“I’m just really excited for people to see the movie because people seem to like this character, and I’m protective of it. I am excited for everyone to see him be a badass.“
After becoming a fan favorite in 2016’s superhero film “Deadpool,” Karan Soni returns as the enthusiastic cab driver, Dopinder, this Friday in “Deadpool 2.” This time, though… we see him actually leave the cab.
“I love playing parts where you come in, do your job and leave. You leave people wanting more.“
Dopinder stole the hearts of many when he made his debut as a taxi driver in New York City for contract killer and superhero Deadpool. While driving Deadpool to his destination, Dopinder shared the struggles of his love life, which marked the beginning of Deadpool and his relationship. Although he had limited screen time, Dopinder instantly became a fan favorite.
Born in Delhi, Soni is an American actor known for his roles in “Safety Not Guaranteed” and “Deadpool.” We, at Brown Girl Magazine, had the opportunity to speak with the 29-year-old on playing the character of Dopinder. Soni told us about his character’s “evolution” in the “Deadpool” sequel, and spoke of his experience of being Dopinder.
“Essentially in the first movie, I see it as a journey… more like a set up for the character in the world. For the second, it was more than I did the first time, but I leave it at a good time,” Soni told us. “Hopefully we get to do more, and they’ll be more and more of the character that comes out in each movie.“
Dopinder went from an everyday city cab driver to becoming Deadpool’s “friend,” increasing his role and appearance in the film. “Deadpool 2” takes place two years after the original film and begins with Dopinder reflecting on being hired as Deadpool’s official getaway driver full time.
“In the second movie, without spilling anything, my character gets to do stuff I did not get to do in the first movie, so I feel really excited that I got to evolve,” Soni said.
“When I read the script I was like, ‘oh great, this guy is getting so much more responsibility and stuff to do,’ which is what I’m so excited about, and I hope that’s because I did a decent enough job the first time.”
The film depicts Dopinder exclaiming he is ready for more than being a driver for Deadpool — he is ready to be a contract killer. Deadpool, however, is unsure if Dopinder is ready to risk his life, so Dopinder tries to prove him wrong.
According to Soni, Dopinder’s biggest contribution is making Deadpool look good. Soni describes Deadpool as crass and sometimes “pretty awful,” but he’s friendly towards his character, Dopinder.
“When I saw my character, what I really liked about him was that, on paper you would think Deadpool would have every reason to make fun of me because I’m not understanding what he’s saying…because I don’t come from the world that he comes from… but instead his gut reaction is to be kind to me and be almost like a father figure,” Soni said.
“It’s all from a place of love. I really loved that about the script and now even going into the second movie, he takes that relationship even further, so that’s what I grasped onto and really liked, and hopefully thats what people liked about it too.”
Soni defines the relationship Dopinder and Deadpool have as “very unique.” Through his character of Dopinder he was trying to create “an everyday person in a world with people filled with super powers” in order for audiences to relate to him.
“In the first movie, this was recognized by all sorts of people as they all connected to the character. People related to Dopinder because they feel, ‘that’s how I would be in a superhero world.'”
When asked about how he thought Dopinder portrayed South Asians in the mainstream media, Soni replied “very positively.” He emphasized that he would not take any job that depicted them in a negative light.
“As a brown performer, I’m going to do parts where I have an Indian accent because it’s part of my heritage. To me as an actor, not just as a performer, everything comes down to the script and the story. For me it all depends on what the character is, what the project is, and what the purpose of that character is to the story,” Soni said.
“When I read the script, I loved the relationship between my character and the lead. It was something I had never seen in a movie of this scale ever before, and that’s what got me really excited to play the part.”
Soni acknowledged that some may see the role as a stereotypical Indian man, with his character being a cab driver who listens to Bollywood music, however, mentions that his character was meant to be an everyday person, not a stereotype.
“To me, it’s important what his purpose in the story is. We shot both films in Vancouver, where there was a big Indian population. I had never been there before and there was no Uber or Lyft. So when I was working there for both the movies — four months between both movies — I took a lot of cabs just because I had too.
And I’m not joking, every time I had an Indian driver.”
Through this experience, Soni said he tried to adapt and observe different qualities to incorporate into his character of an everyday driver.
“So what it is coming down to for me basically, is that to anyone who just takes the general brush of like any Indian actor or anyone of a certain ethnicity is playing into maybe what could be a stereotype, it all is coming from a place of truth. So as a brown actor, I’m not going to turn my back on every role that is kind of like that.”
