involved and hear the other side. Listen, you might change your mind. You might just see why everybody is getting on board the Auntie Z train.”
Garg also reflected on the supportive, yet enraging, messages she’s received from South Asian women abroad who watch her videos in secret.
She explained, “There are people who find my videos funny but don’t openly acknowledge it. They’re so scared that if their husband finds out that they like a mother-in-law joke or something like that, they’ll get in trouble, and it’s completely preposterous.”
Garg wants to use her platform to raise awareness and start conversations about these issues. She discussed how brown women are often taught to be obedient and respectful to the point where they tolerate abuse, and how the policing of her comedy is merely a small example of these bigger problems.
“Mother-in-law humor, family humor is older than the hills,” she continued. “But, as brown women, we are expected to be the culture police. It’s like if your mother-in-law is pouring gasoline over you and lighting you on fire, you’re supposed to say ‘thank you, thank you mummy ji.’ What are you, nuts? When I point these things out, I get trolled, but then, every few months, something really bad happens in India or elsewhere.”
Garg considers herself extremely lucky to live in a place where she has the freedom to do and speak as she wants.
“I’m not speaking about you or me. I’m not worried about me. I’m speaking out about all of us — my sisters, my in-laws, the extended family of brown women that we are part of.”
And her voice doesn’t stop at just women’s issues. Garg’s podcast is her latest effort to push the envelope and spark important conversations brown families should be having.
“I asked myself ‘If I’m in a position to open conversations that otherwise have been taboo, how best can I use that power and broadly reach people?’ That’s what inspired the podcast. I feel like the time has definitely come when [brown people] have to join the rest of the world and have these conversations. Our kids are out there living life. It’s not okay for them to be completely unaware and drifting into social situations with no idea what they’re talking about. I wanted to come to our community and to our world with the authentic truth.”
In the premiere episode, you get just that.
Garg’s children open up about sex, its role in their individual social circles and age groups, and how they felt their parents handled the topic at home. The discussion is full of bold moments, but also plenty of laughs as is Garg’s modus operandi.
On Labor Day weekend, she even hosted live recordings of the podcast in New York City where fans could attend with their loved ones, have a Q&A with the Gargs, and play some games. The event will return in November during the New York Comedy Festival.
The comedian hopes that her playful approach shows people that having a conversation doesn’t have to be scary or intimidating.
“People often misunderstand my videos and stuff. It could look like I’m seriously reprimanding my daughter. I get it! But even that right there generates a first conversation. Even when you fully understand what I’m doing, it’s enough to open the door.”
People reach out to Garg regularly telling her how one of her videos or tweets encouraged them to call their children or parents to have a conversation and she couldn’t be happier.
More than meets the eye
“I’m as Indian as they come.”
Garg joked describing herself, and she is, but there’s also much more to her than meets the eye. While, on the surface, her proudly-worn bindi and modest style may have some thinking she’s just another “Indian auntie,” it couldn’t be farther from the truth.
Garg left India at the age of 16 to escape an arranged marriage. She met her husband, Shalabh, in 1997 through Internet dating. She left behind a law career to take a chance on a creative endeavor that was completely unknown to her and she wants to see more people do the same.
“Comedy is a young person’s game and I really wish I started at least 10 years before I did. Now, I tell my own kids, and I’m saying this to all [readers]: ‘there has never been a better time to take a chance at something new. Do it as a side hustle. Do it as a hobby. Do it as a weekend thing. Whatever it is, just get going. You owe it to yourself to take that shot and see if it’s gonna work. Don’t be worried about failure, be worried about not trying.”
Garg is challenging every brown norm and stereotype, and that includes helping Indians smile.
“We’re very stressed out people. We love stress. I feel honored and blessed to be a catalyst in our community who is bringing joy and openness of culture. I’m not a movie star or anything, but there are times when people see me from a distance and I see a smile on their face. People associate me with humor and joy and I’m so grateful for that.”
You can learn more about Zarna Garg’s upcoming shows and projects on her website, or follow her on Instagram and TikTok to get involved in the conversation. “The Zarna Garg Show” podcast releases new episodes on the 1st and 15th of every month and is available on YouTube, Spotify, and all other major streaming platforms.
Being a teenager is scary. Hormones, high school, trying to fit in — add to it a flesh-hungry demon from the Indian subcontinent and it becomes downright terrifying. At least, that’s what award-wining director Bishal Dutta’s debut feature “It Lives Inside” will have audiences thinking when it hits theaters on Sept. 22.
From the producers of several blockbusters including “Get Out” and “Us,” “It Lives Inside” stars Megan Suri as Samidha. Samidha is an Indian American teenager growing up in a quintessential small town, where she’s one of only a handful of South Asian faces at her school. She has a sweet, hardworking dad (Vik Sahay) and a caring, but stern mother (Neeru Bajwa). Both of them like their daughter home early to make prasad for prayers and insist no one whistles in the house, fearing it’ll attract evil spirits.
Much to her traditional mother’s dismay, when Samidha enters high school, she begins to resist her Indian culture. She prefers to be called “Sam,” and speak English, leaving her homemade lunch tiffins on the counter on her way out the door. Most significantly, she distances herself from her former best friend and fellow Indian, Tamira (Mohana Krishnan)
Tamira has become the center of school gossip carrying around an ominous black mason jar, dwelling beneath the gym bleachers. One day, she corners Sam in the locker room, begging her for help from the “monster” trapped in the jar, but Sam is rigid. Her desire to fit overcomes her emotions. Tamira storms out — and then mysteriously goes missing.
