A powerful spoken word performance went viral when a student spoke out about the harassment and sexism women face every day.
Eighteen-year-old Aranya Johar from Mumbai gave her performance at an UnErase Poetry event in March for Women’s Day. The performance titled “A Brown Girl’s Guide To Gender” has not only been viewed hundreds of thousands of times but shared and applauded on all forms of social media.
At the UnErase Poetry event, Johar spoke about how women are silenced, “boiled down to [a] sexual interaction,” faced with sexism in the form of clothing and double standards. She mentions how men get uncomfortable with women’s bodies and discussions of periods.
Johar’s latest performance began with an anecdote referencing her first encounter with a boy and misogyny.
“The first boy who held my hand told me boys don’t want to hear about vagina’s bleeding. Vaginas are only meant to be f**ked,” she said.
The inspiration for her piece came from bonding with her friends over their experiences with assault and harassment, following the Nirbhaya rape case and the story of Laxmi, an acid attack victim.
Johar not only runs the performance startup More Than Mics but also co-curates several open-mic events in Mumbai, including Blind Poetry Sessions, which differs from other poetry spaces, as it takes place in a dark room, with anonymous poets.
“It’s a challenge to the artists because they cannot read from their notebooks here. Also, nobody can judge their work on the basis of looks or age, since nobody can see their face. Audience members are given glow-in-the-dark sticks, and they wave them to show their appreciation,” Johar told the Hindustan Times.
With Johar’s YouTube and poetic successes, she has started to receive many responses praising her performances, an act that surprised the young writer.
Johar thought the problems she mentioned would not resonate as deeply with other audiences as they would in India.
In her poem, Johar called for her male friends to support her stating, “So I ask my male friend to drop me home because his privilege will protect mine.”
While a few men felt her poem were exaggerated, other men have reached out to ask how they could help, Johar told reporters.
”There was never a comment thread where I had to justify myself because other people were doing it for me,” she said.
Johar has two upcoming performance pieces, one titled “Goddamn Millennials” where she talks about the upsides of being a millennial and the second titled “Tea Time with Depression,” aims to make people aware of the signs and solutions to the mental disorder.
In the future, she hopes to continue creating awareness of social and stigmatized issues in society by means of education.
“I would like to pursue psychology or literature at degree college. I feel we ignore the importance of mental health. Poetry is my way of starting a dialogue,” Johar told the Hindustan Times.
Watch the performance for yourself and tell us what you think of “A Brown Girl’s Guide to Gender.”
From singing and acting to drawing immaculate figurines, Saheli Khan, 11, has made her debut in the North American Broadway tour as young Anna in Disney’s musical “Frozen.” As a first-generation Indo Caribbean, with roots in India and Pakistan, she continues to pave the way for young people with similar backgrounds.
Khan has always enjoyed entertaining those around her and she continues to have the motivation to pursue her passions. In school, she always sought to lead her class in songs and she was encouraged by her parents and teachers to enroll in music and acting classes, even at a young age. These ventures fueled her passions even more.
Continue reading to learn more about her journey!
What do you like about acting the most?
I like to portray different characters. Specifically, I like playing characters who have strong personalities and those who portray a sense of bravery, especially during problematic occurrences.
As a first generation Indo Caribbean actress, how do you feel about your journey as a young Disney princess? Do you feel that you are paving the way for other Caribbean and South Asians who want to pursue similar paths?
Diversity has always been important to me, but in today’s society, I feel that most people would like to be accepted and encouraged. As a Disney Princess, I am simply helping to broaden the field for all young people to see that skin color should not matter.
What do you like about your character, Anna? Is there anything that you may dislike?
Young Anna is a ball of sunshine! She is happy, funny, and a delight to be around. Despite having a troubled childhood, she grows up to be just as joyous, but she is also courageous as she goes on a journey to find her sister. I love everything about young Anna and she truly embodies who I am as a person.