“Am I saying that I’m gonna play this kind of part in every movie thats offered to me? No, because I’m not gonna do it in everything,” Soni said.
“It depends again on what’s in the script, it really is about the context of what is happening. It’s hard to have perspective when you’re in it yourself.”
Soni said, he was a little nervous to hear what people would say after the first movie and to see whether he would get a lot of offers to play the same part, but fortunately he didn’t.
“I’ve got zero offers to play the same part. Instead between the first and second movie I’ve maybe done seven movies and a TV show and in each of those things, I’ve played something completely different, so to me from my perspective and where I stand, when I read the script, what appealed to me is hopefully what I portrayed — which is a character and not a stereotype.”
Prior to auditioning, Soni did not even know what role he was auditioning for.
“It was really secretive,” he told us. “I didn’t even know if it was a superhero movie or that Ryan Reynolds was in it. I just knew it was a FOX movie.”
According to Soni, landing the role was pure luck. He didn’t know what to expect from his character or how involved he would be.
“I didn’t get to read the script until the day before we started filming, so I kind of had all these preconceptions of what I was going to get to do in the movie, but never in any of those situations did I think it would be what my story line ended up being.”
When asked about his favorite part of filming “Deadpool 2,” Soni immediately had an answer. He referred to an end scene in the third act of the movie when the X-Force heroes do a candid walk together.
“This is gonna sound simple, but in the third act, there’s a slow motion walk,” Soni paused, “That was my FAVORITE thing to film because it was so different from anything I’ve ever done.”
“I’ve mainly done comedy, so I’m used to doing days where there is a lot of dialogue and just talking, so for me to do that — we shot that for a whole day and they played music in real life — but to stand next to Ryan Reynolds and Josh Brolin and Zazie Beetz… like just be a badass, to me was so fun. I got to have the time of my life.”
Twentieth Century Fox’s first “Deadpool” proved to be a surprise hit, setting records for the biggest opening weekend for an R-rated film. “Deadpool 2″ is expected to end the three-week reign held by “Infinity War,” with an estimated release between $130 million and $150 million on over 4,000 screens in North America, and potentially beat its own first record.
January 18, 2023January 18, 2023 5min readBy Arun S.
From receiving his MBA from Harvard business school to being the CEO of Asia’s largest music festival brand Sunburn, Karan Singh combined his interests to push his passion for music! Singh received his bachelor’s degree in management from the London School of Economics and Political Science. He worked as an investment banker for three years at Ambit Corporate Finance before working at Sunburn which is a part of his family’s business. Sunburn started providing the music festival experience starting in the year 2007. The first festival was in Candolim, Goa. The music festival brand has put on over 5,000 events over the past 15 years. In 2022 The Sunburn Festival will be in it’s 16th year. Continue reading to learn more about Karan Singh’s journey with the Sunburn music festival!
What does the Sunburn brand offer and what made you have the festival in Goa as opposed to other parts of India?
We believe that Sunburn offers a really unique experience and is a melting pot of diverse people & cultures from not only across India but around the world. Goa is the ideal setting for this as there is something magical about Goa in the winter-time and truly enables us to tap into that global audience.
Safety at live events has always been a concern among concert goers. Considering recent, events more individuals have asked brands and artists to do more to ensure audience safety. What are you doing to ensure safety for live concerts?
Safety is a huge priority for us. We work with the best-in-class security agencies as well as closely with the police and requisite authorities. For anyone in the crowd a Sunburn safety officer will always be close by and easily visible. We also run an awareness drive on both social media and on ground.
What was the first Sunburn Festival like and what did you learn from this experience?
The first ever Sunburn Festival was in December 2007, and I had actually attended it as a fan, not part of the crew. However, it was absolutely eye-opening as the first proper music festival on Indian shores and opened up our minds to a world of possibilities.
As Sunburn houses so many electronic dance musicians who have been your favorites throughout the years?
It is difficult to pick from the list however the favorites for Sunburn, in no order and because of the amount of love they have shown Indian audiences, are Martin Garrix, DJ Snake, Dimitri Vegas & Like Mike, Hardwell and Armin van Buuren.
Do you plan to expand the festival to add other genres into the mix as well as more activities?
