Iram Parveen Bilal on Life as a Pakistani Filmmaker & Her Decision on the Amazon Offer After SXSW Cancellation Brown Girl Magazine April 29, 2020
‘Devi’ Review: a Short Film That Says Volumes About Rape Culture in India Mishma Nixon March 25, 2020
‘The Long Goodbye’ Review: Riz Ahmed Unabashedly Embraces his Hyphenated Identity Pranjal Jain March 19, 2020
Filmmaker Sam Chatterjee on Tackling ‘Taboo’ Topics Onscreen for All Cultures Brown Girl Magazine March 15, 2020
‘Love Aaj Kal’ (2020) Review: a Boomer’s Judgmental POV on Modern Love Surabhi Srivastava February 25, 2020
Brown Girl Reacts: ‘Chhapaak’ is Disturbing, Emotional, Well-Directed & Important Brown Girl Magazine January 14, 2020
‘Dawat’ Film Review: Why Representation Matters — on Big Screens and Small Viren Shinde December 22, 2019
Chef Vikas Khanna on his Haunting Directorial Debut with ‘The Last Color’ Sarah Khan October 29, 2019
Filmmaker Nardeep Khurmi on the Complexity of Sikh Representation in new Short Film ‘Pagg’ Jashima Wadehra September 14, 2019
Changing the Perspective of the Hijab: in Conversation With ‘Spiderman’ Star Zoha Rahman Queenie Shaikh September 9, 2019
Gurinder Chadha’s ‘Blinded by the Light’ is the Coming of Age Story South Asians Need Aysha Qamar September 3, 2019
Enhancing the Voice of the Khwaja-Sera Community: an Interview With ‘The Noble Half’ Filmmaker Khaula Malik Nikitha Menon September 3, 2019
‘Double Tap’ is the Newest Comedy on the Market Giving a Voice to South Asian American Representation Brown Girl Magazine August 12, 2019
What the Academy Class of 2019 Means for South Asian Representation in Film Nikitha Menon July 14, 2019
‘Because We Are Girls’: A Personal, Yet All Too Relatable Story Thrust Onto the Global Stage Amrita Kumar-Ratta June 30, 2019
Actor Himesh Patel Hits the Representation Jackpot with New Film ‘Yesterday’ Sarah Khan June 28, 2019
7 Little-Known South Asian Queer Films to Showcase for Pride Month & Beyond Viren Shinde June 27, 2019