Who is your inspiration and why?
My parents are my inspiration. My mom is beautiful, loving, and she works hard without ever giving up. No matter the task, she finds a solution and keeps on going with a smile on her face. She always tells me, “Whenever you feel overwhelmed, remember whose daughter you are and straighten your crown.” And my dad is my best friend. He’s insanely funny, caring and knows all the best places to eat! My parents are exactly how I want to be when I grow up.
If you had a magic wand, what show would you do next?
I would love to be Annie on Broadway or play the lead in a series or movie.
What is the one last thing that you do before you step out on stage and the curtain goes up?
There are many things I do before I step on stage. I do fun and silly things quietly with my “Frozen” sister, Mackenzie Mercer, and play with my Anna pigtails for good luck.
What are your other passions?
I love to sing, act, and spend time with my younger cousin, Ayla. I also love to draw and color since it makes me feel relaxed. I was told I have a great ability to draw and make figurines ever since I was a child. And I love exploring new cities and eating at great restaurants with my family.
What advice do you have for young people who are just starting their careers, specifically within the field of musical theater?
To have a positive mindset, practice diligently, and enjoy every moment within the journey. I have learned that there may be some occurrences that may not take place the way that you want them to, but there’s always an opportunity to learn from them.
Aside from your career, how do you balance your schoolwork and acting?
I attend school virtually, which is essential when I am on tour. Each day I have scheduled school hours that allow me to focus and complete all school assignments. Once that is done, I have most of the day to work on extracurricular activities, go on outings, and hang out with my friends. Though performing takes a large chunk out of my day, it helps that I enjoy it, so it doesn’t feel like work.
What types of roles do you see yourself playing?
I love to play humorous characters such as young Anna from “Frozen.” I truly enjoyed this role as it captures who I truly am.
Khan’s debut marks the start of a budding career. With her array of talents and future goals, we are bound to see more of the young actress in the future and more representation of Indo Caribbeans in mainstream media. If you would like to purchase tickets for Disney’s “Frozen,” click here.
These days, the phrase, “love knows no bounds” doesn’t seem to hold true. For many couples, specifically, those in long-distance relationships, the lengthy and complicated immigration process can keep lovers apart for six to 24 months. Well, aside from the thousands and thousands of miles of the deep ocean in between. I’ve been there; I have been an immigration attorney for 10 years and I found love abroad (my wife was living in the UK when we met).
I was flying across the Atlantic every few months so, as you can imagine, dating was quite expensive (though she quite liked the fact that for our first intentional visit, I paid several thousand pounds for a global migration conference as an excuse for flying over).
Marriage immigration is complex and costly. The eligibility and procedural requirements are confusing and require multiple long and complicated application forms over the course of six to eight years: from fiancé(e) or spouse visa through adjustment of status process, the Removal of Conditions Application, and thereafter applying for U.S. citizenship.
To put it in perspective, many immigration applications end up being 200-300 pages long. For you to know exactly what you need can be either extremely expensive — using an attorney, who typically charges $2,000-$12,000 per application (not including government-filing fees) — or time-consuming learning how to DIY. If you opt for the latter, it is quite scary to have to figure out the requirements and procedures and follow up with case status checks in hopes of finally getting some peace of mind that your case is progressing as it should.
The worst part? The grueling wait. Waiting while not knowing how long until you can bring love home; waiting to start a family — the next chapter of your life. You keep hearing people say, “life is short!” and you thought that you finally found a partner you want to spend it with. Unfortunately, life (bureaucratic procedures) get in the way.
The combination of distance and long immigration processing times puts our next chapter ‘on pause’ while we do everything we can to bridge the gap — the gap that effectively challenges our ability to build a ‘real’ relationship. Or did it? Is there a test for this kind of thing? I mean, apparently, the U.S. Immigration Service (USCIS) seems to know what a “real” relationship is and tests ours against some “standard” to determine if it is genuine enough to grant a fiancé(e) visa or spousal green card. What makes a strong Fiancé(e) or Spouse visa application? I’ve experienced love; I am human. What do they want from me to bring my partner home?
