Exploring God And Religion Through Poetry

called

I Called You

in sacred spaces.
i called to You.
in lonely spaces.
i called to You.

in classrooms full of giants.
i called to You.
surrounded with books.
i called to You.

there is no other book that can satiate my learning like the way Your words do.

God.
You made me.
and when the world embraced me.
it is You that made me shine.

and when the world disposed of me.
You listened to every woe of me.
and my life is what You redefined.

You protect me.
keep me safe in Your arms.
You let me cry it out.
You hear my every call. even when i shout.

You shield me from those that misunderstand me.
that malign my name.
that take my immaculate love for them.
and make it into a game.

and even better the struggles that I faced.
blossomed me into a woman.
to You I am grateful for this flourishing.
grateful that these struggles gave me substance.
these struggles gave me beauty.
but most of all.
You nourished me.

You nourished me.
You gave me a beating heart that feels.
how unreal.
that in a world that does not love anymore.
You gave ME the privilege to feel.

and with every break.
my heart increased in value.
my heart is finally awake.

to You.

God.
You are my best friend.
Indeed.
to You belong the world’s most beautiful names.

the Most Compassionate.
the Most Merciful.
and the King.

[Read Related: Faith and Solidarity: The Importance of Uniting Against Islamophobia]

The opinions expressed by the guest writer/blogger and those providing comments are theirs alone and do not necessarily reflect the opinions of Brown Girl Magazine, Inc., or any employee thereof. Brown Girl Magazine is not responsible for the accuracy of any of the information supplied by the guest writer/bloggers. This work is the opinion of the blogger. It is not the intention of Brown Girl Magazine to malign any religion, ethnic group, club, organization, company, or individual. If you’d like to submit a guest post, please follow the guidelines we’ve set forth here.
By Farhat Desai

Farhat Desai has a B.A. from U.C. Berkeley and an MBA with a concentration in Marketing from Saint Mary’s College.She … Read more ›

The Pressures of Being the Perfect South Asian Woman

NAKED: The Honest Musings of 2 Brown Women was born in the autumn of 2018, when Mimi Mutesa and Selvi M. Bunce began sharing their poetry collections. It was scary, beautiful, and terrifying when they decided to trust each other with their most intimate thoughts. Not only did they feel relieved after doing so, but Selvi and Mimi also felt more seen as women of color. They embarked on their publication journey, so others may feel as seen as they did on that fateful autumn.

“Ingrown Hair” deals with the themes of societal and family pressures that are reflected throughout NAKED. Mimi and Selvi have always written for themselves. They see poetry as an outlet, and their poems exemplify their personal frustration and vulnerability. “Ingrown Hair” speaks to Selvi’s experience with the societal pressures of South Asian women, such as getting married, being a good wife, becoming a good mother, and leading a certain kind of life.

[Read Related: Exploring the Endless Possibilities of who I am In the Mirror]

Ingrown Hair

There is something strange beneath my skin
telling me to build a house,
make a home,
mother children.
I am not sure how to reconcile it.
My mother was strong
and a mother after all.
My philosophy has been to spend my time
on myself and the world.
I have always thought
I could simply address the thing under my skin
when it finally crawled out.
But when my family starts guessing
who will get married first, and my father
has been saving wedding money for years,
I begin to wonder
if I will have to pluck it out.

[Read Related: Reconstructing and Deconstructing our Ideals]

You can purchase your copy of NAKED on Amazon, Barnes & Noble, Waterstones, Bookshop, and The Black Spring Press Group. Follow Selvi on Twitter and Instagram. Don’t forget to check out her project, Brown & Brazen.


The opinions expressed by the guest writer/blogger and those providing comments are theirs alone and do not necessarily reflect the opinions of Brown Girl Magazine, Inc., or any employee thereof. Brown Girl Magazine is not responsible for the accuracy of any of the information supplied by the guest writer/bloggers. This work is the opinion of the blogger. It is not the intention of Brown Girl Magazine to malign any religion, ethnic group, club, organization, company, or individual. If you’d like to submit a guest post, please follow the guidelines we’ve set forth here.
By Selvi M. Bunce

Selvi M. Bunce (she/they) has written for academic and creative journals and spoken at diversity conferences and TEDx. Selvi currently … Read more ›

Moving on After Breaking up With Your Cat

“Take what you want//Take everything” reflects on a time with my partner and our cat, Layla. It’s a retelling of the chaotic night I adopted her. I didn’t know why Layla hid from me. When I chased her around, it scared her more. “Take what you want//Take everything” juxtaposes our first night, filled with misunderstanding, with the rest of the time we spent together. My fond memories call back to the loving moments Layla and I shared.

Such memories defined us; they reverberated in my partnership. I wonder if my partner, like Layla, only remembers her fear of me, over our shared moments of love. The title, a Kanye West lyric, is an acknowledgment that their happiness together–without me–destroyed my sense of self. When I see their photos, I wonder if I can see myself reflected in their eyes. I wonder if they still keep kind moments of our time together.

[Read Related: Artivist Poem Essay-Studmavati]

Take what you want//Take everything

I remember when she would look at me from behind a laundry basket.

A small simple cat with green owl eyes. She was afraid of her new home and its owner. Shit, I remember the night I got her, she hid under my bed, in the middle just out of my reach for maybe 6 hours, watching me. She didn’t eat anything the entire day. When the night fell I was afraid she’d starve or come out and attack me. I was just scared. I didn’t have a childhood pet, I’m not white, I didn’t know what to do. I picked up the whole bed and yelled that she needed to move. I chased her into the closet with a vacuum cleaner. When she ran in, I called my lover and yelled to her that she wasn’t helping enough, she needed to be there to help me. That was our first day together, me and that cat. No one will ever have that memory but me and maybe her.

