Fashion weeks have seen a complete makeover since their inception, decades ago! Of course, the logistics and execution are far more advanced and luxe in today’s time and day, but who would have thought that a more enforced “makeover,” courtesy of COVID-19 and the current global climate, would also further force top brands to pivot their fashion week agenda and presentations in this manner? Who thought that in 2021, couture, street fashion, ramp walks and fireside chats would all be experienced through the virtual lens? Who would have thought that there would be such thing as virtual fashion weeks?
Global health and safety are at the heart of these efforts, and as an audience, we continue to be grateful to be able to experience fashion weeks around the world from the comfort of our homes. But every fashionista has been through an adjustment period, right? With ramp walks going digital and visual communication between audience and designers becoming so much more significant, gone are the days where attendees could rock their best fits, OOTNs, and feed off their fellow fashions lovers’ style sense!
But, with that said, there’s no stopping the fashion industry from continuing to provide their consumers all the content they love! With Berlin Fashion Week kicking things off earlier this month through their “digital-first” format — audiences from around the world can tune into shows, interviews and showcase studios online — Paris Fashion Week followed suit and did the same. The shows are taking place at venues like La Samaritaine and the Grand Palais and we, the audience, have the pleasure of tuning in from our very own front row seats – our homes. Fashion Week Madrid is also coming up with a new platform to serve their viewers’ major fashion and styling goals for Spring/Summer 2021.
And, this list goes on all the way to Lakme Fashion Week, India’s most sought-after and celebrity-studded biannual event! With digital showrooms and virtual runways being at the center of Lakme Fashion Week 2020, we’re excited to see what’s in store for them next!
Although some of these institutions have opted to have some in-person shows, keeping social distancing parameters in place, it’s safe to say that a digital fashion week is still trending. To make things more engaging and to grab maximum eyeballs (or views), designers have opted for intriguing and artistic fashion films, power talks, and film screenings to further entertain their at-home audience.
As spectators, we know the implications of these changes, but how do designers really feel about taking their coveted designs to the ramp with a virtual audience? We don’t have to sift for the answers, because we have some fine designers giving us their take on virtual fashion weeks, how things have changed post lockdown and what to expect next!
“Virtual fashion shows, I think, had already started trending pre-lockdown in the Instagram generation. I think they’re great as they are more inclusive and everyone around the world can view them — it’s entry for all, which is great and a more equalizing sense of fashion.” — Vandana Jagwani, Founder of Vandals and Creative Director of Mahesh Notandass Fine Jewellery
“Fashion week is about what occurs off the catwalk — it resembles a secondary school get-together that happens two times every year — and it is extremely unlikely of duplicating that carefully. Along these lines, in that sense, a virtual fashion week would never truly equal the old norm. In any case, plainly, the status quo doesn’t exactly fit with the state of affairs at the present time. Everybody’s attempting to make sense of what will work pushing ahead; this virtual design week was to a great extent a trial in testing those unknown waters. There is no correct answer, and brands that demonstrated anything merit credit for attempting.” — Namrata Lodha of Myaraa
“I would say that necessity is the mother of invention. From the last few decades, fashion shows have become a part of the industry where top influential people and buyers get a chance to look at the amazing art of designers on a large scale. Fashion week has given opportunities to the designers to connect with its audience and also has given them exposure in press/media which helps them to share their story. Now because of advancement in technology, the same thing is available to so many people at once, literally, anyone can watch the shows on their TV or phone, anywhere in the world. It’s an opportunity for designers to communicate with the mass audience.” — Label Varsha
“Now, given the pandemic crisis, discussion of how to create a more ethical and less environmentally damaging model for an industry that is responsible for 10 percent of global carbon dioxide emissions every year is more relevant than ever. My hope for a post-coronavirus future is one that values those in the supply chain. Garment workers are the heart of the fashion industry but are treated the worst and often come from the most marginalized communities.” — Namrata Lodha
“COVID was like a jolt out of the blue around the world and has affected everyone in ways big and small. It has most definitely changed a lot about how humans perceive the world around them and the definition of want and need has become more relevant now than ever. In a post-COVID world, fashion will have to be inspiring and buoyant to help overcome the scars of the COVID era. Fashion will be more about bridging the gaps left by social distancing norms, connecting us by unseen threads of humanity. Rather than basking in individual glory, fashion will need to be more binding, highlighting the fact that we are all in this together. For example, post the Great Depression of the 1930s, fashion trends that became a hit were based on reusing and remodeling what was available, as resources were very limited. Considering the financial turmoil in the world today, with disposal incomes being severely curtailed, fashion trends based on remodeling, recycling, and reusing will most definitely hit the right notes. Most global fashion houses understand that fashion weeks will not happen for some time to come and have already started hosting virtual fashion weeks to showcase their collections. In India too, virtual fashion shows have been conducted with varied responses.” — Aprajita Toor, Footwear Designer
Each year brands and designers come out with garments and collections that they are hopeful will become all the rage, and consumers eagerly wait to get their eyes (not hands, this year!) on these pieces. The essence and culture of fashion weeks have not changed, and we don’t anticipate they will, but the logistics behind the institution are shifting, and that in itself comes with its pros and cons.