I have been a U.S. immigration lawyer for over 10 years and I myself found love abroad and firsthand had to go through the process of bringing my spouse home to the United States. My wife is an NRI who grew up in the Philippines and lived in London where we met (more on how our meddlesome Indian families instigated our “meet-cute” in a future article). Having recently gone through this journey, and having helped hundreds of immigrant couples over the years, it became obvious that there had to be a better way. It should not be expensive, unaffordable, or overly complicated for you to bring your loved one home to become a family.
When we were apart, we did everything from waking each other up in the middle of our respective nights, with the time difference, to one partner falling asleep with the other on the phone. We watched movies together on Netflix. We made travel plans and talked about what the future would look like. We craved each other and expressed our love daily, maybe even hourly.
The future can be uncertain for any couple, but perhaps even more so for those in a long-distance relationship. When one partner is waiting for a spousal visa or fiancé visa, there can be a lot of anxiety and stress about the process and wait times. Even one mistake can set the whole process back months or even years and, if you are not familiar with the process, there’s always the overhanging uncertainty of whether or not the visa will be approved altogether.
In today’s globalized world where borders are becoming less relevant than ever before, largely thanks to technological advances which allow individuals across countries via Facetime, WhatsApp, and Skype chats without having left home, there is more of a need for a streamlined immigration tech platform that helps “modern” couples who are dating long-distance with the help of technology.
The number one reason Fiancé(e) visa or Spouse visa applications are denied is lack of documentation evidencing your relationship/intent to marry. This article shows what evidence you can provide USCIS to prove you have a genuine relationship and thereby strengthen your visa application. OurLoveVisa.com is an immigration attorney-designed platform that provides free tools and features to help couples going through the U.S. K-1 or marriage visa process plan, manage, and track their immigration journey. Many couples going through the K-1 fiancé visa process, or CR-1/IR-1 spouse visa process, have found its relationship timeline tool, which is as easy to use as Instagram, helpful in building their application. The best part: it’s free to use. The OurLoveVisa.com platform was built so you can focus on what is truly important, your relationship!
The long, unreasonable immigration processing/wait times are definitely another topic for discussion and, as time goes on, I will continue to share and elaborate on my and my wife’s joint and individual journeys through marriage, immigration, and closing the gap from our long-distance relationship. In the meantime, I hope the information provided will bring value to you and your journey.
Both of my parents were born and raised in Bihar, India. They dated for a few years before getting married and moving to the United States, where they had me and my two older brothers. To our house in the States, they brought some remnants of home with them: old filmy Hindi music that always echoed in the background, my mom’s masala chai recipe that still entrances anyone who catches even a whiff of it, and a love for dance in any and every form.
They tried their best to fill our lives with as much cultural celebration and ritual as they could, but despite their genuine attempts to keep us rooted, being a product of the South Asian diaspora was complicated.
Growing up, my relationship with my culture looked very different throughout distinct stages of my life. Despite being a diaspora kid, I had a unique experience in that when I was four years old, my family packed up our lives in California and moved to my parent’s hometown in Bihar. We lived there for almost three years, and for each of those three years, I absorbed every ounce of India like a sponge. I learned how to speak Hindi fluently (along with some cuss words). I tried the classic Bihari street food — litti chokha — and watched how it was masterfully made over hot charcoal. I observed Chhathpooja, a Hindu festival dedicated to the solar deity, unique to the northeastern region of India. I developed an unhealthy addiction to chocolate Horlicks and Parle-G biscuits. I even tried, but ultimately failed, to master cricket. But sadly, all of that cultural immersion was short-lived and eventually came to an end. When I was seven, my family moved back to California.