We have already expanded into different formats like Arena, Campus, Club, Reload and things like merchandize & academy. In terms of genres, we have been dabbling with genres like rap, hip-hop and pop, however our focus remains on electronic dance music.
What can someone expect from the festival as first-time goers?
Apart from a state-of-the-art production & line-up, one can expect a special experience, meeting interesting people from all over the world, and embarking on a creative journey of the theme for the year.
How does the festival help local musicians from Goa as well as the surrounding areas in India?
This year we had set up for the first time a special stage and village in the festival only for Goa which gave a platform to local Goan artists. But beyond that a huge focus for us has always been to showcase domestic home-grown talent and indeed 60-70% of the line-up each year is locally sourced.
What was the experience like this year in 2022 and how is it different from previous years?
The biggest difference was that this was the first time the festival was back to its full scale since the pandemic hit after 3 long years. It was a fantastic release for everyone there. Our theme was “the future is now” and this was reflected across the festival experience and particularly in the main stage design – termed “Cyberpunk City” which received rave reviews from all.
What was it like having the legends Black Coffee and Afrojack this year as well as the DJ duo Dimitri Vegas & Like Mike?
Afrojack and DVLM are both Sunburn & India veterans, it was amazing having them back crushing the main stage after very long. Black Coffee for us was something very new and exciting, to have a special artist and a unique sound like that close the main stage on day 2. However it was very well-received and took our experience to the next level.
As you have had the artist Avicii back in December 2011 how do you feel he revolutionized Electronic Dance Music?
Avicii is one of my all-time favorite artists and his show in December 2011 was actually my first one working on Sunburn so will always be extra special. There is no doubt that he revolutionized EDM by taking massive risks and introducing an entirely new sound which a lot of others then followed, but no one as well as he did.
How does it feel to be in charge of one of Asia’s biggest Electronic Dance Music Festivals?
It feels great, we have a very young but ambitious and hard-working team and our primary focus is to continue delivering the best possible experiences for our fans, artists and partners. India is such a vibrant and exciting market that I cannot help but be pumped about what the future holds.
Do you feel Electronic Dance Music is a misunderstood genre?
More so in a country like India possibly yes, where people who are not exposed to these experiences sometimes have preconceived notions about EDM festivals and the like. Oftentimes those people are also in a decision-making capacity and can directly affect the industry. However, things are certainly improving as the industry overall gets bigger and gets more acceptance.
What does music mean to you, Karan Singh?
Music provides a sound-track to life, it is something which is always there!
How do you choose to react when you receive negative comments about the Sunburn Festival?
Well, you have to be able to differentiate between those which are just trolling and those which are constructive or fair criticism. The latter is very important as it helps us to look at ourselves and continually improve, we are still a long way from where we eventually want to be.
Lastly, what do you hope individuals take away from this interview with Brown Girl Magazine?
I hope it allows us at Sunburn to reach a wider audience of the desi community around the world and hopefully get some more people to fly down to Goa for Sunburn Festival 2023 which I can promise you all will be the best one yet!
Dimitri Vegas Like Mike
We have had a long connection with India. The first time we played here was more than a decade ago. Going from clubs to being a regular feature at one of Asia’s biggest electronic music festivals which is now an institution in itself. It’s been an exciting evolution to see how Sunburn has grown over the years. The fans at Sunburn are some of the most insane and every show is a special one. We’ve always had an incredible experience at Sunburn.
Honestly, the energy I feel when I am in India is one of the most amazing things. I would say the culture and energy is what keeps me coming back! India is like a second home to me, just like Sunburn. I feel so comfortable and welcomed here. I’m always excited about coming to India and playing at Sunburn, experiencing new cities, meeting more of the people, hearing more of the music, and seeing more of the country that has influenced me so much.
Sunburn has helped dance music artists world over to tour India and connect with their Indian fans and I’m always excited about performing at the festival.
I’ve a long history with the Sunburn team. They are a great team to work with and they also give the fans amazing experiences. As an artist, I want to be a part of providing fans with lifelong memories and so we all share the same vision.
Sunburn is one of the pioneers of the dance music festival scene in India and has been instrumental in creating a truly world class platform that supports the dance music industry and all of its stakeholders. I’m always excited about touring India with Sunburn.
“Take what you want//Take everything” reflects on a time with my partner and our cat, Layla. It’s a retelling of the chaotic night I adopted her. I didn’t know why Layla hid from me. When I chased her around, it scared her more. “Take what you want//Take everything” juxtaposes our first night, filled with misunderstanding, with the rest of the time we spent together. My fond memories call back to the loving moments Layla and I shared.