Indiaspopup.com — USA’s premier online destination for luxury Indian designer clothing and accessories — is a global platform for South Asian fashion. It curates inclusive, embracive, and conscious trends and styles from the heart of India to its global shoppers. Founded by Archana Yenna, the company honored South Asian women from various walks of life who are leading the path for future generations. The luxury retailer hosted a ‘Power Table’ dinner at Armani/Ristorante in New York City with South Asian women leading the change in fashion, entrepreneurship, media, entertainment, and journalism.
At Indiaspopup.com, we empower and celebrate women through authentic South Asian fashion and community contributions. As we celebrate Women’s Day, we remain committed to sharing inspiring stories of South Asian women achievers and changemakers. Our recent ‘Power Table’ dinner in New York City celebrated remarkable women — trailblazers of South Asian heritage, inspiring the next generation of female leaders to dream big and chase their aspirations.
Yenna honored these women for breaking stereotypes and spreading positivity on body sizes, health, confidence, and skin tone. Through her work with Indiaspopup.com, Yenna hopes to help women feel beautiful, confident, and feminine, and make progress toward positive change. In a series of photos shot in New York City’s Baccarat Hotel, dedicated to the quintessence of luxury and excellence, Indiaspopup.com produced a high tea-themed photoshoot to celebrate its honorees. The women wore avant-garde clothing donning some of India’s most prominent designers while sipping tea, dining on canapés, and enjoying one another’s company. Exemplifying Indian royalty, the women championed one another and the power of sisterhood, and shared what womanhood meant to each one of them.
During the two-day festivities, Indiaspopup.com announced their partnership with Sakhi for South Asian Women, an NGO that represents the South Asian diaspora in a survivor-centered movement for gender justice. Sakhi applies a trauma-informed, culturally responsive lens with a long-term commitment to mobilizing a future free from violence. Yenna pledged to donate a portion of sales from the month of March to the organization.
Sakhi for South Asian Women is grateful to Indiaspopup.com for uplifting and investing in our work with survivors of gender-based violence. Nationally, 48% of South Asian Americans experience gender based violence throughout their lifetime, and at Sakhi, we have seen a 65% increase in cases over one year. This support will help us address the overwhelming need in our community and continue our commitment toward a future of healing and justice.
— Kavita Mehra, Executive Director at Sakhi for South Asian Women
To learn more about Indiaspoup.com visit their website.
When she was young, Preeti Gore, the founder of the clothing brand Tilted Lotus, always looked up to her dad’s “natural sketching” talent. His motivation led her to explore her creative side, whether it was experimenting with art or taking up sitar lessons. Regardless of that fact, she pursued a career in science and became a Physical therapist, following her gut instinct.
Stepping into the world of fashion, alongside being a PT, Gore talks to Brown Girl Magazine about her brand Tilted Lotus in depth.
Why “Tilted Lotus?” What is the significance of the name?
‘Lotus’ symbolizes the national flower of India, my birthplace and the land that has shaped me into the person I am today. It represents the roots from which I originate. On the other hand, ‘Tilted’ signifies the distinctive identity I developed while living in Western countries. With my experiences spanning four different nations — India, the UK, Canada, and the US — I’ve had the privilege of embracing the unique qualities of each culture. This odyssey has enriched my life tremendously, and Tilted Lotus is how I offer this special part of me to a diverse American market.
How did the transition to the world of textiles and design occur?
Despite never being pressured by my parents, I convinced myself that pursuing a career in science was the ‘right’ path, and thus became a physical therapist. My first job in the US was at Houston Methodist Hospital, located in the prestigious Texas Medical Center. Driven by my passion to help others, I am dedicated to this profession and have no intention of quitting. Relocating to the UK, and Canada, and eventually settling in the US presented numerous challenges, and every time I felt shattered, defeated, or alone, I somehow found the strength to push forward. My parents, despite limited resources, supported my dreams wholeheartedly, encouraging independence and the pursuit of my passions. My husband — who I affectionately call my “Sheldon” (a nod to The Big Bang Theory) — played a pivotal role in persuading me to embrace my creative instincts. I am grateful to have him as both a strong supporter and a staunch feminist.