Little does Sam know, her childhood friend’s behavior and disappearance were brought on by the Piscacha — a flesh-eating Hindu demon drawn to negative energy — and Sam’s disbelief has just unleashed its terror back on her.
“It Lives Inside” is a breath of fresh air. It has the nostalgic backdrop of a 1980s teen movie (think “Sixteen Candles” or even “Halloween”) but adds the thrill of an exciting new monster for horror fans, and looks for the final girl.
Audiences have spent decades watching and screaming at faith-based horror stories like “The Exorcist,” “The Conjuring,” and “Carrie,” but “It Lives Inside” is the first of its kind for Hollywood, drawing from Hinduism for its frights.
Now, I can’t lie…when I first learned the story would be rooted in Hinduism, I was nervous. I worried that religion and culture may be used as a gimmick, but I was pleasantly surprised.
Dutta’s approach is reminiscent of Bisha K. Ali’s with “Ms. Marvel” on Disney+. Characters speak Hindi and we see South Asian religious practices, foods, and clothing displayed prominently, in a natural and authentic way that other groups can easily learn and understand. The culture merely rounds out the story, it’s not the main character or conflict.
The Piscacha, feeding on the despondence of its prey, may remind some of Vecna from season 4 of Netflix’s “Stranger Things,” but Dutta offers a fresh angle, alluding to the characters’ negative feelings toward their culture being the source of its power.
He offers South Asian American audiences relatable family dialogues and dynamics, but also steers clear of cliches like showing popular kids as mean or Sam’s American crush unlikeable.
“It Lives Inside” isn’t a horror movie you’ll lose sleep over, but that doesn’t mean it’s without palpable moments of fear.
Thanks to Dutta’s creative shots, smart pacing and sensory visuals, in addition to the emotion-packed acting of its cast, the film successfully makes your skin crawl and your jaw drop on several occasions.
The characters are smartly cast with several standouts. Suri is a welcome new face for the horror genre’s final girl and she delivers her role with the right amount of escalating fear and desperation. Meanwhile, Bajwa leans into hers with the passion you’d expect from a protective brown mom, though, at times, some of her Hindi dramatells come through.
“Get Out’s” Betty Gabriel is also noteworthy as Sam’s teacher Joyce and an early confidant. Her support of Sam was a refreshing break from the “this person must be crazy” trope we see so frequently in demonic films.
All that said, “It Lives Inside” does border on being formulaic. It follows a template and scares we have seen numerous times and ones that have done well historically.
But in its familiarity, it also manages to feel fresh. With its South Asian twist, the film proves that even formulaic horror films can find new life through diversity and inclusivity. It raises the idea that they have the potential to scare wider audiences and tell more spooky stories by exploring new cultures and casts.
While “It Lives Inside” is not perfect — the climax may leave you with a few lingering questions — it is a stylish and well-made film and a welcome piece of mainstream South Asian representation.
Recent past has seen South Asian stars delve into many different genres on television and the big screen, but horror has remained largely untouched. Thankfully, “It Lives Inside” has set the table for some brilliant South Asian-based horror films in Hollywood for years to come.
“It Lives Inside” made its world premiere at SXSW and has made its way through the film festival circuit. It will be released theatrically by Neon on September 22.
Indian-American commercial real estate and land consultant Anita Verma-Lallian launched Camelback Productions at an event held in Paradise Valley, Arizona, Jan. 7. Billed as the state’s first women-and South Asian-owned film production and entertainment company, it will focus on South Asian representation and storytelling, according to a press statement issued by Verma-Lallian. The announcement follows “Arizona Governor Doug Ducey’s $125 million film tax credit for film and TV production that was introduced in July 2022, “ the statement added.
The Jan. 7 private launch party and meet and greet introduced investors and supporters to what’s ahead for Camelback Productions.
Noting the “major push to see minority groups represented in the media over the past few years,” Verma-Lallian said she wants to see more South Asians represented. “I want my children to see themselves when they watch TV. I want my daughter’s dream to become an actress to become a reality. Skin color shouldn’t be a barrier to that.”
The event opened with remarks from Phoenix Mayor Kate Gallego, who has served as the city’s 62nd mayor since 2019. She welcomes the company to “the greater Phoenix community.” She expressed confidence that “the team will attract some of the country’s top talent to the Valley.”
Guests at the event included actor and comedian Lilly Singh, actor Nik Dodani, Aparna of Netflix’s “Indian Matchmaking,” Bali Chainani and Anisha Ramakrishna of Bravo’s “Family Karma” fame, and Paramount+ executive P. Sean Gupta, to name a few.
The company is Verma-Lallian’s first venture into the film industry. She is known for providing full concierge services for land seekers and developers of all types of sites and assists investors in discovering viable properties in the Phoenix area through her company, Arizona Land Consulting, the statement added.
Named in honor of the iconic Camelback Mountain in the Valley, Verma-Lallian says she wants her production company to have the same indestructible foundation. Camelback Productions plans to begin its first project later this summer.