It was during Ramadan, my first year fasting.

Our problems had already begun by then. Enough so that I decided to fast and show retribution. I’d try to change into a more patient and understanding self. Like the Prophet (SAW) I guess. To become someone that my lover could feel safe around. Somehow, getting a cat felt like it fit into that picture. I’d be a cat dad, you know, gentle. We’d raise her. I’d fast and become New Again. Maybe I’d wrap an inked tasbih around myself and show I’m a man of God.

I don’t know how a cat remembers fear any more than I know how a lover does.

I know her body stored it. My cat’s must have stored it too. That first night, I wish I could tell her that I was afraid too. It doesn’t make sense that I was afraid really — I’m bigger, more threatening. We don’t speak the same language anyway, so how could I ever tell her? She learned to trust me though, in her own way. Her small bean paws would press on my chest in the mornings. She’d meow to berate me for locking her out some nights, or when I was away from home too long.

She lives with my lover now. They share photos with me, they’re happy together.

I saw my lover once, it was on 55th and 7th, Broadway shined blue performance lights over us. She wore a red sacral dress. She said her mental health has never been better. I think she was trying to tell me that she’s doing well, because she knows I care for her. I don’t think she was trying to say she’s happier without me. We don’t speak the same language. I actually think they are happier with just each other. And I loved them both, so it hurts. Sometimes, not all the time. And it doesn’t always hurt that bad. Other times it does get pretty bad, though. I probably owe it to myself to say that.

I look back at the photos, the ones of our life together, and the ones of their new life.

Two green owl eyes, and two brown moonlit eyes. I look for myself in them.

[Read Related: How Love Matures as you Grow]

By Umrao Shaan

Umrao Shaan is a short storyist, poet, and ghazals singer. You can find his songs on his Instagram. His other … Read more ›

The Futility of Trying to be ‘That Girl’

Social media has stretched a number of news headlines:

“Social media rots kids’ brains.”

“Social media is polarizing.”

Yet those most affected by social media ideals are the teenage users. Apps like Instagram and TikTok perpetuate an image of perfection that is captured in pictures and 30-second videos. As a result, many young women chase this expectation endlessly. “Her” personifies this perfection in an unattainable figure the narrator has always wished to be. These ideals deteriorate mental health, create body dysmorphia, promote a lack of self-esteem, and much more. Even so, social media is plagued by filters and editing—much of what we hope to achieve isn’t even real. Therefore, young women, much like the narrator of “Her,” strive for a reality that doesn’t even exist.

[Read Related: The Emotional Roller Coaster of Getting Your Legs Waxed for the First Time]

Her

When she walked into my life
Her smile took up two pages of description
In a YA novel.
My arms could wrap around her waist twice
If she ever let anyone get that close
Her hair whipped winds with effortless beach waves
And a hint of natural coconut
Clothing brands were created around her
“One Size Fits All” one size to fit the girl who has it all
With comments swarning in hourglasses
But when sharp teeth nip at her collar,
She could bite back biting back
And simply smirked with juicy apple lips
Red hearts and sympathy masking condescension
“My body doesn’t take away from the beauty of yours”
“We are all equal, we are all beautiful”
Beauty
A sword she wields expertly
Snipping, changing,
Aphrodite in consistent perfection
Cutting remarks with sickly sweet syrup
And an innocent, lethal wink
When she walked into my life
She led my life.
My wardrobe winter trees
Barren, chopped in half
Unsuited for the holidays
Mirrors were refracted under in my gaze
Misaligned glass was the only explanation
For unsymmetrical features
And broken hands
Still I taped them fixed
Over and over
Poking, prodding
Hoping to mold stomach fat like wet clay
Defy gravity,
Move it upward
To chest
Instead of sagging beneath a belt on the last hole
In the spring
She would stir me awake at 2 AM
“You need to be me”
Lies spilled from her tongue but
Solidified, crystallized
Fabrication spelled dichotomy
And I drifted farther out to sea
When she walked out of my life,
I was drowning.
Reliance had me capsized
Others witnessed
Furrowed brows and glances away
Like spectators of a shark attack
They can watch but the damage is done
They clung to my mangled pieces
Gravestones spelled
“Stressed”
“Depressed”
But I was mourning too
Today I looked back at my mirror
But glass turned into prism
Broken pieces rainbow
Colors coating clothes
She didn’t pick
Aphrodite
Perception changing
She wasn’t perfect
Just lost at sea

[Read Related: Finding Freedom from Gender Roles Through Poetry]


The opinions expressed by the guest writer/blogger and those providing comments are theirs alone and do not necessarily reflect the opinions of Brown Girl Magazine, Inc., or any employee thereof. Brown Girl Magazine is not responsible for the accuracy of any of the information supplied by the guest writer/bloggers. This work is the opinion of the blogger. It is not the intention of Brown Girl Magazine to malign any religion, ethnic group, club, organization, company, or individual. If you’d like to submit a guest post, please follow the guidelines we’ve set forth here.
By Kashvi Ramani

Kashvi Ramani is a writer, actress, songwriter, and singer from Northern Virginia. She has been writing songs, poetry, scripts, and … Read more ›