“Welcome to The Bollywood Project, my name is Uzma and I’m here with my co-host Hani…” is always there to greet you to a new episode of an emerging Bollywood-centric podcast.
And on this episode, we have the ladies of Brown Girl Magazine, Trisha Sakhuja and Kamini Ramdeen, to discuss everything that relates to women and feminism in Bollywood.
We are two Indian and half-Indian/Pakistani diasporic brown girls, who met online while living across the country, and now, we run a weekly podcast that discusses current Bollywood news. The topics include casting news, movie reviews, gossip and everything else you need to know about the Indian film industry.
Every other week, we also host a discussion episode about issues affecting Bollywood, ranging from colorism to social activism and even the growing emergence of foreigners in the industry.
“The Bollywood Project” emerged from a common interest in getting involved with our culture. As is typical in a desi household, we both grew up watching Bollywood with our families (Uzma more so than I) but when it came to balancing that with our American identity, Bollywood was put on the back burner for some time.
[From Left to Right: Co-hosts of ‘The Bollywood Project’ Uzma and Hani.]As years passed and we grew into our own identities, we realized how much we had forgiven our cultural background to fit in, so at the insistence of a good friend towards of 2013, we watched “Yeh Jawaani Hai Deewani” and it’s been a Bollywood world ever since.
Living across the country made it difficult to start a YouTube channel so what better option than to start a podcast. Being an avid listener of podcasts, Uzma decided to look up the Bollywood category on iTunes and saw dismal results.
The two options she saw were a male based podcast and a podcast that focused primarily on Bollywood film reviews—both of which were not what she was originally looking for.
So, as the saying goes, ‘if you can’t beat em’ then join em’ and that was the start of “The Bollywood Project.”
With almost 20 episodes uploaded, we have received all sorts of feedback from our listeners, and we couldn’t be more grateful for all the support. Neither Uzma nor I have experience in the entertainment industry, which makes this a huge learning opportunity, and with such an overwhelmingly positive reaction, we would like to continue on this path of entertaining listeners with our unique opinions and thoughts.
Our goal is to give Bollywood fans and non-Bollywood lovers a different viewpoint on the Hindi-film industry by speaking about issues and topics that haven’t been spoken about openly (like the episode with Brown Girl where we thoroughly discuss the role of new-age actresses in Bollywood and the hype around ‘female-centric roles’).
We want to make a positive change on an industry that has helped us grow closer to our culture. We hope you will enjoy listening to our weekly discussions and subscribe to the podcast! :)
Weekly episodes can be found at “The Bollywood Project” on iTunes or at Podbean. They are released Monday mornings, in time for your morning commute, and the discussion episodes are available every other Thursday. Follow the co-hosts, Hani and Uzma, and “The Bollywood Project,” on Twitter.
It’s always a flamboyant affair of colour, emotions and grandeur when Karan Johar directs a film, and his latest blockbuster “Rocky Aur Rani Ki Prem Kahani” is as K Jo as it gets. After recently being recognised at the British House of Parliament for 25 years as a filmmaker, Johar is back to doing what he does best — bringing together families and star-crossed lovers, but this time with a modern touch. He makes a decent attempt at showcasing progressive ideals and feminist issues while taking us on this family-friendly ride.
“Rocky Aur Rani Kii Prem Kahaani” is a larger-than-life film revolving around the love story of a boisterous Rocky (Ranveer Singh) from a wealthy Delhi family, and Rani (Alia Bhatt), a sharp journalist from a progressive Bengali household. And of course, despite belonging to completely different backgrounds and lives, our protagonists, in true Bollywood fashion, fall hopelessly in love through a string of slow-motion gazes, warm embraces and some truly breath-taking song sequences in Kashmir’s snowy mountains. They are then forced to face their opposing families which brings along the family drama in the second half of the film.
The plot is not the film’s strongest point — there’s no real surprise about what’s going to happen next, and yet the film doesn’t fail to keep audiences engaged and pack an emotional punch. This is down to its strong acting, witty dialogues and K Jo’s classic, beautiful cinematography.