Such memories defined us; they reverberated in my partnership. I wonder if my partner, like Layla, only remembers her fear of me, over our shared moments of love. The title, a Kanye West lyric, is an acknowledgment that their happiness together–without me–destroyed my sense of self. When I see their photos, I wonder if I can see myself reflected in their eyes. I wonder if they still keep kind moments of our time together.
I remember when she would look at me from behind a laundry basket.
A small simple cat with green owl eyes. She was afraid of her new home and its owner. Shit, I remember the night I got her, she hid under my bed, in the middle just out of my reach for maybe 6 hours, watching me. She didn’t eat anything the entire day. When the night fell I was afraid she’d starve or come out and attack me. I was just scared. I didn’t have a childhood pet, I’m not white, I didn’t know what to do. I picked up the whole bed and yelled that she needed to move. I chased her into the closet with a vacuum cleaner. When she ran in, I called my lover and yelled to her that she wasn’t helping enough, she needed to be there to help me. That was our first day together, me and that cat. No one will ever have that memory but me and maybe her.
It was during Ramadan, my first year fasting.
Our problems had already begun by then. Enough so that I decided to fast and show retribution. I’d try to change into a more patient and understanding self. Like the Prophet (SAW) I guess. To become someone that my lover could feel safe around. Somehow, getting a cat felt like it fit into that picture. I’d be a cat dad, you know, gentle. We’d raise her. I’d fast and become New Again. Maybe I’d wrap an inked tasbih around myself and show I’m a man of God.
I don’t know how a cat remembers fear any more than I know how a lover does.
I know her body stored it. My cat’s must have stored it too. That first night, I wish I could tell her that I was afraid too. It doesn’t make sense that I was afraid really — I’m bigger, more threatening. We don’t speak the same language anyway, so how could I ever tell her? She learned to trust me though, in her own way. Her small bean paws would press on my chest in the mornings. She’d meow to berate me for locking her out some nights, or when I was away from home too long.
She lives with my lover now. They share photos with me, they’re happy together.
I saw my lover once, it was on 55th and 7th, Broadway shined blue performance lights over us. She wore a red sacral dress. She said her mental health has never been better. I think she was trying to tell me that she’s doing well, because she knows I care for her. I don’t think she was trying to say she’s happier without me. We don’t speak the same language. I actually think they are happier with just each other. And I loved them both, so it hurts. Sometimes, not all the time. And it doesn’t always hurt that bad. Other times it does get pretty bad, though. I probably owe it to myself to say that.
I look back at the photos, the ones of our life together, and the ones of their new life.
Two green owl eyes, and two brown moonlit eyes. I look for myself in them.
“Confessions to a Moonless Sky” is a meditation on the new moon and guilt. I wrote it when I was living in Dallas and was driving back from a dusk prayer. The new moon terrified me on that drive. I was diseased by the knowledge that my partner, at the time, had seen the worst parts of me. There’s immense shame in this piece—it seized my self-image. If the moon could become brand new, then I could start over.
I often ponder on the moon’s reflective nature and pairs of eyes. I’m hyper-fixated on how I am seen by others. Unfortunately, the brilliance of seeing your reflection in another person leads to negativity. After all, those who are too keen on their own reflection are the same people who suffer from it. It is possible to use shame to fuel one’s retribution and personal growth, without becoming consumed by it.
We can look to Shah Rukh Khan succumbing to alcoholism in his own sorrow and then later imbibing his sadness in Chandramukhi. “Confessions to a Moonless Sky” is a lesson for us: Don’t be Shah Rukh Khan in Devdas, instead embody pre-incarnation Shah Rukh Khan in Om Shanti Om!
Sometimes when the moon abandons the sky, I wonder if I drove her away.
If she comes back, will she be the same? How I wish she would come back new, truly new! That way she’d have no memory of the sin I’ve confessed to her. You noxious insect. Sin-loving, ego-imbibing pest. You are no monster, for at least a monster has ideology, it sins with purpose. You sin just to chase ignominy.
But the moon won’t say that, she never does. She’ll just leave the sky and return days later, slowly. And I’ll wonder if she’s new, perhaps she won’t remember my past confessions. What does it matter? Were the moon replaced with one from a different god, I’d drive her away, too.