Two years ago, I took the first step toward launching Tilted Lotus. I enrolled in the entrepreneurship program at The Wharton School and pursued a course on starting a fashion line. I was focused on finding the right supply chain and developing a solid business strategy, but the real test came when I had to work tirelessly in the ICU during the COVID wave, back-to-back nights and days, all at the same time. Through ups and downs, failures, and victories, I finally launched Tilted Lotus in December 2022.
India to the UK…then now to the US! Did the need to stay rooted in your culture strengthen? If so, how did that help you envision Tilted Lotus?
From my childhood days, I’ve held onto my personal values like a compass guiding my way. During my experiences living in different countries, I noticed [I was] slowly losing myself, losing what truly makes me, me. But my love for my culture grew stronger, and I found ways to preserve it. As I wore clothing that reflected my identity and initiated conversations about culture and heritage, I discovered that these markers not only distinguish us but also bring us closer together. People are often eager to learn and experience different cultures, which inspired me to create Tilted Lotus, offering a glimpse of me to others.
How do you aim to combine South Asian elements with contemporary designs?
The design process for creating an outfit involves a multitude of elements. Our primary objective is to take a traditional Indian art form, put a Tilted Lotus twist on it, and incorporate it into contemporary, everyday silhouettes that are both adaptable and effortless to wear. Our latest collection, Jungle Glam, embodies this unique concept flawlessly.
Who is your target audience? And, how do your pieces help express themselves?
We cater to a diverse and inclusive audience, embracing individuals of all ages, genders, races, and ethnicities. While our current selection includes unisex options, our plans involve expanding more into the realm of unisex clothing. Our aim is for our garments to transcend traditional gender norms, welcoming everyone into our fashion community, regardless of their background.
Our target demographic consists of individuals who revel in dressing eclectically, and fearlessly expressing their unique selves. Our garments become a canvas for personal stories, silently representing who they are. They complement individual styles and can be effortlessly combined with other pieces, adding a touch of boldness and confidence.
One adjective to describe your clothing line.
How do you want people to feel when wearing your clothes?
Our ultimate goal is for them to exude confidence, radiate happiness, and proudly embrace their true selves when they don our clothing. We want them to feel empowered, ready to conquer the world, and unapologetically display their unique style and individuality.
You mention one of your brand values is compassion. Can you tell us a little about your vision to help your non-profit partner: Three Little Pitties Rescue?
We take great pride in being a strong corporate sponsor for the Three Little Pitties Rescue, an extraordinary non-profit 501c3 organization that goes above and beyond to rescue dogs and cats in dire situations, primarily in the Houston, Texas area. Their unwavering dedication has resulted in the rescue and salvation of over 11,000 animals in recent years, and we are honored to contribute to their cause.
As avid animal lovers, our affiliation with Three Little Pitties Rescue began long before the inception of Tilted Lotus. We have closely collaborated with them, witnessing firsthand their remarkable achievements and tremendous growth over the past few years. Their progress has been fuelled by sheer honesty, selflessness, and unrelenting hard work.
One thing that sets Three Little Pitties Rescue apart is their absolute commitment to ensuring that every donation they receive is put to its intended purpose. They maintain the highest standards of transparency and accountability, ensuring that funds are used solely for the betterment of the rescued animals. There is no room for misuse or misappropriation.
Through our partnership with Three Little Pitties Rescue, we have witnessed the profound impact they have on the lives of animals in need. We are privileged to be part of their journey and contribute to their noble mission. Together, we strive to make a lasting difference and create a better world for our furry friends.
We are set to rock the Runway show at New York Fashion Week this fall with Runway 7 productions at Sony Hall, New York. We will be unveiling an all new collection.
Stylish, sustainable silhouettes with love. Tilted Lotus is synonymous with wearing your culture with pride. With prints that bring you back to traditional Indian art, the collections have pieces that you can wear to your next big event or even pair with your everyday jeans and a tee.
And, after an incredible showcase at Austin Fashion Week, the Slow Fashion Festival, and two successful pop-up events at Renegade Craft and Austin Fashion Week, the team is thrilled about what lies ahead this year! Their calendars are full, and they couldn’t be more grateful to everyone that showered them with love and welcomed them with open arms.
Here are some exciting upcoming events Titled Lotus has planned, and they’d be delighted to have you join them in person!
New York Fashion Week: Runway 7, Sony Hall, September 9, New York
In Todo Pop-up Shop: November 4-5, Los Angeles, California
You can continue to be part of their journey by following them on their official Instagram account, here.
I’ve never considered myself to be a part of the fashion world here in New York. Until a few years ago, I couldn’t even tell you what my style was. Today, it’s clear how much my clothes are influenced by my time living in India for six years as a teenager. You’ll usually see me pair a sari blouse with a pair of pants, a khadi print skirt, or a dress that my family’s tailor back in Kolkata made of cloth my mother and I spotted and loved in the store next door.