Ranveer Singh sinks into the skin of his character with ease – not only does he make the hall burst into laughter with the help of perfectly-timed gags but he pulls off those dreamy gazes ,expected in K Jo’s heroes, to evoke that typical, fuzzy-feeling kind of Bollywood romance. Alia Bhatt’s intelligent and undefeated character is no less a pleasure to watch on screen — not only does she look breath-taking in every shot but her feminist dialogues earn claps and cheers from the audience as she brings a progressive touch to this family drama.
Albeit, while Bhatt’s dialogues do their best to steer this film to the reformist drama it hopes to be, some of Singh’s gags and monologues on cancel culture bring out bumps in the road. The film could have done better to reinforce its points on feminism and racism without using the groups it tries to support as the butt of jokes.
There is also a case to be made about how long these Punjabi and Bengali stereotypes can go on with often gawkish displays of Ranveer’s ‘dilwala-from-Delhi’ character among the overly-polished English from Rani’s Bengali family. But it is with the expertise of the supporting cast, that the film is able to get away with it. Jaya Bachchan in particular is as classy as ever on screen; the stern Dadi Ji holds her ground between the two lovers, while Dada Ji Dharmendra, and Thakuma Shabana Azmi, tug at our heartstrings showing that love truly is for all ages.
Saving the best to last, it is the film’s cinematography that makes the strongest case for audiences to flock to the cinema. The soul-stirring songs steal the show with their extravagant sets and powerful dance performances that treat the audiences to the much-awaited cinematic experience of a K Jo film. While audiences may already be familiar with the viral songs, “What Jhumka?” and “Tum Kya Mile“, it was the family-defying fight for love in “Dhindhora Baje Re” that really gave me goosebumps.
Overall, the film does exactly what it says on the tin and is a family entertainer with something for everyone. It will make you laugh, cry, and cringe at times, but nothing leaves you feeling as romantic as some old school Bollywood with a mix of new school humour, in true K Jo form.
“Ghoomer,” R. Balki’s latest directorial venture, had its world premiere at the Indian Film Festival of Melbourne 2023 (IFFM), earlier this month, and the moment was nothing short of memorable. Lead actors Abhishek Bachchan, Saiyami Kher, and Angad Bedi, were present to unveil their labor of love to the world, and all three were left speechless at the reaction of the global audience; the film received a standing ovation on opening night, leaving the team extremely emotional — a feeling that Bachchan tells Brown Girl is one he cannot put into words.
“Ghoomer,” tells the story of Anina (played by Kher), an exceptional cricket player who loses her right hand in an accident. Downtrodden and with no will to live, Anina finds a mentor and coach in Padam Singh Sodhi (played by Bachchan), an insensitive and brash failed cricketer who helps her turn her life and career around; Anina also has the unwavering support of her husband, Jeet (played by Bedi). Sodhi teaches Anina unorthodox techniques to make her mark on the cricket ground once again. Enter, ghoomer, a new style of bowling.
Balki checks all the boxes with this feature — his protagonist is a female athlete, the film is his way of giving back to cricket (a new form of delivery), and he highlights the idea that nothing is impossible for paraplegic athletes. The heart of Balki’s film is in the right place — Kher mentions that the film is meant to be more of an inspirational movie and less of a sports-based movie. One can only imagine the impact that a film like this would have on an audience that’s hungry for meaningful cinema.
And, to chat more about “Ghoomer,” Brown Girl Magazine sat down with the stars of the show. Bachchan, Bedi, and Kher came together to talk about their inspiring characters, the filming journey, and how their film aspires to change the landscape of cricket and paraplegic athletes in the country. It was all that, with a side of samosas.
Take a look!
The featured image is courtesy of Sterling Global.
November 3, 2023November 8, 2023 < 1min readBy Sandeep Panesar
“Thank You For Coming” is a one-of-a-kind Bollywood film that is not only a through-and-through entertainer but also an inspiring story about a young woman, Kanika Kapoor (played by ace actress Bhumi Pednekar), who sets out to seek pleasure in bed; and, she’s not settling for anything less!
The film premiered at the 48th annual Toronto International Film Festival to an audience that was impressed with so many facets of the film — the comic timing of the impeccable cast, the subject matter of female pleasure, and the fantastic direction by debutant Karan Boolani — just to name a few!
Brown Girl Magazine had the pleasure of chatting with the lead actress, Pednekar, while she was in Toronto for the uber-successful premiere of “Thank You For Coming.”
Here is our exclusive interview with Pednekar for you to watch! Check it out!