Working with the cards we were dealt, my family still tried to stay connected to our heritage in whichever way we could. Our weekends were filled with trips to the mandir and Nina’s Indian Groceries. Festivals like Diwali and Holi were always embraced with parties and poojas. During Navratri season especially, my best friend Camy and I would dress up in matching lehengas and dance with dandiya sticks so forcefully that they would literally break in half.
Within our microcosm of a world, I never once paused to think about how I would carry these traditions forward.
It wasn’t until college, when I was trying to navigate who I was outside of my family unit for the first time, that I began to ruminate on my independent relationship with my culture. I didn’t have the structure of my family and childhood home to reiterate and reverberate Bihari traditions, Hindu customs, the Hindi language, or my family history. How would I embody them henceforth? Would I be able to make my ancestors proud?
My college roommates and I used to joke that despite us all being Indian Americans, we all spoke different mother tongues: Hindi, Tamil, Kannada, Bengali, and Telugu. This obviously made it tough to engage with our languages, even though we still made our best attempts. I learned how to read and write in Hindi during my senior year of college, but my skills are still rusty and elementary at best. Without continuous exposure and practice, I’m scared that one day I’ll lose the ability entirely.
As a child of immigrants, out of the context of my motherland, I find myself grappling with guilt or fear of losing touch with my roots. It can feel that with every passing generation, pieces of my culture may slowly diminish or get lost in translation. Bits of wisdom that are so niche and particular that, once I forget them, who will be there to remind me?
As I’m scouring the web for hair rejuvenation remedies and get overwhelmed by the surplus of opinions, I get frustrated that I can’t remember which ayurvedic oil is better for hair regeneration: Amla or coconut? If I catch a cold and need to make my nani’s cure-all tulsi chai recipe, I cross my fingers and hope that I’ve gotten all of the ingredients and measurements right. When I seem to be trapped in a continuous cycle of ebbs and want to consult my Vedic astrological chart for some insight, I find myself lost trying to navigate the implications of Shani and the meaning behind my houses.
It took a lot of time and reflection to let go of feelings of guilt attached to this notion of preservation. This isn’t to say that this process isn’t continuously ongoing. But, what I’ve ultimately reconciled, is that as a diaspora kid, I’m creating something that is true and unique to my nuanced experience as an Indian American.
Usha Jey, a South Asian-born and raised in Paris, recently fused urban and Bharatnatyam dance forms to create “Hybrid Bharatnatyam.” This dance form so perfectly encapsulates the blending of culture. As a dancer who grew up performing urban choreo with a mix of Bollywood, this fusion of East and West was such a validating thing to see. Dance has always been a medium through which I’ve been able to connect with my American and Indian identities. A lot of my childhood was spent performing Bollywood routines at temple events or Neema Sari showcases. In high school, I was introduced to competitive urban dance and fell in love. Excited to give my teammates a peek into my culture, I choreographed and taught an urban-Bollywood piece to the classic “Sheila ki Jawani” that we ended up performing at our annual showcase. Similarly, artists like MEMBA and Abhi the Nomad subtly weave nostalgic Indian sounds into their electronic and hip-hop music to create something entirely unique. As someone navigating both of these worlds, their music tugs at my duality. When I lived in San Francisco, during the festival of Diwali, I would cook up a feast and host all of my friends from diverse cultures and backgrounds to eat, do rangoli on the roof, and light sparklers. While that may not have been a traditional celebration, it was my cliff notes version of Diwali that I was giddy to share with my community.
Historically speaking, in any culture, there are traditions and customs that will be safeguarded until the end of time, but on that same note, there will be so much of culture that will evolve and soon look different. And maybe embracing that is something beautiful in and of itself.
While I’m still navigating my connection to my motherland, heritage, and roots, I’m allowing myself the grace to see that elements of them may manifest themselves differently in my life and the community of culture surrounding me. And while I may be creating something unique to my own identity, I still hope to honor the traditions and customs of those who came before me.