My Indian heritage is an integral part of my identity, so when I was asked if I could write about South Asian designers debuting their collections, how could I say no?
I first heard about South Asian New York Fashion Week (SANYFW) last year from a friend who walked the runway for one of the designers. I’d heard about the infamous New York Fashion Week of course, but based on the name, I assumed this venture was to increase the representation of South Asian designers, especially because fashion is an industry with high barriers to entry, making it especially difficult for BIPOC designers to break through and showcase their talent.
I wasn’t far off the mark, according to one of this season’s designers, Sandeep Tupili, cofounder of the brand Maison Tai.
“I come from the South of India and growing up I never saw clothes like this on the runway,” he said. “Now, as a gay Indian designer, I’ve never really been supported like this, in a space like this. This community is truly incredible.”
Community is what I found in the days I ran around attending the various SANYFW events, which took place between September 9 and September 13, starting with actress Richa Moorjani headlining for Raas, a contemporary luxury clothing brand from India. I’m a journalist who reports on BIPOC influencers, I’m Indian, and I used to be an editor at Brown Girl Magazine, so I knew a lot of faces in the room already when I walked into the press gathering, the first event of the week. I was unprepared, though, for the immediate warmth from the people I just met. Faces that lit up whenever they saw me, engaging in conversations about representation, and checking in to see how my day was going.
It’s that kind of community that Shipra Sharma and Hetal Patel, cofounders of SANYFW, have been working so hard to cultivate this second time around, based on learning lessons from season one.
“I really want to see these designers create their own network and create their own connections because we can provide the platform, but for the designers to get to the next level, it’s about the people who get involved with their brands,” Sharma said. “I’m honestly so overwhelmed with joy because 10 years ago, I couldn’t even fathom having a space like we do today where they could do this.”
Another one of the designers I met was Sheel Svarini, who graduated college only two years ago and took this season’s SANYFW by storm when she debuted her collection Svarini, which she describes as a “Bridgerton”-inspired play on Indo-Western clothing. When she walked out after the models displaying her designs at the multi-designer fashion show on September 13, she was met with cheers, whistles, and some standing ovations.
“I was designing my clothing as I watched the show last year, so it’s really a full-circle moment for me,” she said. “I didn’t study fashion at all, I was studying engineering, and there’s no way I could have done it without the opportunities I’ve gotten here.”
You could feel Sheel’s joy every time in the space—every time she saw me, she, quite literally, picked me off the floor in a hug. For Archie Agarwal, founder of handmade fine jewelry and accessories brand Studio Kiyan,it was a tap on the shoulder and a long hug whenever she saw me.
“Spaces like this are so critical for the young boys and girls out there to see that they’ll be accepted for who they are,” she said. “I can only imagine how many designers will be here in the next few years, and it could be because they saw us on their social media.”
Maheen Haq, the designer behind Babougie, agrees. At the multi-designer presentations event on September 11, she was one of the people asked to explain more about her brand, and she highlighted how grateful she was to the packed room of South Asians who showed up in support.
“When I was young growing up in Pakistan, I felt like I didn’t have a lot of options because I couldn’t find clothes in my size,” she said. “Not many people, even today, would accept a brand that prioritizes hand-blocking printing from Pakistan so that just shows what kind of community Hetal and Shipra are trying to build.”
Meanwhile, Promiti Prosun of the brand Chaa Latte, embodies the concept of community in her clothes. Our interview was interspersed with revelations about our similarities—we’re both Bengali, we both quit our jobs during the pandemic in 2021 and pivoted careers: me to journalism and her to fashion.
“The space to be seen like this wasn’t there before,” she said. “My collection is about community actually, about feeling comfortable and accepted when you’re walking into spaces dressed in your clothing.”
It’s designer Madiha Dhanani, founder of brand Jamil by MD, who highlighted the unique element of SANYFW on their last night of shows: helping people from the diaspora embrace both sides of their identities.
“We keep our worlds so separate, American and Indian, and it’s time we start blending our backgrounds together,” she said. “That’s what makes SANYFW so important. It’s creating the room for us to showcase the way that fashion is moving forward.”
After Dhanani’s collection debuted on the runway, excited conversations were already breaking out about what next year’s SANYFW would hold and how much bigger it could be, especially given this year’s recognition by outlets like Good Morning America, NBC News, and Bloomberg.
As for me, I’ll eagerly be awaiting the chance to meet more inspirational South Asian designers and creatives next September. It’s goes beyond the designers and clothes for me, it’s about it’s about continuing to support the community that was fostered this year.